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      • Trusted Partner
        Sovereignty and superheroes
        Humanities & Social Sciences
        December 2015

        Sovereignty and superheroes

        by Neal Curtis

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      • Trusted Partner
        Kids and branding in a digital world
        Teaching, Language & Reference
        November 2015

        Kids and branding in a digital world

        by Barry Gunter

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      • Trusted Partner
        Sovereignty and superheroes
        Humanities & Social Sciences
        December 2015

        Sovereignty and superheroes

        by Neal Curtis

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      • Trusted Partner
        Show me the money
        Media studies
        June 2014

        Show me the money

        The image of finance, 1700 to the present

        by Edited by Paul Crosthwaite, Peter Knight and Nicky Marsh

        What does money really stand for? How can the abstractions of high finance be made visible? Show me the money documents how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. It tells the story of how artists have grappled with the increasingly intangible and self-referential nature of money, from the South Sea Bubble to our current crisis. Show me the money sets out the history and politics of representations of finance through five essays by academic experts and curators, and is interspersed with provocative think pieces by notable public commentators on finance and art. The book, and the exhibition on which it is based, explore a wide range of images, from satirical eighteenth-century prints by William Hogarth and James Gillray to works by celebrated contemporary artists such as Andreas Gursky and Molly Crabapple. It also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts and electronic trading systems.

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      • Trusted Partner
        Paving the Empire Road
        Media studies
        July 2013

        Paving the Empire Road

        BBC television and black Britons

        by Darrell Mottley Newton

        Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain's Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews. Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.

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      • Trusted Partner
        Paving the Empire Road
        Media studies
        July 2013

        Paving the Empire Road

        BBC television and black Britons

        by Darrell Mottley Newton

        Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain's Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews. Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.

        More
      • Trusted Partner
        Paving the Empire Road
        Media studies
        July 2012

        Paving the Empire Road

        BBC television and black Britons

        by Darrell Mottley Newton

        Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain's Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews. Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.

        More
      • Trusted Partner
        Beyond representation
        TV & society
        July 2013

        Beyond representation

        Television drama and the politics and aesthetics of identity

        by Geraldine Harris

        Beyond representation explores whether the last thirty years witnessed signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book examines ideas around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including 'Ally McBeal', 'Supply and Demand', 'The Bill', 'Second Generation', 'Star Trek: Enterprise', 'Queer as Folk', 'Metrosexuality' and 'The Murder of Stephen Lawrence'.

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      • Trusted Partner
        Beyond representation
        TV & society
        July 2013

        Beyond representation

        Television drama and the politics and aesthetics of identity

        by Geraldine Harris

        Beyond representation explores whether the last thirty years witnessed signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book examines ideas around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including 'Ally McBeal', 'Supply and Demand', 'The Bill', 'Second Generation', 'Star Trek: Enterprise', 'Queer as Folk', 'Metrosexuality' and 'The Murder of Stephen Lawrence'.

        More
      • Trusted Partner
        Beyond representation
        TV & society
        July 2012

        Beyond representation

        Television drama and the politics and aesthetics of identity

        by Geraldine Harris

        Beyond representation poses the question as to whether over the last thirty years there have been signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book can function as an introduction because it provides students with a clear and coherent pathway through complex, wide-reaching and highly influential interdisciplinary terrain. Chapters examine ideas circling around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including Ally McBeal, Supply and Demand, The Bill, Second Generation, Star Trek: Enterprise, Queer as Folk, Metrosexuality and The Murder of Stephen Lawrence.

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      • Trusted Partner
        Beyond representation
        Humanities & Social Sciences
        October 2006

        Beyond representation

        Television drama and the politics and aesthetics of identity

        by Geraldine Harris, Martin Hargreaves

        Beyond representation poses the question as to whether over the last thirty years there have been signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book can function as an introduction because it provides students with a clear and coherent pathway through complex, wide-reaching and highly influential interdisciplinary terrain. Chapters examine ideas circling around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including Ally McBeal, Supply and Demand, The Bill, Second Generation, Star Trek: Enterprise, Queer as Folk, Metrosexuality and The Murder of Stephen Lawrence. ;

        More
      • Trusted Partner
        Kids and branding in a digital world
        Communication studies
        November 2015

        Kids and branding in a digital world

        by Barrie Gunter

        This book is about how kids become engaged with brands, and how their relationship with them changes over time as they mature as consumers. Children are introduced to brands at an early age, and they have become increasingly brand conscious. As consumer markets have developed and become more crowded and competitive, so brands have become more important in enabling consumers to make informed choices. However, it may not always be in a child's best interests to develop a preoccupation with brands, particularly if they influence the way they think about themselves. This book examines the emergence of brand awareness among children and the importance of their cognitive development to their understanding of brands and consumer socialisation. It also sheds light on problems caused by the emergence of new forms of branding in the digital era, especially in online social media and virtual environments where so many children now spend a great deal of time, and explores the implications for children and for regulators.

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      • Trusted Partner
        Paranoid visions
        The Arts
        June 2017

        Paranoid visions

        Spies, conspiracies and the secret state in British television drama

        by Joseph Oldham

        Paranoid visions explores the history of the spy and conspiracy genres on British television, from 1960s Cold War series through 1980s conspiracy dramas to contemporary 'war on terror' thrillers. It analyses classic dramas including Tinker Tailor Soldier Spy, Edge of Darkness, A Very British Coup and Spooks. This book will be an invaluable resource for television scholars interested in a new perspective on the history of television drama and intelligence scholars seeking an analysis of the popular representation of espionage with a strong political focus, as well as fans of cult British television and general readers interested in British cultural history.

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      • Trusted Partner
        Paranoid visions
        The Arts
        June 2017

        Paranoid visions

        Spies, conspiracies and the secret state in British television drama

        by Joseph Oldham

        Paranoid visions explores the history of the spy and conspiracy genres on British television, from 1960s Cold War series through 1980s conspiracy dramas to contemporary 'war on terror' thrillers. It analyses classic dramas including Tinker Tailor Soldier Spy, Edge of Darkness, A Very British Coup and Spooks. This book will be an invaluable resource for television scholars interested in a new perspective on the history of television drama and intelligence scholars seeking an analysis of the popular representation of espionage with a strong political focus, as well as fans of cult British television and general readers interested in British cultural history.

        More
      • Trusted Partner
        Sovereignty and superheroes
        Humanities & Social Sciences
        May 2016

        Sovereignty and superheroes

        by Neal Curtis

        Sovereignty and superheroes marks a major new contribution to the emerging field of comic studies and the growing literature on superheroes. Using a range of critical theorists, the book examines superheroes as sovereigns, addressing amongst other things the complex treatment of law and violence, legitimacy and authority. It examines all the main characters including Superman, Batman, Captain America, Wonder Woman and Iron Man along with a host of other heroes and heroines within the Marvel and DC universes. The book will be of interest to academics and students interested in the intersection between superhero comics, culture and politics. In a century thus far dominated by the war on terror, superheroes offer us the perfect opportunity to think through the nature of sovereignty in such times of emergency. The book not only guides the reader through some of the major story arcs in superhero comics, but also serves as an excellent introduction to a range of writings on the nature of sovereignty. ;

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      • Trusted Partner
        Aesthetic Theory and the Video Game
        Humanities & Social Sciences
        August 2011

        Aesthetic Theory and the Video Game

        by Graeme Kirkpatrick

        This book draws on aesthetic theory, including ideas from the history of painting, music and dance, to offer a fresh perspective on the video game as a popular cultural form. It argues that games like Grand Theft Auto and Elektroplankton are aesthetic objects that appeal to players because they offer an experience of form, as this idea was understood by philosophers like Immanuel Kant and Theodor Adorno. Video games are awkward objects that have defied efforts to categorise them within established academic disciplines and intellectual frameworks. Yet no one can deny their importance in re-configuring contemporary culture and their influence can be seen in contemporary film, television, literature, music, dance and advertising. This book argues that their very awkwardness should form the starting point for a proper analysis of what games are and the reasons for their popularity. This book will appeal to anyone with a serious interest in the increasingly playful character of contemporary capitalist culture. ;

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      • Trusted Partner
        The changing spaces of television acting
        The Arts
        August 2017

        The changing spaces of television acting

        From studio realism to location realism in BBC television drama

        by Richard Hewett

        This title is an historical overview and a then-and-now comparison of performing for British television drama. By examining changing acting styles from distinct eras of television production - studio realism and location realism - it makes a unique contribution to both television and performance studies, unpacking the various determinants that have combined to influence how performers work in the medium. Comparing the original versions of The Quatermass Experiment (BBC, 1953), Doctor Who (BBC, 1963-89) and Survivors (BBC, 1975-77) with their respective modern-day re-makes, the book unpacks the developments that have resulted from the shift from multi-camera studio to single camera location production. Textual analysis is combined with extensive archive research into production process and reception, alongside interviews with numerous actors and production personnel from more than sixty years of television production.

        More
      • Trusted Partner
        The changing spaces of television acting
        The Arts
        August 2017

        The changing spaces of television acting

        From studio realism to location realism in BBC television drama

        by Richard Hewett

        This title is an historical overview and a then-and-now comparison of performing for British television drama. By examining changing acting styles from distinct eras of television production - studio realism and location realism - it makes a unique contribution to both television and performance studies, unpacking the various determinants that have combined to influence how performers work in the medium. Comparing the original versions of The Quatermass Experiment (BBC, 1953), Doctor Who (BBC, 1963-89) and Survivors (BBC, 1975-77) with their respective modern-day re-makes, the book unpacks the developments that have resulted from the shift from multi-camera studio to single camera location production. Textual analysis is combined with extensive archive research into production process and reception, alongside interviews with numerous actors and production personnel from more than sixty years of television production.

        More

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