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      • Trusted Partner
        After the Event
        The Arts
        November 2010

        After the Event

        New perspectives on art history

        by Amelia Jones, Charles Merewether, John Potts, Marsha Meskimmon

        The event occurs in and over time; the aftermath concerns the traces, which are frozen into images, objects, re-presentations. Traditionally, art history is written in the aftermath as representational. A different perspective on the visual arts is opened up when scholars insist on exploring the status of the event itself, allowing temporality to remain in place. By focusing on the event, recognition of the complex character of the traces becomes all the more evident, challenging the singularity of representation itself. This book opens up debates on art history and theory to a broad range of perspectives, offering fresh approaches to art history and media culture alongside diverse investigations into cross-cultural and non-Western art practices. The essays draw together a wide and regionally diverse range of scholars from numerous areas, including film and documentary studies, philosophy, intellectual and cultural history, media theory and performance studies, as well as art history and theory. ;

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      • Trusted Partner
        After-affects | after-images
        History of art & design styles: from c 1900 -
        August 2013

        After-affects | after-images

        Trauma and aesthetic transformation in the virtual feminist museum

        by Griselda Pollock

        Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices (after-images) bring about transformation of trauma, personal trauma or historical traumas? Can they do this in a way that does not imply cure or resolution of the traces (after-affects) of trauma? How do artists themselves process these traces as participants in and sensors for our life-worlds and histories, and how does the viewer, coming belatedly or from elsewhere, encounter works bearing such traces or seeking forms through which to touch and transform them? These are some of the questions posed by major feminist art historian and cultural analyst, Griselda Pollock, in her latest installation of the virtual feminist museum. In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, first- and second-generation Holocaust experience, migration, exile and the encounter with political horror and atrocity. Offering a specifically-feminist contribution to trauma studies, and a feminist psychoanalytical contribution to the study of contemporary art, this volume continues the conceptual innovations that have been the hall-mark of Pollock's dedicated exploration of feminist interventions in art's histories.

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      • Trusted Partner
        After-affects | after-images
        History of art & design styles: from c 1900 -
        August 2013

        After-affects | after-images

        Trauma and aesthetic transformation in the virtual feminist museum

        by Griselda Pollock

        Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices (after-images) bring about transformation of trauma, personal trauma or historical traumas? Can they do this in a way that does not imply cure or resolution of the traces (after-affects) of trauma? How do artists themselves process these traces as participants in and sensors for our life-worlds and histories, and how does the viewer, coming belatedly or from elsewhere, encounter works bearing such traces or seeking forms through which to touch and transform them? These are some of the questions posed by major feminist art historian and cultural analyst, Griselda Pollock, in her latest installation of the virtual feminist museum. In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, first- and second-generation Holocaust experience, migration, exile and the encounter with political horror and atrocity. Offering a specifically-feminist contribution to trauma studies, and a feminist psychoanalytical contribution to the study of contemporary art, this volume continues the conceptual innovations that have been the hall-mark of Pollock's dedicated exploration of feminist interventions in art's histories.

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      • Trusted Partner
        Material relations
        The Arts
        January 2016

        Material relations

        Domestic interiors and middle–class families in England, 1850–1910

        by Jane Hamlet, Christopher Breward, Bill Sherman

        Material relations, now available in paperback, tells the story of nineteenth- and early twentieth-century middle-class families by exploring the domestic spaces they inhabited and the material goods they prized. By opening the doors of the house, the book sheds new light on aspects of family life including love, marriage, sex, childhood and death. Historians have argued that as the nineteenth century waned, domestic spaces became increasingly private. Material relations challenges this, contending that domestic space created a complex series of family intimacies. Drawing upon novels, advice manuals and magazines, alongside sources for everyday use such as diaries, autobiographies, sale catalogues and inventories, wills and photographs, this fascinating book will be of particular interest to scholars and students of modern history, English literature, cultural studies, social geography, history of art and history of design. ;

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      • Trusted Partner
        Otherwise
        The Arts
        December 2015

        Otherwise

        Imagining queer feminist art histories

        by Amelia Jones, Amelia Jones, Erin Silver, Marsha Meskimmon

        Otherwise: Imagining queer feminist art histories is the first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive. This book fills the gap by offering a range of essays by key North American and European scholars, both emerging and renowned, who address the historiographic and political questions arising from the relationship between art history and queer theory in order to help map exclusions and to offer models of a new queer feminist art historical or curatorial approach. ;

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      • Trusted Partner
        Otherwise
        The Arts
        December 2015

        Otherwise

        Imagining queer feminist art histories

        by Amelia Jones, Amelia Jones, Erin Silver, Marsha Meskimmon

        Otherwise: Imagining queer feminist art histories is the first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive. This book fills the gap by offering a range of essays by key North American and European scholars, both emerging and renowned, who address the historiographic and political questions arising from the relationship between art history and queer theory in order to help map exclusions and to offer models of a new queer feminist art historical or curatorial approach. ;

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      • Trusted Partner
        Women artists between the Wars
        The Arts
        August 2010

        Women artists between the Wars

        'A fair field and no favour'

        by Katy Deepwell

        Starting with a critique of existing methodologies and histories of the period, this book examines the production of women artists, looking at different areas and aspects of their activities, and particularly contrasting the lives of different generations of women artists. Many of these women's names or their works are not familiar in art histories of the twentieth century. The book analyses how women artists' presence which was consistently one third of the artists in many major exhibiting groups became less than 10% of the museum purchases and in art historical texts for this period. Comparisons are made between the opportunities presented to women artists and those of their male peers in the light of considerable change and restructuring within the art world in Britain during this period, principally due to the growing influence of modernism in the art market. ;

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      • Trusted Partner
        Visual culture in Spain and Mexico
        The Arts
        April 2011

        Visual culture in Spain and Mexico

        by Anny Brooksbank-Jones, Chantal Hamil

        Visual culture in Spain and Mexico analyses films, paintings and museum exhibitions to show how aspects of Hispanic visual culture 'manage' or 'mediate' risk, as articulated stylistically and ideologically in the visual artefact. The book is divided into six chapters plus an introduction. The first three chapters deal with Mexico or more accurately aspects of life in Mexico City; the other three with Spain or more precisely with the Basque Country and aspects of cultural appropriation which include but also exceed Basque cultural politics. The book is at one and the same time a fine set of specific, detailed essays on visual cultural artefacts and their histories/modes of consumption and reception, and a broader meditation on the role of visual culture in an age increasingly characterised by doom-laden analyses of global panics, pandemics and jihads. The study also reflects the continuing hybridization of Hispanic Studies into the eclecticism of Cultural and Visual Studies, and the re-siting of well known cultural objects and institutions - such as the Guggenheim and Picasso's Guernica - into new frames of reference, generating new approaches, ideas and modes of understanding. ;

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      • Trusted Partner
        Visual culture in Spain and Mexico
        The Arts
        April 2007

        Visual culture in Spain and Mexico

        by Anny Brooksbank-Jones, Chantal Hamil

        Visual culture in Spain and Mexico analyses films, paintings and museum exhibitions to show how aspects of hispanic visual culture 'manage' or 'mediate' risk, as articulated stylistically and ideologically in the visual artefact. The book is divided into six chapters plus an Introduction. The first three chapters deal with Mexico or more accurately aspects of life in Mexico City; the other three with Spain or more precisely with the Basque Country and aspects of cultural appropriation which include but also exceed Basque cultural politics. The book is at one and the same time a fine set of specific, detailed essays on visual cultural artefacts and their histories/modes of consumption and reception, and a broader meditation on the role of visual culture in an age increasingly characterised by doom-laden analyses of global panics, pandemics and jihads. The study also reflects the continuing hybridization of Hispanic Studies into the eclecticism of Cultural and Visual Studies, and the re-siting of well known cultural objects and institutions - such as the Guggenheim and Picasso's Guernica - into new frames of reference, generating new approaches, ideas and modes of understanding. ;

        More
      • Trusted Partner
        Performative monuments
        The Arts
        May 2014

        Performative monuments

        The rematerialisation of public art

        by Mechtild Widrich, Amelia Jones, Marsha Meskimmon

        This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience. Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection. ;

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      • Trusted Partner
        Performative monuments
        Art & design styles: from c 1960
        May 2014

        Performative monuments

        The rematerialisation of public art

        by Mechtild Widrich

        This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience. Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.

        More
      • Trusted Partner
        Out of the ivory tower
        The Arts
        November 2013

        Out of the ivory tower

        The Independent Group and popular culture

        by Anne Massey, Christopher Breward, Bill Sherman

        The Independent Group is now the subject of global scholarly interest, and this book, a sequel to The Independent Group: Modernism and mass culture in Britain, 1945-59, explores the Anglo-American phenomenon from a new perspective. The Group included fine artists Magda Cordell, Richard Hamilton, Nigel Henderson, Eduardo Paolozzi and William Turnbull; architects Alison and Peter Smithson, James Stirling and Colin St John Wilson; graphic designer Edward Wright; music producer Frank Cordell; and writers Lawrence Alloway, Reyner Banham, John McHale and Toni del Renzio. This radical collective met at the ICA in London during the early 1950s, and worked with and within the new world of both the avant-garde and popular culture. This sequel includes an in-depth discussion of the recent historiography of the Independent Group, and examines its history from an alternative perspective - that of popular culture. The themes of domestic space, Hollywood film, fashion, mass-circulation magazines, science-fiction and popular music are explored, broadening our general understanding. ;

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      • Trusted Partner
        Simulating the marvellous
        The Arts
        December 2013

        Simulating the marvellous

        Psychology - surrealism - postmodernism

        by David Lomas

        Simulating the marvellous presents important new research on Surrealism and the culture from which it arose. Offering fresh interpretations of Surrealist art and literature based around the theme of simulation, the book shows, in the late nineteenth and early twentieth centuries, that the notion of simulation arose in a number of discrete contexts, in relation to hysteria and war neuroses; more broadly it shadows the emergence of our concept of 'the unconscious'. Acknowledging simulation's relevance to Surrealism, this book argues, radically alters our understanding of the Surrealists' project and the terms in which one gauges its success or failure. It leads one to question the naïve assumption that automatic writing or drawing represent an authentic outpouring of the unconscious and gives renewed significance to a figure such as Salvador Dalí who embraced simulation and made it the basis of his art and aesthetic. Resonances are also explored with postmodern theory and art practice, around the themes of simulation and the simulacrum.It also points to one of the ways in which Surrealism chimes with a core preoccupation of contemporary art and theory. Written accessibly, and ranging across many of the core ideas of Surrealism, David Lomas balances coverage of both Surrealist art and literature, looking at such figures as Dalì, Eluard, Masson, Desnos, Brouillet, Picasso, Tanning and Janet, as well as Glenn Brown, Douglas Gordon and Sarah Lucas. The book will interest not only art historians and theorists, but also students and those with a general interest in Surrealism. ;

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      • Trusted Partner
        Material relations
        The Arts
        November 2010

        Material relations

        Domestic interiors and middle–class families in England, 1850–1910

        by Jane Hamlet, Christopher Breward, Bill Sherman

        Material relations tells the story of nineteenth- and early twentieth-century middle-class families by exploring the domestic spaces they inhabited and the material goods they prized. By opening the doors of the house, the book sheds new light on aspects of family life including love, marriage, sex, childhood and death. Historians have argued that as the nineteenth century waned, domestic spaces became increasingly private. Material relations challenges this, contending that domestic space created a complex series of family intimacies. Drawing upon novels, advice manuals and magazines, alongside sources for everyday use such as diaries, autobiographies, sale catalogues and inventories, wills and photographs, this fascinating book will be of particular interest to scholars and students of modern history, English literature, cultural studies, social geography, history of art and history of design. ;

        More
      • Trusted Partner
        Maternal bodies in the visual arts
        The Arts
        February 2014

        Maternal bodies in the visual arts

        by Rosemary Betterton

        Maternal bodies in the visual arts brings images of the maternal and pregnant body into the centre of art historical enquiry. By exploring religious, secular and scientific traditions as well as contemporary art practices, it shows the power of visual imagery in framing our understanding of maternal bodies and affirming or contesting prevailing maternal ideals. This book reassesses these historical models and, in drawing on original case studies, shows how visual practices by artists may offer the means of reconfiguring the maternal. This book will appeal to students, academics and researchers in art history, gender studies and cultural studies, as well as to any readers with interests in the maternal and visual culture. It is based on visual case studies drawn from the UK, USA and Europe, which make it very attractive to an international readership. Maternal bodies in the visual arts is ideally placed to capture a growing post- and undergraduate market in maternal studies, which is beginning to emerge as a field of study in the UK and USA with courses in a wide range of social science and humanities disciplines now including the maternal as a key theme. ;

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      • Trusted Partner
        Kitsch!
        The Arts
        September 2012

        Kitsch!

        Cultural politics and taste

        by Ruth Holliday, Tracey Potts

        From bottle gardens, the bachelor pad and Batman to designer gnomes and monogamy spray, this book uses a diverse range of objects to explore the changing significance of kitsch. With its unique approach to its subject, Kitsch! Cultural politics and taste promises to advance debates in cultural studies and sociology around taste, while providing an invaluable introduction for students and interested readers. Kitsch! examines how the idea of kitsch is mobilised - progressively, as bad taste, as camp and as cool - to inform notions of identity and sensibility. Where most studies proceed from the kitsch object, this book takes the moment of aesthetic judgement as its starting point and attempts to identify the ideological work performed by the category itself. The book poses the strongest challenge to those who argue that taste is democratised in contemporary culture, offering ample evidence that judgements of taste have shifted ground rather than relaxed. Above all, the story of kitsch proposed by the authors is intended to disturb kitsch's reputation as the source of a ready-made sensibility and politics. Kitsch has a history and not, as it has been supposed, an essence and is consequently the site of love, hate, joy, exasperation, irony, nausea and all of the twisted possibilities between. ;

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      • Trusted Partner
        Kitsch!
        The Arts
        September 2012

        Kitsch!

        Cultural politics and taste

        by Ruth Holliday, Tracey Potts

        From bottle gardens, the bachelor pad and Batman to designer gnomes and monogamy spray, this book uses a diverse range of objects to explore the changing significance of kitsch. With its unique approach to its subject, Kitsch! Cultural politics and taste promises to advance debates in cultural studies and sociology around taste, while providing an invaluable introduction for students and interested readers. Kitsch! examines how the idea of kitsch is mobilised - progressively, as bad taste, as camp and as cool - to inform notions of identity and sensibility. Where most studies proceed from the kitsch object, this book takes the moment of aesthetic judgement as its starting point and attempts to identify the ideological work performed by the category itself. The book poses the strongest challenge to those who argue that taste is democratised in contemporary culture, offering ample evidence that judgements of taste have shifted ground rather than relaxed. ;

        More
      • Trusted Partner
        Watching the Red dawn
        The Arts
        May 2016

        Watching the Red dawn

        The American avant-garde and the Soviet Union

        by Barnaby Haran

        This book offers the first sustained examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recognition by the American government, American avant-garde artists, writers and designers watched the 'Red Dawn' with fascination, enthusiastically reporting on its post-revolutionary cultural developments in articles and books, and brought these works to an American audience in ground-breaking exhibitions. Americans also emulated and adapted aspects of Soviet culture, as in the case of the New Playwrights Theatre, a group that mixed Russian avant-garde theatrical techniques with jazz, vaudeville and slapstick comedy in plays about strikes and racial injustice. Figures discussed include Louis Lozowick, Jane Heap, Frederick Kiesler, Ralph Steiner, John dos Passos, Margaret Bourke-White and Langston Hughes. Watching the red dawn takes an innovative interdisciplinary approach, considering these developments in architecture, theatre, film, photography and literature, and will be invaluable for students and specialists in these subject areas. It provides a new perspective on American avant-garde culture of the inter-war years. ;

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