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      • Trusted Partner
        Humanities & Social Sciences
        July 2015

        The right and the recession

        by Edward Ashbee, Richard Hayton

        The right and the recession considers the ways in which conservative activists, groupings, parties and interests in the US and Britain responded to the financial crisis and the 'Great Recession' that followed in its wake. The book looks at the tensions and stresses between different ideas, interests and institutions and the ways in which they shaped the character of political outcomes. In Britain, these processes opened the way for leading Conservatives to redefine their commitment to fiscal retrenchment and austerity. Whereas public expenditure reductions had been portrayed as a necessary response to earlier overspending they were increasingly represented as a way of securing a permanently 'leaner' state. The book assesses the character of this shift in thinking as well as the viability of these efforts to shrink the state and the parallel attempts in the US to cut federal government spending through mechanisms such as the budget sequester. ;

      • Trusted Partner
        Literature: history & criticism
        March 2010

        Reading, writing and the influence of Harold Bloom

        by Alan Rawes and Jonathon Shears

        Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read 'with', 'against' and 'beyond' his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the 'Yale School' and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.

      • Trusted Partner
        Humanities & Social Sciences
        December 2007

        Anglo–German relations during the Labour governments 1964–70

        NATO strategy, détente and European integration

        by Terry Macintyre

        Speaking at West Point in 1962, Dean Acheson observed that Britain had lost an empire and had still to find a new role. This book explains why, in the following years, as Britain's Labour government contemplated withdrawal from east of Suez, ministers came to see that Britain's future role would be as a force within Europe. To this end, and in order to gain entry into the European Economic Community, a close relationship with the Federal Republic of Germany would be essential. This account of Anglo-German relations during the 1960s reveals fascinating insights into how both governments reacted to a series of complex issues and why, despite differences which might have led to strains, a good understanding was maintained. Terry Macintyre's innovative approach brings together material covering NATO strategy, détente and European integration, making the volume fascinating and essential reading for students and enthusiasts of contemporary British and German political history. This book makes an important contribution to what we know about Cold War history, and should help to redefine some of the views about the relationship between Britain and Germany during the 1960s. ;

      • Trusted Partner
        Literature & Literary Studies
        April 2008

        El laberinto de la soledad by Octavio Paz

        by Catherine Davies, Anthony Stanton

        If one had to identify one central, defining text from modern Mexican culture, it would be Octavio Paz´s famous essay, El laberinto de la soledad. This fully annotated edition includes the complete text in Spanish (with the author's final revisions), and notes and additional material in English. The editor's introduction contextualizes the essay and discusses central features: autobiographical and textual origins, intellectual sources, reception and canonization, generic ambiguity, structure, and governing symbols. The intellectual sources identified range from Marx, Nietzsche and Freud to the more contemporary ones of the French College of Sociology (Caillois), the Surrealist movement, the ideas of D. H. Lawrence, previous essays from writers in Mexico (such as Samuel Ramos) and Latin America. Several lines of interpretation are examined to show how the work can be read as a psycho-historical essay, an autobiographical construct or a modern literary myth. Transdisciplinary by nature, this literary essay is both an imaginative construction of personal and national identity, and also a critical deconstruction of dominant stereotypes. It seeks to redefine the complex relationships that exist between psychology, myth, history and Mexican culture. This edition also includes excerpts of the author's opinions on his essay, a time-line of Mexican history, a selected vocabulary, and themes for discussion and debate. Paz's first full-length prose work remains his most well-known and widely read text, and this edition will appeal to sixth-form and university students, teachers, researchers and general readers with a knowledge of Spanish. ;

      • Trusted Partner
        Humanities & Social Sciences
        March 2011

        Redefining Social Justice

        by Edited by Valerie Bryson

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        Modern & contemporary fiction (post c 1945)
        2021

        Where the Wind Is

        by Lyubko Deresh

        Max Tarnavskii is a young writer once recognized by the young audience for his debut novel about young counterculture but then scathingly criticized for his third novel "Where the Wind Is", — a philosophical parable about a hermit living in a lighthouse by the sea. Having fallen off the readers’ radar, he suffers through his inability to create any further. It’s the second half of the 2010s, Kyiv. On the New Year’s Eve Max gets an offer from Alisa, a first-year student, to go on a tour with a young rock band as a gonzo journalist to revive his counterculture icon status. Max balks at first, but an unexpected brawl on Facebook in which Max is reminded about his passivity during the Maidan and his uncertain ideological views in the days of the ATO and the war, and a critical review of Max’s new novel outline from his literary agent urge Tarnavskii to accept the offer after all. The rock band he joins for a tour from Western to Eastern Ukraine has turned up to be an inept group trip planner, so the protagonist has to take up the role of a leader capable of saving the band from a total fiasco. Traveling with the teenage freshmen becomes the young writer’s road to adulthood, forgiveness, and an attempt to forgive his own mistakes of youth in particular. Just to earn his living, Max agrees to perform with the rockers while on tour, flies in the face of his creative fears, and is forced to redefine himself as a writer once again. He faces the dangers of concert disruptions, the band split up, public disapproval, and threats of physical violence. Ability to write on the road becomes his only way to save and revive his own self, stand up to his hidden weaknesses, reconsider his role in a society that undergoes a war. A post-tour trip with Alisa to her grandmother who lives in a village on the liberated from the occupation territories becomes Tarnavskii’s hope for a renewal. On this trip Max gets a chance to full recovery, because in Tarnavskii’s mind these are the parts, where he will find the sand bar with the lighthouse where the hermit from his novel "Where the Wind Is" lives.

      • Trusted Partner
        History of Art / Art & Design Styles
        September 2016

        Intersections

        Women artists/surrealism/modernism

        by Series edited by Amelia Jones, Marsha Meskimmon, Patricia Allmer

        Featuring new essays by established and emerging scholars, Intersections: Women artists/surrealism/modernism redefines conventional surrealist and modernist canons by focusing critical attention on women artists working in and with surrealism in the context of modernism. In doing so it redefines critical understanding of the complex relations between all three terms. The essays address work produced in a wide variety of international contexts and across several generations of surrealist production by women closely connected to the surrealist movement or more marginally influenced by it. Intersections explores work in a wide range of media, from painting and sculpture to film and fashion, by artists including Susan Hiller, Maya Deren, Birgit Jurgenssen, Aube Elléouët, Dorothea Tanning, Claude Cahun, Elsa Schiaparelli, Joyce Mansour, Leonor Fini, Mimi Parent, Lee Miller, Leonora Carrington, Ithell Colquhoun and Eileen Agar.

      • Trusted Partner
        Humanities & Social Sciences

        Religious Encounters and Social Dynamics in Burkina Faso (Rencontres religieuses et dynamiques sociales au Burkina Faso)

        by Alice Degorce / O. Ludovic Kibora / Katrin Langewische

        Burkina Faso’s religious landscape, where traditional, Islamic and Christian religions intersect, is part of a social and historical context spread over several centuries marked by a diversity that has been studied by researchers for a long time. As the security situation deteriorates in recent years in the Sahel region, the religious question is increasingly being redefined and placed at the forefront of the Burkinabe socio-political scene. This collective work offers readers a synthesis of the knowledge accumulated by researchers over the past decades on the different religions and the social dynamics associated with them to shed light on the management of the country’s religious diversity and coexistence without masking the new tensions and conflicts being experienced. The first part of the book thoroughly explores the religious movements and currents present in the country to underline the centrality of religion in understanding social change in its polity. In the second part, the interactions between religions are analyzed across current transversal themes and questions, such as education, demography, politics, the role of faith-based NGOs, the historicity of the notion of jihad or the use of new information and communication technologies to show the connections within the construction of knowledge and political contexts. The contributions acutely show that recent socio-political dynamics in Burkina Faso are undoubtedly redefining religious boundaries and exposing the limitations of a historically and socially rooted contexts of diversity, yet the question remains on how to draw on this diversity and religious coexistence to confront new emerging tensions and conflicts.

      • Trusted Partner

        Loss and Gift

        by Shang Qiu

        This compelling guide delves into female self-development and psychological resilience. It centers around the transformative journey of a woman without arms, exploring her process of redefining life's values through vivid life stories, authentic growth paths, and insightful parenting experiences. The book sketches a psychological roadmap for women's growth, offering real-life examples to share parenting wisdom with young mothers, explore self-help methods for trauma survivors, and establish a framework for self-development for ambitious young women.

      • Trusted Partner
        Humanities & Social Sciences
        December 2000

        Ways of Knowing

        A new history of science, technology and medicine

        by John V. Pickstone, Martin Hargreaves

        Discusses the historical development of science, technology and medicine in Western Europe and North America from the Renaissance to the present. Identifies four principle ways of knowing within specific periods: natural history in the eighteenth century analysis following the French Revolution experiment in the epoch of modernism the current presence of technoscience. Balances the historical exposition of natural magic and natural theology with a philosophical interpretation of the Scientific Revolution and reflective comments on Foucault and Collingwood. Strikes a balance between theoretical discussion and empirical illustration. Redefines the geography of science, technology and medicine. ;

      • Trusted Partner
        Humanities & Social Sciences
        June 2021

        Emotional monasticism

        Affective piety in the eleventh-century monastery of John of Fécamp

        by Lauren Mancia

        Medievalists have long taught that highly emotional Christian devotion, often called 'affective piety', appeared in Europe after the twelfth century and was primarily practiced by communities of mendicants, lay people and women. Emotional monasticism challenges this view. The first study of affective piety in an eleventh-century monastic context, it traces the early history of affective devotion through the life and works of the earliest known writer of emotional prayers, John of Fécamp, abbot of the Norman monastery of Fécamp from 1028-78. Exposing the early medieval monastic roots of later medieval affective piety, the book casts a new light on the devotional life of monks in Europe before the twelfth century and redefines how medievalists should teach the history of Christianity.

      • I Follow The Voices of Soft, Quiet Goddesses

        by Hugo Roca Joglar

        There is an idea by D.H. Lawrence: 'we are the secret dreams of our grandmothers.' But not the dreams they openly accepted and pursued, rather the secret dreams: those they denied, and merely thinking about them plunged them into fear and guilt. This Hugo Roca's definitive exploration of this concept: It begins with the death of his grandmother and ends with the imminent birth of his daughter, and in between, he narrates his struggle to establish a different flow, where through a process of re-educating himself (which leads to confront the most horrible demons of his lineage), he seeks to stop lying and to have no more secrets: to decipher his hidden dreams so as not to pass on the curse of embodying them to his daughter. A narrative that redefines parenthood and embarks on a profound quest for new forms of beauty.

      • Trusted Partner
        Literary studies: c 1500 to c 1800
        November 2007

        Masques of Difference

        Four court masques by Ben Jonson

        by Kristen Mcdermott

        Masques of difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national identity were being radically redefined. All four masques reflect the royal court's self-representation as moral, orderly, and just, in contrast to stylised images of chaotically (and exotically) 'othered' groups: Africans, the Irish, witches, and the homoeroticised figure of the Gypsy. This edition presents two masques that have received recent attention in the classroom - The Masque of Blackness and The Masque of Queens - and two that have never before been anthologised for the student reader - The Irish Masque at Court and The Masque of the Gypsies Metamorphosed. This anthology offers students the latest in scholarship and critical theory and essential clues for understanding the ideologies that shaped many of the modern structures of English culture.

      • Trusted Partner
        The Arts
        July 2024

        Pasticcio opera in Britain

        History and context

        by Peter Morgan Barnes

        This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.

      • Trusted Partner
        Humanities & Social Sciences

        The Armenian price of peace

        by Naira Sahakyan

        100 years ago, Armenian thought was inspired by European values. First it was socialism, now it is democracy. 100 years ago, and today, the main question remains the same: how to build relations with Russia?At the beginning of the last century, Armenians in the Ottoman, Iranian and Russian empires actively participated in future-oriented ideological discussions. The Caucasian events of 1917 showed the ideological differences of Armenian politicians and intellectuals. The role of the Caucasus was redefined. It was a part of the ancient kingdom of Armenians, therefore the territory of Armenian autonomous existence, and then also the restoration of the state.What were the expectations of the Armenian parties from the tsarist government and then from the Bolshevik government? Why did the fate of Western Armenia divide Armenians into Leninist and Plekhanovian ideological camps? Armenians' ideas about the right to self-determination 100 years ago: what has changed?

      • Trusted Partner
        The Arts
        November 2003

        Designs on modernity

        Exhibiting the city in 1920s Paris

        by Tag Gronberg

        Presents the 1925 Paris Exhibition as a key moment in attempts to update the image of Paris as "capital of the 19th century". At the Exposition Internationale des Arts Decoratifs et Industriels Modernes, Paris itself, as much as the commodity, was put on show. This text focuses on the Exhibition as a set of contesting representations of the modern city, stressing the importance of consumption and display for concepts of urban modernity. Here Le Corbusier's "Pavillon de L'Esprit Nouveau" with its "Plan Voisin" for the redesign of Paris confronted another equally up-to-date city - Paris "a woman's city", world centre of fashion and shopping. Taking as her starting point one of the most dramatic 1925 exhibits, the Rue des Boutiques which spanned the river Seine, the author analyzes the contemporary significance of the small Parisian luxury shop. She demonstrates how boutiques, conceived both as urbanism and as advertising, redefined Paris as the modern city. ;

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