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      • Kalachuvadu Publications (Pvt.) Ltd.

        Kalachuvadu Publications, established in 1995, publishes literary fiction, non-fiction, and poetry in Tamil. We publish international writings in translation. With a catalogue of over 1,000 titles, Kalachuvadu is a vibrant presence in the landscape of Tamil and Indian publishing. KP’s chronological variorum editions of acclaimed Tamil modernists has set the benchmark for other publishers. Its bestselling series of academic titles have also been well regarded for their relevance and readability. It was awarded the Best Publisher Award by Publishing Next (2018) as well as the Romain Rolland award for the best translation from French to an Indian language (2018). It also won the Federation of India Publishers’ Best Book Production Award (2019).

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      • Trusted Partner

        Kalamar Publishing House

        Kalamar publishes high-quality children's literature for children's development. Our missing – to make readers happy through self-awareness and taking care about the world.

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      • Fiction
        November 2004

        Ao Thampa

        by Yeshe Dorjee Thongchi

        He chops human corpses for the salvation of their souls.  He is the bridge between a man’s life and after-life yet a repulsive figure himself, disowned by the community only until the need for him arises.  SYNOPSIS He is Ao Thampa, member of a small tribe called Monpa tucked away in the sub-Himalayan wilderness of the Indian state of Arunachal Pradesh.  The Monpas, largely unknown to the rest of the world – much like the world to them – carry along their pristine lifestyle and the same social ethos and taboos that they have been living with for centuries.  Despite their strong spiritual attachment to the tenets of Tibetan Buddhism, they still persist with their primordial shamanic social norms – few of which may seem bizarre to an outsider. Dargye Norbu, a wretched person in a lice-infested robe smeared with blood, pus of dead bodies and excreta of his daughter, is often seen in the evenings on the streets of Dirang Village in an inebriated state, cursing and abusing the villagers, and dragging himself towards his secluded hut located on the confluence of two rivers away from the village.  To him he does not need a human society, but the people of the society need him because after death, it is only Dargye who can dissect their bodies and throw the hundred and eight pieces into the river as per the funeral customs of the Monpa. However, the story has not always been like this; Dargye Norbu used to be a happy lad leading a regular life with his family and friends in Surbin Village of Tawang.  It seemed like only a matter of time before he would marry his cousin Rijomba, but destiny had other plans for him.  The peaceful life of the Monpas was shattered when China occupied Tibet and their spiritual authority fled his home via Tawang.  A few years later, China attacked India taking over the whole of Tawang, this time forcing the villagers themselves to flee.  Rijomba was killed by a stray bullet and Dargye had to be her undertaker by cutting her body and throwing the pieces into the Tawangchu River.  Dargye got separated from his family and the cruel twist of circumstances turned him into a thampa – a chopper of corpses – he became known to all as Ao Thampa of a repugnantly squalid disposition. Dargye Norbu began living a solitary life that was a grim struggle to keep himself and his nagging wife Guisengmu, along with their deaf and mute daughter Rinjomba, alive when destiny took another turn and he met a reincarnate Buddhist Nun, Ani Sange Norljom.  The venerated nun had come to Dirang along with the Dalai Lama to perform the Kalachakra Puja. Ao Thampa is a story of life, love and hope on one side and a sinister nexus of death, desolation and destiny on the other.  It is a tale of immortal love between a pure Buddhist Nun and a wretched, socially outcaste person.

      • Modern & contemporary fiction (post c 1945)
        March 2018

        2001 Punto Cero

        by Carlos A. Colla

        Welcome to a luminous journey, at times hilarious, that crosses the misery and dissects the hypocrisy of an abandoned society that struggles to emerge from the abyss. In a Buenos Aires besieged by violence and poverty in the worst economic and ethical crisis in contemporary Argentina, the lives of a select few are shipwrecked in a country that is crumbling. Prostitutes, unemployed workers and cartoneros merge in a ravaged city, pierced by anarchic holes of poverty, evictions and unemployment. Thanks to an unknown fate, the protagonist, disenchanted and responsible for his family, advances between the absurdity of the crisis, in a forward flight, without rest or contemplation, to try to recover a destiny torn from the roots. What could be the destination of such a particular transit?

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