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      • Trusted Partner
        Representative Works of Chinese Woodblock New Year Paintings
        The Arts

        Representative Works of Chinese Woodblock New Year Paintings

        by Feng Jicai

        Woodblock new year painting is an old handicraft of China, going back thousands of years. People celebrate the Spring Festival by posting up woodblock new year paintings, praying for their good wishes. Chief edited by the contemporary Chinese author, artist, and cultural scholar Feng Jicai, the Representative Works of Chinese Woodblock New Year Paintings is a collection of the masterpieces selected out of over ten thousand woodblock new year paintings. It has two volumes, the Northern and the Southern, from which one can see the differences in the custom of the two regions. The book has received support from scholars and institutions worldwide, among which the Japanese museums' collections of Gusu woodblock new year paintings in the early Qing Dynasty and the Russian museums' collections of late Qing and early Republic China are disclosed to the world for the first time. So the book is not only a historical art collection, but also of high cultural heritage significance.

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      • Trusted Partner
        The 'do-it-yourself' artwork
        Non-graphic art forms
        May 2012

        The 'do-it-yourself' artwork

        Participation from Fluxus to New Media

        by Edited by Anna Dezeuze

        Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.

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      • Trusted Partner
        The hurt(ful) body
        Humanities & Social Sciences
        July 2017

        The hurt(ful) body

        Performing and beholding pain, 1600–1800

        by Tomas Macsotay, Cornelis van der Haven, Karel Vanhaesebrouck

        This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. The volume's two-fold approach to the hurt body, defining 'hurt' from the perspectives of both victim and beholder - as well as their combined creation of a gaze - is unique. It establishes a double perspective about the riddle of 'cruel' viewing by tracking the shifting cultural meanings of victims' bodies, and confronting them to the values of audiences, religious and popular institutional settings and practices of punishment. It encompasses both the victim's presence as an image or performed event of pain and the conundrum of the look - the transmitted 'pain' experienced by the watching audience.

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      • Trusted Partner
        Performance art in Eastern Europe since 1960
        The Arts
        March 2017

        Performance art in Eastern Europe since 1960

        by Amy Bryzgel, Marsha Meskimmon

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      • Trusted Partner
        Performance art in Eastern Europe since 1960
        The Arts
        March 2017

        Performance art in Eastern Europe since 1960

        by Amy Bryzgel, Marsha Meskimmon

        This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.

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      • Trusted Partner
        The Flower of Evil: Illustration Art of Aubrey Beardsley
        The Arts
        January 2018

        The Flower of Evil: Illustration Art of Aubrey Beardsley

        by by Aubrey Beardsley Edited by Wei Junlin

        This title collects illustrations, posters, and design works of Aubrey Beardsley, the characteristic illustrator in the 19th century. It is the most complete collection of his works in China, edited by Mr. Wei Junlin, painter and researcher of Beardsley.

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      • Trusted Partner
        Performing Presence
        The Arts
        September 2017

        Performing Presence

        Between the live and the simulated

        by Maria M. Delgado, Gabriella Giannachi, Nick Kaye, Maggie B. Gale, Peter Lichtenfels

        Performing presence: Between the live and the simulated proposes that the advent of new media forms, and the increasing integration of contemporary performance and media, has generated new engagements, practices and understandings of presence. Addressing new media art and performance, multi-media theatre, video installation, mixed reality environments and locative arts, the book presents case studies of work by Lynn Hershman Leeson, Paul Sermon, Gary Hill, Tony Oursler, The Builders Association and Blast Theory, as well as analyses of a series of related experiments created for CAVE, an immersive virtual reality environment. Performing presence combines extensive analysis, and extracts from interviews with the artists, as well as the documentation of elements of work and working processes, in order to provide specific insight into these engagements with contemporary practices and concepts presence.

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      • Trusted Partner
        The hurt(ful) body
        Humanities & Social Sciences
        July 2017

        The hurt(ful) body

        Performing and beholding pain, 1600–1800

        by Tomas Macsotay, Cornelis van der Haven, Karel Vanhaesebrouck

        This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. The volume's two-fold approach to the hurt body, defining 'hurt' from the perspectives of both victim and beholder - as well as their combined creation of a gaze - is unique. It establishes a double perspective about the riddle of 'cruel' viewing by tracking the shifting cultural meanings of victims' bodies, and confronting them to the values of audiences, religious and popular institutional settings and practices of punishment. It encompasses both the victim's presence as an image or performed event of pain and the conundrum of the look - the transmitted 'pain' experienced by the watching audience.

        More
      • Trusted Partner
        The hurt(ful) body
        Humanities & Social Sciences
        July 2017

        The hurt(ful) body

        Performing and beholding pain, 1600–1800

        by Tomas Macsotay, Cornelis van der Haven, Karel Vanhaesebrouck

        This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. The volume's two-fold approach to the hurt body, defining 'hurt' from the perspectives of both victim and beholder - as well as their combined creation of a gaze - is unique. It establishes a double perspective about the riddle of 'cruel' viewing by tracking the shifting cultural meanings of victims' bodies, and confronting them to the values of audiences, religious and popular institutional settings and practices of punishment. It encompasses both the victim's presence as an image or performed event of pain and the conundrum of the look - the transmitted 'pain' experienced by the watching audience.

        More
      • Trusted Partner
        Performance art in Eastern Europe since 1960
        Theatre studies
        March 2017

        Performance art in Eastern Europe since 1960

        by Amy Bryzgel. Series edited by Marsha Meskimmon

        This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.

        More
      • Trusted Partner
        Performance art in Eastern Europe since 1960
        Theatre studies
        March 2017

        Performance art in Eastern Europe since 1960

        by Amy Bryzgel. Series edited by Marsha Meskimmon

        This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.

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      • Trusted Partner
        Pleasure of Learning
        The Arts
        January 2015

        Pleasure of Learning

        by Zhou Xue

        Like a bundle of secret documents, a soft piece of felt is wrapped around the body of this book and tied with a thread of raffia. Then calligraphic daubs of ink darken the creamy natural white of the paper, page by page until you become immersed in a new world. The strong, tough paper contains texts in filigree Chinese type, with some smears of watery ink here and there.The reader works through the book very carefully because it appears so vulnerable with its assortment of papers, the stitch binding with open spine, and the secretive beginning. You therefore handle the artistic pages with extra caution – the book, illustrations and observations blend to form a contemplative whole. This corresponds perfectly to the pedagogical motive of the whole project – in the words of Confucius: the Pleasure of Learning.

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      • Trusted Partner
        A Picked History of Chinaware
        The Arts
        January 2018

        A Picked History of Chinaware

        by TU Ruiming

        How did Jingdezhen become the 'Porcelain Capital'? From the perspective of the history of crafts, this book discusses the aesthetics and culture behind porcelains. A Picked History of Chinaware selects ten important nodes in the development of Chinese porcelain. This book inspects the 'picked' porcelain pieces and illustrates not only a history of crafts, but also of culture, aesthetics, technology and trade. It focuses on the important role of Jingdezhen being the 'Porcelain Capital', and the porcelain industry revolution brought by the development of technology in Jingdezhen.   一本书回答“景德镇何以成为瓷都”。 从工艺史出发，畅谈瓷器背后的美学与文化。 选取了中国瓷器发展历史上十个重要的节点，通过一块块并不引人注目的、所谓拣来的破碎瓷片引出，以小小瓷片切入，从工艺史的发展出发，兼及文化、美学、技术与贸易的历史，并着重梳理了景德镇作为瓷都在制瓷史上的重要地位，以及景德镇的工艺技术发展引发的瓷业变革。

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      • Trusted Partner
        Useless Beauty
        The Arts
        January 2018

        Useless Beauty

        by LIN Xi

        In Useless Beauty, Lin Xi analyzes the essential of art aesthetic education and shares the fun of Chinese calligraphy, the method of being focused, the cultivation of mental power and the way of learning art. From the perspective of a Chinese literatus, Lin Xi introduces the aesthetic taste in a contemporary world, explains what is “Useless beauty”, how to “be independent” in this fast-changing world, and seeks to discover ways to integrate traditional aesthetics into our modern life. 林曦以手艺人之道，解析艺术美育的本质内涵，分享写字的乐趣、专注的法门、心力的修炼及艺术的学习途径等；从中式文人的视角，观照当代生活的审美情趣，阐释何为“无用之美”、如何“独善其身”，探索让传统美学回归现代生活的践行方式等。

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      • Trusted Partner
        Evolution of the way to hold the brush
        The Arts

        Evolution of the way to hold the brush

        by Zhuang Tianming

        This book collected hundreds images of the way to hold the brush since the Han dynasty until late Qing dynasty during the period of the republic of China. It investigates systematically the ancient Chinese written evolution in detail methods. In order to let everybody to have a more comprehensive understanding, it also collected approximate ways of hold the brush in Egypt, Japan, Europe and other countries and regions. Ancient and modern, Chinese and foreign methods will make an interesting comparison.

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      • Trusted Partner
        The Civilization of Paper in Villages
        The Arts

        The Civilization of Paper in Villages

        An Investigation and Research on the Culture of Papercutting of Ethnic Minorities in China

        by Qiao Xiaoguang

        The Civilization of Paper in Villages: An Investigation and Research on the Culture of Papercutting of Ethnic Minorities in China is a monographic series presenting the field research studies on Chinese traditional papercut conducted by the Intangible Cultural Heritage Research Center of the Central Academy of Fine Arts for 15 years. The series has 8 volumes, archiving for the first time the research information about Chinese papercut, a world-class intangible cultural heritage and more than 20 ethnic minorities such as Tibetan, Dai, Hani, and Bulang. With a total of more than 2 million Chinese words and nearly 10,000 pictures, it shows the readers the diversity of ethnic culture and paper-cutting art in China.

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      • Trusted Partner
        Performing Presence
        The Arts
        May 2011

        Performing Presence

        Between the live and the simulated

        by Gabriella Giannachi, Nick Kaye, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels

        Performing presence: Between the live and the simulated proposes that the advent of new media forms, and the increasing integration of contemporary performance and media, has generated new engagements, practices and understandings of presence. Addressing new media art and performance, multi-media theatre, video installation, mixed reality environments and locative arts, the book presents case studies of work by Lynn Hershman Leeson, Paul Sermon, Gary Hill, Tony Oursler, The Builders Association and Blast Theory, as well as analyses of a series of related experiments created for CAVE, an immersive virtual reality environment. Performing presence combines extensive analysis, and extracts from interviews with the artists, as well as the documentation of elements of work and working processes, in order to provide specific insight into these engagements with contemporary practices and concepts presence. This book will be of interest to students, researchers and practitioners of theatre and performance, contemporary art, media, new media and technology. ;

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      • Trusted Partner
        Unlimited action
        The Arts
        December 2018

        Unlimited action

        The performance of extremity in the 1970s

        by Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels, Dominic Johnson

        Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the 'performance of extremity' as practices at the limits of the histories of performance and art, in performance art's most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps. Through close encounters with these six artists and their works, and a broader contextual milieu of artists and works, Johnson articulates a counter-history of actions in a new narrative of performance art in the 1970s, to rethink and rediscover the history of contemporary art and performance.

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