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      • Trusted Partner
        Dancing in the English style
        History
        April 2017

        Dancing in the English style

        Consumption, Americanisation, and national identity in Britain, 1918–50

        by Allison Abra. Series edited by Jeffrey Richards

        Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.

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      • Trusted Partner
        Dancing in the English style
        Humanities & Social Sciences
        April 2017

        Dancing in the English style

        Consumption, Americanisation and national identity in Britain, 1918–50

        by Allison Abra, Jeffrey Richards

        More
      • Trusted Partner
        Dancing in the English style
        Humanities & Social Sciences
        April 2017

        Dancing in the English style

        Consumption, Americanisation and national identity in Britain, 1918–50

        by Allison Abra, Jeffrey Richards

        More
      • Trusted Partner
        Dance and politics
        The Arts
        November 2016

        Dance and politics

        Moving beyond boundaries

        by Dana Mills

        This book examines the political power of dance, particularly its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement, dabke in Palestine and dance as a protest against human rights abuse in Israel, it explores moments in which the form succeeds in transgressing politics as articulated in words. Close readings and critical analysis grounded in radical democratic theory combine to show how reading political dance as 'interruption' can unsettle conceptions of both politics and dance.

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      • Trusted Partner
        Dance and politics
        Humanities & Social Sciences
        November 2016

        Dance and politics

        Moving beyond boundaries

        by Dana Mills

        This book examines the political power of dance, particularly its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement, dabke in Palestine and dance as a protest against human rights abuse in Israel, it explores moments in which the form succeeds in transgressing politics as articulated in words. Close readings and critical analysis grounded in radical democratic theory combine to show how reading political dance as 'interruption' can unsettle conceptions of both politics and dance.

        More
      • Trusted Partner
        Dance and politics
        Humanities & Social Sciences
        November 2016

        Dance and politics

        Moving beyond boundaries

        by Dana Mills

        This book examines the political power of dance, particularly its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement, dabke in Palestine and dance as a protest against human rights abuse in Israel, it explores moments in which the form succeeds in transgressing politics as articulated in words. Close readings and critical analysis grounded in radical democratic theory combine to show how reading political dance as 'interruption' can unsettle conceptions of both politics and dance.

        More
      • Trusted Partner
        Street theatre and the production of postindustrial space
        The Arts
        April 2019

        Street theatre and the production of postindustrial space

        Working memories

        by David Calder, Maggie B. Gale

        Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable. Working memories brings together some of current theatre scholarship's fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

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      • Trusted Partner
        Street theatre and the production of postindustrial space
        The Arts
        April 2019

        Street theatre and the production of postindustrial space

        Working memories

        by David Calder, Maggie B. Gale

        More
      • Trusted Partner
        Street theatre and the production of postindustrial space
        The Arts
        April 2019

        Street theatre and the production of postindustrial space

        Working memories

        by David Calder, Maggie B. Gale

        More
      • Trusted Partner
        Study on Dong Minority's Festivals and Measures of Intellectual Property Protection
        The Arts
        December 2017

        Study on Dong Minority's Festivals and Measures of Intellectual Property Protection

        by Wu Bo

        Dong Minority boasts abundant folk festivals that needs intellectual property protection. To conduct such measure is the tendency of protection of intangible cultural heritage, and also the necessary operation technique.   侗族因为其特殊的历史成因形成了大量的民间节会，具备丰富的节会文化资源。因此，对节会资源进行产权保护，既是非物质文化遗产保护的一个发展趋势，也是一种必要的操作技术。本书稿从侗族民间节会的分布特征、文化价值、传承保护与开发利用中存在的问题引申出侗族民间节会知识产权保护制度的构建，引导行政力量和民间社会对侗族民间节会合理运用、保护开发。该书稿被列为2010年国家社科基金项目“侗族民间节会知识产权的保护与对策研究”。 Due to its special historical causes, the Wa people have formed a large number of folk festivals and have rich festival cultural resources. Therefore, the protection of property rights of festival resources is not only a development trend of intangible cultural heritage protection, but also a necessary operation technology. The draft of this book draws on the construction of the intellectual property protection system of the Dai folk festivals from the distribution characteristics, cultural values, inheritance protection, development and utilization of the Dai folk festivals, and guides the administrative forces and civil society to make reasonable use of the Dai folk festivals Protect development. The draft was listed as the 2010 National Social Science Fund Project "Research on the Protection and Countermeasures of the Intellectual Property Rights of the Dong Folk Festival".

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      • Trusted Partner
        Dance and politics
        Humanities & Social Sciences
        November 2016

        Dance and politics

        Moving beyond boundaries

        by Dana Mills

        Introduction 1 Moving beyond boundaries: writing on the body 2 'I dreamed of a different dance': Isadora Duncan's danced revolution 3 'The body says what words cannot': Martha Graham, dance and politics 4 'I want to tell them how I feel and how black people feel': Gumboots dance in South Africa 5 Dancing the ruptured body: One Billion Rising, dance and gendered violence 6 Dancing human rights Conclusions: the dancer of the future dancing radical hope Index

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      • Trusted Partner
        Performing care
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

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      • Trusted Partner
        Dancing in the English style
        Humanities & Social Sciences
        September 2019

        Dancing in the English style

        Consumption, Americanisation and national identity in Britain, 1918–50

        by Allison Abra, Jeffrey Richards

        Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.

        More
      • Trusted Partner
        Dancing through the dissonance
        Humanities & Social Sciences
        May 2020

        Dancing through the dissonance

        Creative movement and peacebuilding

        by Lesley Pruitt, Erica Rose Jeffrey

        This book explores the relationship between peacebuilding and dance, including insights dance provides on key debates around peace and conflict. Building on existing work in International Relations, Peace and Conflict Studies, and Dance, the authors consider the work of an NGO and its participants deploying dance for peacebuilding through case studies across three contexts-Colombia, the Philippines, and the United States. In doing so, this book explores how dance, as an aesthetic, embodied medium, can embrace emotions, and support relationships across difference. Considering young people as peer leaders, the interaction of local and global hubs for peace, the role of embodied empathy, and the importance of practitioner self-care, this book provides a unique, important discussion as documented through a dance based peacebuilding approach. Through this work, the authors illuminate prospects and challenges in the practice and study of peacebuilding.

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      • Trusted Partner
        Dancing through the dissonance
        Humanities & Social Sciences
        May 2020

        Dancing through the dissonance

        Creative movement and peacebuilding

        by Lesley Pruitt, Erica Rose Jeffrey

        More
      • Trusted Partner
        Dancing through the dissonance
        Humanities & Social Sciences
        May 2020

        Dancing through the dissonance

        Creative movement and peacebuilding

        by Lesley Pruitt, Erica Rose Jeffrey

        More
      • Trusted Partner
        Performing care
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

        This edited collection brings together essays presenting an interdisciplinary dialogue between theatre and performance and the fields of care ethics, care studies, health and social care. The book advances our understanding of performance as a mode of care, challenging existing debates in this area by re-thinking the caring encounter as a performed, embodied experience and interrogating the boundaries between care practice and performance. Through an examination of a wide range of different care performances drawn from interdisciplinary and international settings, the book interrogates how performance might be understood as caring or uncaring, careless or careful, and correlatively how care can be conceptualised as artful, aesthetic, authentic or even 'fake' and 'staged'.

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      • Trusted Partner
        Performing care
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

        More

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