Zaffre
Zaffre is our flagship adult fiction imprint. Focusing on a wide range of crime, thrillers, women’s and reading-group, we pride ourselves on publishing commercial fiction with strong narratives and compelling storylines.
View Rights PortalZaffre is our flagship adult fiction imprint. Focusing on a wide range of crime, thrillers, women’s and reading-group, we pride ourselves on publishing commercial fiction with strong narratives and compelling storylines.
View Rights PortalTapachula, Chiapas: a small city on the southern border of Mexico bearing the weight of a continental migratory crisis. Migrants trapped between bureaucracy, misery, and violence. Tens of thousands of bodies halted in front of the invisible wall of the United States. This book seeks to explore migration from the inside out. Its field of exploration encompasses not only the physical border but also the narrator's personal experience as an immigrant in Mexico. It is a hybrid work that weaves through chronicles, personal essays, autobiography, and travel writing, considering the migratory phenomenon not just as a collapse but as a space for profound subjective elaboration. The story of a religious leader expelled from Angola, the adventures of a former Colombian guerrilla threatened by the dissident factions of the FARC, and the nostalgia of an exiled Sandinista from Daniel Ortega's dictatorship blend in a common chorus with the narrator’s voice, son of a father killed by the Venezuelan state and a mother seeking asylum in Mexico. More than a chronicle, "El espejo animal" seeks to be a spoken portrait of migration in Latin America. It is an artifact that enables and amplifies the voices of migrants where they cannot be heard.
Guadalupe, 15, is confused. She grew up in the house of one of the richest families in the world . . . in the servants’ quarters with her mother, the family cook. The life of luxury is all she knows, but it isn’t really her life. Unhappy in school, invisible at home, she lives inside her head, in a world made of books and movies. Outside, Manila is in turmoil: protest rallies, a bloodless revolution, coup attempts, and the Web hasn’t even arrived yet. When is Guada is going to leave her imaginary shelter and get a life?
Ascópolis turns the most tragic stories into absurdities and scenes of endless laughter. The grotesque and the gore, the cheesy and the dirty are its specialties. He prefers scoundrels to heroes. "Ascópolis" has no moral sense, no scruples. It wants to make people laugh more than presenting a great reflection. They are visceral short stories with unrelenting honesty that might annoy anyone.
Let’s Cook with Nora provides documentation of Philippine cooking for 1965 when it made its appearance. In its new, 21st-century, classic version—lovingly restyled by her daughter Nina Daza Puyat—Nora Daza’s legacy is ready for today’s cooks, brides to be, and food lovers. –Felice Prudente Sta. Maria (Food historian and author of The Governor-General’s Kitchen)