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      • Gill Books

        Gill Books is an Irish publisher which produces an eclectic list of award-winningand bestselling titles from agenda-setting current affairs to absorbing history, page-turning biography to beautifully produced lifestyle. We are a division of Gill, Ireland’s largest publisher. Its origins date back to 1856 when M.H. Gill & Son, whose portfolio included printing and bookselling, wasfounded in Dublin. The bookshop, which stood on Dublin’s O’Connell Street for123 years and is referenced in James Joyce’s Ulysses, can now be found online at www.gillbooks.ie. In collaboration with some of Ireland’s best writers, brands and a network of creative talents, Gill Books creates a dynamic publishing proposition, which builds on a 150-year heritage whilst looking excitedly to the future.

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        Humanities & Social Sciences
        May 1988

        Lancashire

        by John K. Walton

        If England was 'the first industrial nation', Lancashire was emphatically the first industrial county the first to develop, over a wide area, the combination of steam-powered factory industry and urban sprawl which says 'Industrial Revolution' to most people. It was also one the first fully industrialised areas to experience catastrophic economic decline in the inter-war years. Much has been written about particular aspects of the Lancashire industrial experience, and the social causes and consequences of the changes that took place, but there is not full-length social history of the county as a whole, looking at developments in the long run and comparing and contrasting the patterns of change in the south-eastern textile district, on Merseyside and north of the Ribble. An explanation of Lancashire's unique social history since Elizabethan times is long overdue, and Lancashire a social history, 1558-1939 puts forward a distinctive point of view on the many areas of controversy. How did the 'Industrial Revolution' affect working-class living standards? Why did Lancashire become a stronghold both of Puritan activism and Roman Catholic survival, and what were the long-term consequences of this? Was the 'Industrial Revolution' really funded by the profits of the slave trade? Why was working-class Lancashire in the nineteenth century apparently first Chartist, then Conservative? Was Lancashire the original centre and true home of 'Victorian values', of a culture of thrift, enterprise and self-reliance? This is the first social history of an English county to span the centuries from the sixteenth to the twentieth, looking at all levels of society and analysing politics and the power structures as well as technological innovation and material wealth. More importantly, it studies a particular vital and controversial place and period, and takes account of continuities as well as changes. Aimed at the sixth former and general reader as well as the academic market, it should become essential reading for historians, and historical geographers, sociologists and economists. ;

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        January 1983

        Keltische Folksongs

        Texte und Noten mit Begleit-Akkorden

        by Herausgegeben von Walton, Jake

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        1980

        Die Waltons

        Der Roman zur Fernsehserie

        by Weverka, Robert

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        Literature & Literary Studies
        April 2020

        Interweaving myths in Shakespeare and his contemporaries

        by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin

        This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.

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        August 1992

        Nationalsozialismus in der »zweiten Generation«

        Psychoanalyse von Hörigkeitsverhältnissen

        by Anita Eckstaedt

        Thema dieser aufschlußreichen Arbeit sind die Auswirkungen, die die Epoche des Faschismus und der Zusammenbruch des »Dritten Reiches« auf die psychische Entwicklung der während des Krieges oder unmittelbar danach geborenen Kinder der Täter gehabt haben. Dieses Buch verdient schon deshalb ein breites Interesse, weil sich Anita Eckstaedt auf ein auch von der westdeutschen Psychoanalyse bis heute weitgehend vernachlässigtes Terrain vorgewagt hat. Anita Eckstaedts Beschreibung und Analyse der psychischen Deformationen, in denen die Ideologie des Nationalsozialismus nach dem Zusammenbruch des »Dritten Reiches« bis heute überlebt und ihre unheilvolle Wirkung entfaltet hat, ist zweifellos ein wichtiger Beitrag zu der von der Nachkriegsgeneration unterlassenen Aufklärungs- und Trauerarbeit. Ihre Untersuchung gehört daher gleichwertig neben Alexander und Margarete Mitscherlichs Die Unfähigkeit zu trauern gestellt. Während deren sozialpsychologische Analyse der Abwehr- und Verleugnungsmechanismen, mit deren Hilfe sich die Nachkriegsgeneration ihrer nationalsozialistischen Vergangenheit zu entledigen suchte, eher eine soziologische Bestandsaufnahme von außen war, entwickelt Anita Eckstaedt die gleiche Problematik aus der Situation der psychoanalytischen Behandlungsrealität heraus. Dadurch wird nachvollziehbar, wie die für die Kriegsgeneration von Alexander und Margarete Mitscherlich primär strukturell beschriebenen Phänomene und Symptome sich konkret auf die psychische Entwicklung der »zweiten Generation« ausgewirkt haben. (Joachim Weiner) 1991 hat Anita Eckstaedt im Suhrkamp Verlag veröffentlicht: Die Kunst des Anfangs. Psychoanalytische Erstgespräche.

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        Humanities & Social Sciences
        January 2019

        Literature, theology and feminism

        by Heather Walton

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        Humanities & Social Sciences
        November 2007

        Public issue television

        World in Action' 1963–98

        by Peter Goddard, John Corner, Kay Richardson

        Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;

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        February 1982

        Briefwechsel

        by Rainer Maria Rilke, Anita Forrer, Magda Kerényi

        Eine junge Schweizerin aus St. Gallen schrieb Rilke Anfang Januar 1920 von ihrer Ergriffenheit während seiner Lesung in der dortigen Museums-Gesellschaft im November 1919. Rilke antwortete ihr, und er schrieb, er werde gelegentlich die Anrede »Anita« verwenden, wie es der »Lehrer« dürfe, als den sie ihn anspreche, besonders, weil er selber eine Tochter habe, die von ihrem Alter nur um ein halbes Jahr unterschieden sei. Rilkes Dankeszeilen erweckten in Anita Forrer großes Zutrauen, und zeit ihres Lebens blieb Rilke der Lehrer, der ihr half, in der »Geometrie des Herzens ... der Distanzen und Verhältnisse in dem unabsehbaren Raum des Gefühls irgendwie mächtig zu werden« (Rilke an Anita Forrer am 22. Dezember 1920). Rilkes Briefe haben ihr, so sagt Anita Forrer, »einen geistigen Lebensraum geöffnet, der einfach maßgebend wurde für mein Leben«. Nach Rilkes Lesung in St. Gallen trafen sich die Briefpartner erst 1923 im Hause von Frau Wunderly-Volkart und dann, drei Jahre später, im Todesjahr Rilkes, in Bad Ragaz.

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        The Arts
        November 2013

        Popular television in authoritarian Europe

        by Peter Goddard

        This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two. Ten chapters based on new and original research examine approaches to programming and individual programmes in Spain, Greece, Czechoslovakia, Romania, the USSR and the GDR at a time when they were governed as dictatorships or one-party states. Drawing on surviving archives, scripts and production records, contemporary publications, YouTube clips and interviews with producers and performers, its chapters recover examples of television programming history unknown beyond national borders and often preserved largely in the memories of the audiences who lived with them. The introduction examines how television can be considered 'popular' in circumstances where audience appeal is often secondary to the need for state control. Published in English, Popular television in authoritarian Europe represents a significant intervention in transnational television studies, making these histories available to scholars for the first time, encouraging comparative enquiry and extending the reach - intellectually and geographically - of European television history. There is a foreword by John Corner and an informative timeline of events in the history of television in the countries covered. ;

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        March 2009

        »Der Struwwelpeter« Dichtung und Deutung

        Eine psychoanalytische Studie

        by Anita Eckstaedt

        Kinder brauchen Märchen, weil sie Geschichten brauchen, die sie in die Drastik des Lebens einführen und auf einer stilisierten Ebene innere Konflikte verarbeiten lassen. Auch der Struwwelpeter bietet Geschichten an, in denen es um Leben und Tod geht, Geschichten, die nach wie vor von Kindern und Erwachsenen gelesen und vorgelesen werden. Anita Eckstaedt geht in diesem Klassiker der psychoanalytischen Deutung, der zum Heinrich-Hoffmann-Jubiläum in einer einmaligen Sonderausgabe vorgelegt wird, den Bedingungen für die weltweite Wirkung dieses wohl bekanntesten Kinderbuches aller Zeiten auf den Grund. Die Authentizität und Überzeugungskraft der Hoffmannschen Bilderwelt sieht sie in der Biographie des Autors gegründet, der sich, ohne Mutter aufgewachsen, die jedes Kind bewegende Frage: »Bin ich gut oder böse?« – und infolgedessen: »Liebst du mich oder nicht?« – mit existentieller Intensität gestellt haben muß. Die verschiedenen Struwwelpeter-Figuren haben Sündenbockfunktion; sie sind Negativprojektionen jenes einen Kindes, das Heinrich Hoffmann war. Und wird zwischen den Zeilen und Bildern der einzelnen Struwwelpetergeschichten eine ganz andere Erzählung lesbar: die von Heinrich Hoffmanns eigener Kindheit.

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        Literature & Literary Studies
        June 2004

        Secret Shakespeare

        Studies in theatre, religion and resistance

        by Richard Wilson

        Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies. ;

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