Film theory & criticism
Description
Swedish crime fiction became an international phenomenon in the first decade of the twenty-first century, starting first with novels but then percolating through Swedish-language television serials and films and onto English-language BBC productions and Hollywood remakes. This book looks at the rich history of 'Scandinavian noir', examines the appeal of this particular genre and attempts to reveal why it is distinct from the plethora of other crime fictions. Examining the popularity of Steig Larsson's international success with his Millennium trilogy, as well as Henning Mankell's Wallander across the various media, Peacock also tracks some lesser-known novels and television programmes. He illustrates how the bleakness of the country's 'noirs' reflects particular events and cultural and political changes, with the clash of national characteristics becoming a key feature. It will appeal to students and researchers of crime fiction and of film and television studies, as well as the many fans of the novels and dramatic representations.
More Information
Manchester University Press
Manchester University Press is known globally for high-quality publications in the Humanities and Social Sciences, involving leading names and up-and-coming scholars from around the world. We currently publish over 200 books a year, as well as six journals and a growing number of digital subject collections. Discoverability and accessibility are at the heart of our publishing principles, as well as traditional standards of excellent author care, good design and high production values. We are proud to say that MUP authors and readers come back to us time and again.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date November 2015
- Orginal LanguageEnglish
- ISBN/Identifier 9781526101556 / 1526101556
- Publication Country or regionUnited Kingdom
- Pages176
- ReadershipProfessional and scholarly
- Publish StatusPublished
- Dimensions198x129 mm
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