Marshall Cavendish International (Asia) Pte Ltd
As one of Southeast Asia’s leading publishers, our team boasts more than 30 years of experience in licensing and translation rights in the international publishing industry.
View Rights PortalAs one of Southeast Asia’s leading publishers, our team boasts more than 30 years of experience in licensing and translation rights in the international publishing industry.
View Rights PortalTopical, authentic and high quality books under the Marshall Cavendish Editions imprint provide general interest content that informs, entertains and engages readers.
View Rights PortalTerence Fisher is best known as the director who made most of the classic Hammer horrors - including The Curse of Frankenstein, Dracula and The Devil Rides Out. But there is more to Terence Fisher than Hammer horror. In a busy twenty-five-year career, he directed fifty films, not just horrors but also thrillers, comedies, melodramas and science-fiction. This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his importance as a film-maker but also casts a new, interesting light on the areas in which he worked - Gainsborough melodrama, the 1950s B film, 1960s science-fiction and, of course, Hammer, one of the most successful independent film companies in the history of British cinema.
Of all the poets Francis Meres names in his famous Palladis Tamia, Wits Treasury (1598), just two rate a mention as being both 'our best for tragedy' and 'the best poets for comedy': William Shakespeare and George Chapman. All Fools, written in 1599, is the only Elizabethan comedy based directly on the plays of Terence. By taking episodes and characters from two brilliant works, The Self-Tormenter and The Brothers, Chapman creates something that is distinctly Elizabethan while remaining faithful to the spirit of the great Roman master. In this edition, an extensive introduction and commentary show how Chapman combines the literary and theatrical traditions of ancient Rome with everyday life in his own time to fashion a sparkling and innovative comedy that will delight audiences today as much as it did those of 1599.
In postwar Britain, journalists and politicians prophesised that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved entirely wrong. In good taste charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, and sociologists claimed that an entire population was suffering from status anxiety, but underneath it all, a world was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous well-scrubbed, second-hand pine kitchen tables. This was less a world of symbolic goods and more an intimate environment alive with new feelings and attitudes.
Of all the poets Francis Meres names in his famous Palladis Tamia, Wits Treasury (1598), just two rate a mention as being both 'our best for tragedy' and 'the best poets for comedy': William Shakespeare and George Chapman. All Fools, written in 1599, is the only Elizabethan comedy based directly on the plays of Terence. By taking episodes and characters from two brilliant works, The Self-Tormenter and The Brothers, Chapman creates something that is distinctly Elizabethan while remaining faithful to the spirit of the great Roman master. In this edition, an extensive introduction and commentary show how Chapman combines the literary and theatrical traditions of ancient Rome with everyday life in his own time to fashion a sparkling and innovative comedy that will delight audiences today as much as it did those of 1599.
Tracing the McKenna brothers’ childhood in western Colorado during the 1950s and ’60s, Dennis chronicles their adolescent adventures and formative encounters with mind-altering substances, along with the people and ideas that shaped them both. Dennis, now world-renowned for this ethnobotanical work, describes his early interests in cosmology and astrology, his sometimes rocky relationship with his older brother, how their paths diverged later in life, and his mother’s and Terence’s battles with cancer. In his account of what has become known as “The Experiment at La Chorrera”—which Terence documented in his own 1989 book, True Hallucinations— Dennis describes visions of merging mushroom and human DNA, the brothers’ predictions for the future, and their evolving ideas about society and consciousness. In this updated edition, Dennis also reflects on scientific revelations, climate change, and the social and political crises of our time.
Embryo research, cloning, assisted conception, neonatal care, saviour siblings, organ transplants, drug trials - modern developments have transformed the field of medicine almost beyond recognition in recent decades and the law struggles to keep up. In this highly acclaimed and very accessible book, now in its sixth edition, Margaret Brazier and Emma Cave provide an incisive survey of the legal situation in areas as diverse as fertility treatment, patient consent, assisted dying, malpractice and medical privacy. The book has been fully revised and updated to cover the latest cases, from assisted dying to informed consent; legislative reform of the NHS, professional regulation and redress; European regulations on data protection and clinical trials; and legislation and policy reforms on organ donation, assisted conception and mental capacity. Essential reading for healthcare professionals, lecturers, medical and law students, this book is of relevance to all whose perusal of the daily news causes wonder, hope and consternation at the advances and limitations of medicine, patients and the law.
Embryo research, cloning, assisted conception, neonatal care, saviour siblings, organ transplants, drug trials - modern developments have transformed the field of medicine almost beyond recognition in recent decades and the law struggles to keep up. In this highly acclaimed and very accessible book, now in its sixth edition, Margaret Brazier and Emma Cave provide an incisive survey of the legal situation in areas as diverse as fertility treatment, patient consent, assisted dying, malpractice and medical privacy. The book has been fully revised and updated to cover the latest cases, from assisted dying to informed consent; legislative reform of the NHS, professional regulation and redress; European regulations on data protection and clinical trials; and legislation and policy reforms on organ donation, assisted conception and mental capacity. Essential reading for healthcare professionals, lecturers, medical and law students, this book is of relevance to all whose perusal of the daily news causes wonder, hope and consternation at the advances and limitations of medicine, patients and the law.
Does the phrase “history repeats itself” have any merit? Is it true? Some say it is; some say that historical events repeat themselves endlessly and occur again and again in parallel time loops. Nicole and her brothers do not know for sure. What they do know is that sometimes when history repeats itself, things can go wrong, and they are here to prevent just that. This compelling time-travel novel is the story of Nicole and her family, who have been entrusted to keep history unchanged. Through the black cave at the edge of the forest they jump back in time to an event in history, an event that is about to be changed, about to be altered. Their mission is simple—preserve history as it is, and don’t let loops in time make changes that can affect the future. What would have happened if JFK hadn’t been assassinated? What would be the difference if Elvis hadn’t really died? What would change if one more boy had died in the Holocaust? The three of them have done this for as long as they can remember, and they know their way through history. But what happens when the rules are slightly bent? When someone chooses to interpret the course of history? Use history for their own benefits? Will Nicole and her brothers survive? Will the world survive? What will be the cost? Read The Keepers of the Black Cave to find out. Hanit Pahima has shifted her career after twenty years in the high-tech industry to pursue her dream of and talent for writing. As a personal travel planner and a dreamer, she combines her adventures in the world, her passion for TV shows and movies, and her vast and cynical imagination to create her stories. An English-language edition was published in February 2019. 212 Pages,12X20 c