SALLY, a comic/manga/graphic novel author, is from Taipei, TAIWAN.Originally a student of architecture, she is currently a member of the manga colllective Club Zip and publishes her work commercially and independently. Her work "Left Hand" won the Silver Award of Japan International MANGA Award and "Going My Way?" has been serialized in Taiwan, Thailand, Korea, and Indonesia.promotion clips of work in youtube
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We are a publishing house focused on creating unique books and turning them into sales leaders. 90% of the published books are best sellers. Our designs make each reading a unique experience. Our aesthetics define us by the originality of our designs that, coupled with the content and talent of our authors and editors, are part of each of our successes. We focus on quality rather than quantity, we have few signed authors, but we manage to make each of them a reference for its target in different countries.
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»Wie so oft bei Beckett leitet sich auch diese Erzählung aus ihrem Titel ab. Das ganze Buch gliedert sich in – manchmal umfangreiche Sequenzen, in deren Mittelpunkt eine einzige ›Person‹ steht und die nur ›sie‹ genannt wird. Es wird gezeigt, wie sie, an ihrem Lebensabend, den grundlegendsten Änderungen unterworfen ist: dem Wechsel der Jahreszeiten, deren Aufeinanderfolge sie sieht, dem Wechsel von Tag und Nacht, den sie immer aufs neue wahrnimmt. Jene Ereignisse, die in feststehenden Zeitabständen immer wiederkehren und wiederkehren müssen und die den ihr verbliebenen Rest des Lebens ausmachen, dasjenige, das noch weitergeht.Schlecht gesehen, schlecht gesagt erzählt, wie sie sich langsam von einem Fenster zum anderen bewegt, um zu sehen, was draußen stattfindet, oder auch nur um sich, da sie nicht gut sieht, vorzustellen, was beständig wiederkehrt.lhre hauptsächliche Bewegung: das Öffnen und Schließen der Augen, als wolle sie damit die Palingenesie begrüßen, sie genau unterscheiden, als wolle sie jenem Ehre erweisen, was sich draußen schon zeigt, was sich noch zeigt. Und zwar jetzt. Sie ist zum Betrachten verurteilt, das heißt verurteilt zum schlecht Sehen und dazu, schlecht zu sagen, was sie sieht, und sie ist gleichzeitig dazu verurteilt, zu raten, also sich vorzustellen, da für sie die Gegenstände und ihre Einbildungen sich vermischen, ineinander übergehen. (…) Am Horizont, das heißt an den Grenzen dessen, was sie an jedem Fenster wahrnimmt, steht der Stein, steht das Grab.« Jean-Michel Rey
This volume, which explores aspects of the experience of Ireland and Irish people within the British Empire, addresses a central concern of modern Irish scholarship. Much academic writing about Ireland, its history and culture is dominated by the vocabulary of imperialism. Engels described Ireland as England's first colony. Contemporary observers frequently characterise it as having a post-colonial society. Ireland, on the other hand, was also part of the metropolitan core of the Empire and supplied many of its soldiers, settlers and administrators. The paradox that Ireland was both 'imperial' and 'colonial' lies at the heart of this book which includes studies of Irish service in the Empire as well as the impact of imperial concerns in Ireland. Concentrating on the period since the mid-nineteenth century, the scope of the volume is impressively broad. Popular culture, sport and film are investigated, as well as business history and the military and political 'sinews of Empire'. The book will be of particular value to institutions teaching Irish and British history to degree level and the growing number of Irish studies courses being offered in Great Britain and North America.
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Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;
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This book explores how rural gender relations are changing in a globalising world that fundamentally impacts on the structure of agricultural life in rural areas and urban-rural relations. It analyses the development of rural gender relations in specific places around the world and looks into the effects of the increasing connectivity and mobility of people across places. The themes covered are: gender and mobility, gender and agriculture, Gender and rural politics, rurality and Gender identity and women and international development. Each theme has an overview of the state of the art in that specific thematic area and integrates the case-studies that follow. ; Chapter 1: Gender and rural globalisation: an introduction to international perspectives on gender and rural development Chapter 2: Gender and mobility Chapter 3: “There is dignity only with livestock”: Land grabbing and the changing social practices of pastoralist women in Gujarat, India Chapter 4: Women's migration for work. The case of Ukrainian caregivers in rural Italy Chapter 5: Gender, migration and rural livelihoods in Uzbekistan in times of change Chapter 6: Gender and rural migration in Mexico and The Caribbean Chapter 7: Gender and Agriculture Chapter 8: The Genderness of Climate Change, Australia Chapter 9: Where family, farm and society intersect: values of women farmers in Sweden Chapter 10: Women farmers and agricultural extension/education in Slovenia and Greece Chapter 11: The Agency Paradox: the Impact of Gender(ed) Frameworks on Irish Farm Youth Chapter 12: Rurality and Gender Identity Chapter 13: Rural. Women. Leaders. Identity formation in rural Northern Ireland Chapter 14: Gender identities and divorce among farmers in Norway Chapter 15: Merging Masculinities: exploring intersecting masculine identities on family farms Chapter 16: Creating ‘masculine’ spaces for ‘feminine’ emotions – Men and social inclusion Chapter 17: Gender desegregation among village representatives in Poland: towards breaking the male domination in local politics? Chapter 18: Gender and international development Chapter 19: ‘Glocal’ networking for gender equality and sustainable livelihoods Chapter 20: Gender Transitions in Agriculture and Food Systems Chapter 21: Sugar and Gender Relations in Malawi Chapter 22: The role of gender indicators in rural development programmes Chapter 23: Beneficial for women? Global trends in gender, land and titling Chapter 24: Conclusions – Future Directions
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This book is a comprehensive, beautifully illustrated colour guide to the plants which farmers, growers and gardeners can use to improve soil structure and restore fertility without the use and expense of agrichemicals. Information based on the latest research is given on how to use soil conditioning plants to avoid soil degradation, restore soil quality and help clean polluted land. There are 11 chapters: 1 to 6 cover soil health, nitrogen fixation, green manures and herbal leys, bacteria and other microorganisms, phytoremediators and soil mycorrhiza (plant-fungal symbiosis). Chapter 7 has plant illustrations, with climate range and soil types, along with their soil conditioning properties and each plant is presented with a comprehensive description opposite a detailed illustration, in full colour. Chapters 8 to 10 examine soil stabilisers, weeds and invasive plants, and hedges and trees and the final chapter, contains 5 case studies with the most recent data, followed by an appendix and glossary. The book allows the reader to identify the plants they need quickly and find the information necessary to begin implementation of soil regeneration.
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Were it not for authoritarian state censorship, Cecilia Bartolomé's name would figure alongside those of her contemporaries Agnès Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century. With this bold claim, this book seeks both to write the history of Bartolomé's extant filmography, and speculative about censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film. The first volume on this director to be written in English, The Cinema of Cecilia Bartolomé is also the first volume on the director published in any language for over twenty years. By focusing on Spanish-language cinema of the 1960s-1990s, the period when feminism, like democracy, was re-born and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo.
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This book explores the gender effects of the current transformation of agriculture and rural life. Five themes are addressed: developments in rural gender theory and research methodology; changes in farm households; migration patterns of men and women in rural areas; the impact of national and international policies; and the construction of identities and definitions of femininity and masculinity as a result of rural change. Contributors include scholars from Europe, North America, South Africa, Australia and New Zealand.
