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      • Classic fiction (pre c 1945)
        January 2018

        Ulysses

        by James Joyce

        Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904.[4][5] Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th century context of modernism, Dublin, and Ireland's relationship to Britain. The novel imitates registers of centuries of English literature and is highly allusive.

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        Classic fiction (pre c 1945)
        2020

        Aeneid

        by Ivan Kotlyarevsky

        "Aeneid" is a Ukrainian burlesque-travesty poem written by the writer Ivan Kotlyarevsky, based on the plot of the classic poem of the same name by the Roman poet Virgil. It consists of six parts, in contrast to the twelve parts of Virgil. Written in four-foot iambic. The poem was written during the formation of romanticism and nationalism in Europe, against the background of nostalgia of the Ukrainian elite for the Cossack state, which was liquidated by Russia in 1775-1786. The Aeneid is the first large-scale monument of Ukrainian writing in the spoken Ukrainian language. The poem initiated the formation of modern Ukrainian literature.

      • Classic fiction (pre c 1945)
        April 2015

        The Cornubian

        What lies between the devil and the deep blue sea?

        by Julie Spiller

        When infamous smuggler Martin MacBride returns to Cornwall after escaping slavery in Algiers, he finds his wife and child have died. Fuelled by anger, the heartbroken smuggler vows to avenge their deaths by killing his hated foe, John Cardinham. However, Cardinham is riddled with a hatred of his own. He is convinced that his fiancée, beautiful local inn-keeper Josephine Bryant, is in love with MacBride, and intends to see the smuggler brought to justice at an appointment with the gallows. The locals of Cornwall pull together for their hero in a formidable force against the revenue, and Cardinham, finding he has his work cut out, hires the services of notorious privateer, Jose Sparky Vaquero, who proceeds to double-cross all concerned. Thus begins a twisting, turning journey of blackmail, obsession and suspicion. But when the stakes are high and the pressure is on, mistakes are easily made, and underestimation can prove to be a costly one. "Julie Spiller has found her inspiration in Cornwall's past, a rich seam of our history, as many writers from Daphne du Maurier to Winston Graham could testify, and she has mined it with colour and skill. It is a terrific piece of work and I wish her every success with it." Julian Fellowes, creator of Downton Abbey

      • Fiction
        2019

        The Marriage of Heaven and Hell

        by Enéias TAvares; Fred Rubim

        At the end of the 18th century, the English poet and engraver William Blake contacted a powerful demon. The infernal creature, then, revealed to him the Wisdom of Hell and the way it could be passed down from generation to generation by using copper plates, corrosive acids and singular inks. Centuries later, the fates of a tormented hitman, a luxury call girl, a corrupt spiritual leader, and a visionary artist merge into a retelling of the Blakean illuminated book. Here, you will find blood, desire and revenge. Written by Eneias Tavares (Brasiliana Steampunk and Full Steam Punks!) and illustrated by Fred Rubim (Cão Negro and Le Chevalier), this graphic novel draws from the William Blake original and Quentin Tarantino aesthetics to present the urban savagery of São Paulo in a plot full of pop references, intense colors and fiery conflicts!

      • Fiction
        December 2024

        Kecha va kunduz

        by Cho'lpon

        The novel "Kecha va kunduz" expresses all the conflicts that are important in the life of the people and society, and all the dreams of the writer. In it, the hard work of the working people, especially the women, is impressively and convincingly described through vivid stories and bright images. The image of Zebi, one of the main positive characters in the play, beautiful and polite, simple and disenfranchised, proves our point. In the case of Zebi, Razzaq Sufi and Qurbanbibi, the author clearly shows the tragic life of an entire nation.

      • Fiction
        September 2019

        RHAPSODY OF TIME

        by Hua Ling

        Wedding singer Li Yi-Hsing has a talent for mimicry; she can morph her voice at will to sound like any pop star. However, because of her crippling stage fright, she cannot pursue her dreams of stardom, and only performs at the familiar venue where she works.   One day after a performance she is hit with a withering criticism: like the moon, she will never shine with a light of her own, and can only reflect the light of others. Shattered, Li Yi-Hsing visits a temple for guidance, drawing a fortune on a slip of paper. When she returns home she discovers a young woman dressed head-to-toe in vintage clothes who insists that this is, in fact, her house. She says she is Peng Hsuen-Mei, a recently-signed singer about to begin her first recording sessions… in the year 1934! Adding to the mystery, the time traveler has also drawn a fortune at the temple: the exact fortune that Li Yi-Hsing drew.   Li Yi-Hsing and her brother dig through historical records but can’t find anything — no surviving recordings by Peng Hsuen-Mei, nor any reference to them. Meanwhile, they have also been searching for a lost phonograph of a song written by their grandfather, also made in 1934. Could the girl from 1934 be the key that unlocks the mystery of their family’s musical legacy? The only sensible thing to do is have Peng Hsuen-Mei stay with them while they continue to delve into these mysteries and search for a way to return her to 1934. For her part, Peng Hsuen-Mei must adapt to contemporary life even as she continues to pursue her musical dreams.   Young women of different eras with identical dreams, both attempting to uncover their pasts, both of them to rushing to meet their futures. In an era of great unknowns, readers are sure to appreciate this mysterious tale of youthful dreamers who join together to explore the enigmas of love, friendship, family, and fortune.

      • Classic fiction (pre c 1945)
        April 2024

        The Queen's Lender

        by Jean Findlay

        George Heriot, jeweller to King James VI, moves with the Court from Edinburgh to London to take over the English throne. It is 1603. Life is a Babel of languages and glittering new wealth. James gives Shakespeare his first secure position. To calm the perfidious religious tensions in the country, he commissions his translation of the Bible. He creates the Union Jack, called after himself. George becomes wealthier than the king as he sets a fashion for hat jewels and mingles with Drummond of Hawthornden, Ben Johnson, Inigo Jones and the mysterious ambassador Luca Von Modrich. However, both king and courtier bow before the phenomenal power invested in their wives.

      • Fiction
        September 2022

        The Last Case of Journalist Cronina

        by Anastasiia Pika

        Aliona Cronina is a young Ukrainian journalist who started working in a highly censored publication, fully controlled by its Russian sponsor. During Euromaidan, she realized that she can no longer be a detached witness to the events and wants to fight Kremlin propaganda and reveal the truth to people. Aliona will build a brilliant career: IT journalist, Ukrainian parliament employee, MI6 intelligence agent — and she will try to thwart the Russian invasion of Ukraine that started on February 24, 2022.   The novel consists of four parts, each chapter corresponding to a case file the heroine takes on. The novel is not just about modern Ukrainian history in 2012–2022; it is primarily about the development of Ukrainian journalism and democratic society. The author seeks to answer the question of why neither censorship, nor Putin’s propaganda in the Ukrainian media, nor the attempts to suppress Ukrainian revolutions by force, nor even forced emigration and war can make a dent in Ukrainians’ inner strength and perseverance.

      • Fiction

        The Wave that saw the sea

        by Nabiha Mheidly

        A little wave is just born in the middle of a sea. At first, the wave experiences an enjoyable moment because the movements feel like swinging. However, after a while, she is bored, as nothing fun happens in her life and her movements are always smooth. She starts nagging and other waves laugh at her. Then, she gets very curious to see the sea. One day she watches the stars and prays, and another day asks the seabird to hold her up and show her the sea. But none works. One day, a strong wind blows and creates a big wave out of her. She rises and finally gets the opportunity to see the sea. Other scared waves become surprised when they see her happiness. But the wave asks them to enjoy the moment because there is nothing to be scared and if they fall, the sea hugs them. Other waves accept his words joining him happily. The story ends when the happy little wave disappears on the face and wavy hair of a little girl on the beach, and another little wave is born in the sea.

      • Classic fiction (pre c 1945)

        Edgar Huntly, Or, Memoirs of a SleepWalker

        by Charles Brockden Brown (author)

        Often described as a "gothic novel," this is a classic American tale of mystery and murder with exciting and dramatic plot twists. Charles Brockden Brown is the most frequently studied and republished practitioner of the "early American novel," or the US novel between 1789 and roughly 1820.This volume contains a critical edition of Charles Brockden Brown’s Edgar Huntly, the third of his novels to be published in 1799 and the first to deal with the American wilderness. The basis of the text is the first edition, printed and published by Hugh Maxwell in Philadelphia late in the year, but the “Fragment” printed independently in Brown’s Monthly Magazine earlier in 1799 supplies some readings in Chapters 17-20. The Historical Essay, which follows the text, covers matters of composition, publication, historical background, and literary evaluation, and the Textual Essay discusses the transmission of the text, choice of copy-text, and editorial policy. A general textual statement for the entire edition appears in Volume I of the series.

      • Classic fiction (pre c 1945)
        May 2001

        Sherlock Holmes and the Longacre Vampire

        by Val Andrews

        Val Andrews is the most successful of all the writers producing Sherlock Holmes stories in the style of Sir Arthur Conan Doyle. Sherlock Holmes and the Longacre Vampire takes the reader into an exciting and stimulating journey into the mind of the Baker street Sleuth. The story revolves around a death that appears to have been caused by a vampire. But surely vampires do not exist. The location of the book centres on the theatrical area of London's West End. Sherlock Holmes and Dr. Watson are invited to solve the mystery of this inexplicable death and as always, after a thorough investigation, Holmes is able to apprehend the culprit.

      • Classic fiction (pre c 1945)

        The Bruiser

        Images of the Revolutionary War Generation

        by Jim Tully (author)

        A picture of life in the boxing ring “Few novelists captured the contradictions of his country so simply or so honestly in the metaphor of the pure, fatalistic, and merciless community of bruising.”—from the ForewordWhen The Bruiser was first published in 1936, almost every reviewer praised Jim Tully’s gritty boxing novel for its authenticity—a hard-earned attribute. Twenty-eight years before the appearance of The Bruiser, Tully began a career in the ring, fighting regularly on the Ohio circuit. He knew what it felt like to step inside the ropes, hoping to beat another man senseless for the amusement of the crowd. Having won acclaim in the 1920s for such hard-boiled autobiographical novels as Beggars of Life and Circus Parade, Tully thus became both fighter and writer. “It’s a pip of a story because it is written by a man who knows what he is writing about,” said sportswriter and Guys and Dolls author Damon Runyon. “He has some descriptions of ring fighting in it that literally smell of whizzing leather. He has put bone and sinew into it, and atmosphere and feeling.”The Bruiser is the story of Shane Rory, a drifter who turns to boxing and works his way up the heavyweight ranks. Like Tully, Shane starts out as a road kid who takes up prizefighting. While The Bruiser is not an autobiographical work, it does draw heavily on Tully’s experiences of the road and ring. Rory is part Tully, but the boxers populating these briskly paced chapters are drawn from the many ring legends the writer counted among his friends: Jack Dempsey, Joe Gans, Stanley Ketchel, Gene Tunney, Frank Moran, and Johnny Kilbane, to name a few. The book is dedicated to Dempsey, the Roaring Twenties heavyweight champion, who said, “If I still had the punch in the ring that Jim Tully packs in The Bruiser, I’d still be the heavyweight champion of the world today.”More than just a riveting picture of life in the ring, The Bruiser is a portrait of an America that Jim Tully knew from the bottom up.

      • Classic fiction (pre c 1945)

        Shanty Irish

        The True Story of the Death of Donald Ring Mellett

        by Jim Tully (author)

        Memories of an Irish-American growing up log-shack poor in small-town Ohio“Shanty Irish is a window, cracked and soiled, into a time and a place and a people before the moving pictures became an American obsession, people who had to create their own dreams, invent their own stories, and find escape from hopeless lives in hard liquor or the cold comfort of a promised Hereafter.”—from the foreword by John SaylesJim Tully was an American writer who enjoyed critical acclaim and commercial success in the 1920s and ’30s. A former circus laborer, hobo, and professional boxer, his rags-to-riches career may qualify him as the greatest long shot in American literature.Following the death of his mother, Tully was sent from his home in St. Marys, Ohio, to an orphanage in Cincinnati. After his time at the orphanage, the young Tully spent six years as a vagabond, riding the rails and working for a small circus. He left the road and settled in Kent, Ohio, in 1907, working odd jobs while focusing on his new interest—writing. After getting a few pieces published in local papers, Tully returned to the road in 1912, eventually settling for good in Hollywood. He worked for Charlie Chaplin and later became one of the first reporters to cover Hollywood. His honest depictions of film stars and directors earned him the reputation as the most feared man in Hollywood. In addition to the celebrity pieces, Tully wrote numerous books, including Shanty Irish (1928).A hard-edged mixture of hilarious and heartbreaking memories, Tully’s autobiographical Shanty Irish digs deep into the soil of his native Ohio to show what life was like in the late nineteenth century for a poor Irish-American family. Within the covers of this acclaimed work, we meet the author’s father, also named Jim Tully, “a gorilla built” ditchdigger whose stooped shoulders carry “the inherited burdens of a thousand dead Irish peasants.” We meet his mother, Biddy, a “woman of imagination” who “had all the moods of April.” We meet his uncle, ruthless John Lawler, who was tried, convicted, and sentenced to fifteen years in the Ohio penitentiary for stealing horses. And we meet his grandfather, Old Hughie Tully, “born with the gift of words”—“capable of turning death into an Irish wake and pouring liquor down the throat of the corpse.”Old Hughie, “never without a tale to tell,” emerges as the most vividly drawn character in a book packed with unforgettable characters. Tully’s most deeply personal book, Shanty Irish had a profound impact on readers and other leading American writers of the 1920s. “Shanty Irish is a chunk of real life,” wrote Upton Sinclair. “It made me feel human and humble, which is good for anybody.” H. L. Mencken said, “In Shanty Irish, it seems to me, he has gone far beyond any of his work of the past. The book is not only brilliantly realistic; it also has fine poetic quality.”Indeed, a book soaked in mud and whiskey, Shanty Irish is at turns brutal, sentimental, ironic, lyrical, humorous, and tragic.

      • Classic fiction (pre c 1945)

        Beggars of Life

        by Jim Tully (author)

        Tully’s breakthrough novel about life on the road Jim Tully left his hometown of St. Marys, Ohio, in 1901, spending most of his teenage years in the company of hoboes. Drifting across the country as a “road kid,” he spent those years scrambling into boxcars, sleeping in hobo jungles, avoiding railroad cops, begging meals from back doors, and haunting public libraries. Tully crafted these memories into a dark and astonishing chronicle of the American underclass—especially in his second book, Beggars of Life, an autobiographical novel published in 1924. Tully saw it all, from a church baptism in the Mississippi River to election day in Chicago. And in Beggars of Life, he captures an America largely hidden from view.This novelistic memoir impressed readers and reviewers with its remarkable vitality and honesty. Tully’s devotion to Mark Twain and Jack London taught him the importance of giving the reader a sense of place, and this he does brilliantly, again and again, throughout Beggars of Life. From the opening conversation on a railroad trestle, Beggars of Life rattles along like the Fast Flyer Virginia that Tully boards midway through the book. This is the book that defined Tully’s hard-boiled style and set the pattern for the twelve books that followed over the next two decades. Startling in its originality and intensity, Beggars of Life is a breakneck journey made while clinging to the lowest rungs of the social ladder.

      • Classic fiction (pre c 1945)

        Circus Parade

        by Jim Tully (author)

        A facsimile reprint of this classic tale of the seamier side of circus life“Jim Tully was one of the fine American novelists to emerge in the 1920s and ’30s. He gained this position with intelligence, sensitivity, and hard work. . . . No matter how crazily violent or fantastic his stories are, readers accept them as nonfiction. Tully makes the improbable seem true.”—from the foreword by Harvey PekarJim Tully was an American writer who enjoyed critical acclaim and commercial success in the 1920s and ’30s. A former circus laborer, hobo, and professional boxer, his rags-to-riches career may qualify him as the greatest long shot in American literature.Following the death of his mother, Tully was sent from his home in St. Marys, Ohio, to an orphanage in Cincinnati. After his time at the orphanage, the young Tully spent six years as a vagabond, riding the rails and working for a small circus. He left the road and settled in Kent, Ohio, in 1907, working odd jobs while focusing on his new interest—writing. After getting a few pieces published in local papers, Tully returned to the road in 1912, eventually settling for good in Hollywood. He worked for Charlie Chaplin and later became one of the first reporters to cover Hollywood. His honest depictions of film stars and directors earned him the reputation as the most feared man in Hollywood. In addition to the celebrity pieces, Tully wrote numerous books, including Circus Parade (1927).Based on his time as a circus laborer, Circus Parade presents the sordid side of small-time circus life. Tully’s use of fast-paced vignettes and unforgettable characters made this book one of his most successful, both commercially and critically. Among the cast is Cameron, the shifty circus owner; Lila, the lonely four-hundred-pound strong woman; and Blackie, an amoral drug addict.This is by no means a romantic story about a boy joining the circus. Tully knows too well its seamier side. Instead, he paints a picture of life at the edges—earthy, wolfish, and brutal. Fans of Jack London, Jack Kerouac, John Steinbeck, Charles Bukowski, and hard-boiled writers of the 1930s will find a kindred spirit in Jim Tully.

      • Classic fiction (pre c 1945)
        December 2013

        Charlie Thornhill

        Dunce of the Family

        by Charles Carlos Clarke

      • Classic fiction (pre c 1945)

        Wieland and "Memoirs of Carwin"

        Bicentennial Edition

        by Charles Brockden Brown (author)

        This first volume in Kent State University’s Bicentennial Edition of the Novels and Related Works of Charles Brockden Brown presents critical texts of Brown’s first published novel, Wieland, and of the fragment, “Carwin,” which he began in 1798 as a companion-piece to his novel. The texts are based on the first printings: the book edition of Wieland printed by T. and J. Swords in New York and published there by Hocquet Caritat in 1798, and the installments of “Carwin” that appeared in the Literary Magazine in Philadelphia in 1803, 1804, and 1805.The Historical Essay by Alexander Cowie, which follows the texts, discusses the facts surrounding the composition, publication, and reception of both works and their place in America’s literary history, and the Textual Essay by S.W. Reid discusses the copy-texts for the present edition, the transmission of the texts, and the editorial decisions that have been based on these considerations. Also appended are photographs of the notebook pages containing Brown’s “Outline” of Wieland, along with our transcription of it. Moreover, as the first in a series of volumes, this volume offers, as well, a note on the principles and procedures guiding the editing of all works in the Bicentennial Edition.

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