Trinity Publishing NZ Ltd has been producing children's books since 1997 in Australasia whilst sailing in the South Pacific islands. Since 2018 we have also begun producing work for a European readership..We love visiting the place where our book subjects live and play.
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Corregidor is an independent Argentine publisher with more than five decades, dedicated to publishing and distributing a catalog focused in Latin American and Argentine literature.
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This timely and controversial book shows how crime, and the authorities' response to crime, became central to the peace process in Northern Ireland. At times, paramilitary activity threatened to destabilise the peace in Northern Ireland after 1998, but crime was central to maintaining capacity should the groups return to war. Over time, the reduction of crime was central to these groups' own attempts to reform and official judgements as to whether they were genuinely demobilising. The state's response to crime added controversy. Police reform produced the Police Service of Northern Ireland (PSNI) and the new Organised Crime Task Force signalled the importance of crime control, but the Assets Recovery Agency, supposedly the 'magic bullet' for organised crime, misfired. Law enforcement was also deeply affected by the British state's response to paramilitary crime. By 2007, peace was apparently secure and paramilitaries were 'de-criminalising', but this often chaotic process was marked with questions about the British state's adherence to the rule of law. Incorporating first-hand research in the PSNI, the book will be of interest to general readers and scholars of Irish Studies, criminology, and British and comparative politics. ;
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Following the critical scepticism surrounding the notion of the 'self' as a singular entity during the 1960s, many artists and writers sought to test the apparent problem posed by autobiography as both a traditional genre and as a way of working. Considering the consequent emergence of autotheory, Lifework traces this shift in artistic and literary production during the late twentieth century and beyond, examining a set of diverse practices that mine the line between what it is to make art and what it is to live life. The book's chapters connect a variety of artistic strategies that cut across medium, geography and time, uncovering how the historical marginalisation of first-person experience has taken on larger social, cultural and political implications in the contemporary moment and how the work of living might still relate to the work of art.
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Now available in paperback, Performing Englishness examines the growth in popularity and profile of the English folk arts in the first decade of the twenty-first century. In the only study of its kind, the authors explore how the folk resurgence speaks to a broader explosion of interest in the subject of English national and cultural identity. Combining approaches from British cultural studies and ethnomusicology, the book draws on ethnographic fieldwork, interviews with central figures of the resurgence and close analysis of music and dance as well as visual and discursive sources. Its presentation of the English case study calls for a rethinking of concepts such as revival and indigeneity. It will be of interest to students and scholars in cultural studies, ethnomusicology and related disciplines. ;
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Pablo Neruda's Veinte poemas de amor y una canción desesperada (1924) is the most widely read and best loved book of poetry ever written in Spanish. Its verses can be recited by heart by millions of Latin Americans from every background and walk of life, and it has become almost a bible for young lovers. Yet despite, or perhaps because of this immense popular success, it has received scant attention from scholars, often being studied out of context and in relatively superficial fashion. This new critical edition - the first to include critical notes in English - argues that the book constitutes a critical juncture in the young Neruda's development as a poet, and that the poems are as much painstakingly wrought experiments in style, language and form as they are outpourings of youthful passion. A detailed introduction in English demonstrates that the Viente poemas represent the culmination of complex and sometimes fraught poetic apprenticeship, significant traces of which can be found in the poems themselves. This is followed by a series of commentaries which offer close readings of all twenty-one poems, an extensive bibliography, a selected vocabulary, and a list of key rhetorical and metrical terms. ;
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