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      • Tamer Institute for Community Education

        TAMER Institute for Community Education is an educational non-governmental non for profit organization established in 1989 as a natural and necessary response to the urgent needs of the Palestinian community during the first intifada (uprising). The most important of these is the need to acquire means to help people learn and become productive. Focusing principally on the rights to education, identity, freedom of expression, and access to information,Tamer works across the West Bank and Gaza Strip, primarily targeting children and young adults to encourage and deepen opportunities of learning among them. Our program aims to contribute to enhancing reading, writing and all forms of Expression among children and young adults. It also aims at contributing to a Palestinian environment that is supportive to learning processes, and at supporting the literary and scholar production on child culture in Palestine.

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      • Trusted Partner
        Das Lexikon unbekannter Bekannter
        November 1999

        Das Lexikon unbekannter Bekannter

        Geflügelte Namen von Achilles bis Graf Zeppelin

        by Lewinsky, Tamar

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      • Trusted Partner
        Displaced Poets
        October 2008

        Displaced Poets

        Jiddische Schriftsteller im Nachkriegsdeutschland, 1945–1951

        by Lewinsky, Tamar

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      • Trusted Partner
        Die Kinder aus dem Jordantal
        1994

        Die Kinder aus dem Jordantal

        Zuflucht für Avram

        by Bergmann, Tamar

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      • Trusted Partner
        Zu viele Köche verderben den Mord
        1995

        Zu viele Köche verderben den Mord

        by Myers, Tamar

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      • Trusted Partner
        Die Ewigkeit ist ein guter Ort
        July 2022

        Die Ewigkeit ist ein guter Ort

        by Noort, Tamar

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      • Trusted Partner
        Taschkent ist weit von Lodz
        January 1996

        Taschkent ist weit von Lodz

        by Bergman, Tamar / Hebräisch Pressler, Mirjam

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      • Trusted Partner
        Milch macht manche Männer mausetot
        March 1998

        Milch macht manche Männer mausetot

        by Myers, Tamar / Englisch Hauser, Sonja

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      • Trusted Partner
        Salbei, Rosmarin und Mord
        July 1997

        Salbei, Rosmarin und Mord

        by Myers, Tamar / Englisch Hauser, Sonja

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      • Trusted Partner
        Die andere Frau
        March 2014

        Die andere Frau

        by Cohen, Tamar / Übersetzt von Walther, Julia

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      • Trusted Partner
        About Us

        About Us

        by Dekel Publishing House

        DEKEL PUBLISHING GROUP: A BRIEF PROFILE   Dekel Publishing House was established in 1975, initially as an academic publisher for university students, but it quickly expanded to include more popular genres under its imprint Tamar Books. Within a few years, Dekel became one of Israel’s leading publishing houses with both fiction, such as novels and thrillers, and nonfiction titles, mainly related to hobbies, cooking, and various sports and leisure activities. In the nineties, Dekel first entered the international publishing scene, taking part in most of the Frankfurt Book Fairs and the London Book Fairs, as well as many Book Expo America, the Salon du Livre in Paris, and also the Beijing Book Fair. Dekel maintains friendly collaboration with many overseas publishers in various languages to whom it licenses their own language rights or co-publishing agreements. It also publishes both digital and print titles via its American imprint in Monterey, California, and its German imprint in Frankfurt. Dekel’s bestselling Krav Maga series, which focuses on the original Israeli renowned self-defense system, has been translated and published in many languages, most with successive reprints, including Japanese, Korean, and Chinese. Recently, Dekel has developed titles in the high-tech and start-up domain, including fiction & nonfiction. Despite its dynamic activity, Dekel is a family-owned company managed by father and son Zvi and Dory Morik. Their company often proves itself to be a pioneer in the international publishing industry in promoting new and intriguing themes.   CONTACT: Imprints: Samuel Wachtman’s Sons, Lindenfels von Pressel Verlag Post: P.O. Box 16109, Tel Aviv 6116002, Israel Tel/Fax: 972-3-6044627 E-mail: zvimor@dekelpublishing.com Managing Director: Mr. Zvi Morik Export Manager: Mr. Dory Morik

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      • Trusted Partner
        La Dolce Vita

        La Dolce Vita

        by Gaio Sciloni

        La Dolce Vita - la Cuisine Régionale Italienne  par Gaio Sciloni Gaio Sciloni, célèbre écrivain né en Italie, a offert au lecteur israélien bon nombre d’excellentes traductions des oeuvres d’auteurs et de poètes italiens classiques. Il a consacré plusieurs années d’études à la préparation d’un guide culturel et culinaire, intitulé la Dolce Vita qui fera le bonheur de tous les amoureux de l’Italie. La Dolce Vita n’est pas seulement un livre de cuisine ordinaire, mais plutôt une revue systématique de l’Italie, du Nord au Sud, chaque région étant caractérisée par son paysage, ses traditions et son folklore, et par dessus tout, par sa micro-culture culinaire. Gaio Sciloni, suivant en cela les idées du célèbre auteur italien Pellegrino Artusi, croit lui aussi que la culture locale est inséparable de la cuisine locale. En fait Sciloni ne s’est pas contenté de puiser dans sa très vaste culture dans le domaine de la gastronomie italienne, mais il a étudié un large éventail de sources éthniques. La Dolce Vita a eu le privilège d’être préfacée par le Prof. Franco Massaia, Conseiller Principal du Ministère Italien des Affaires Etrangères pour les Relations Culturelles Internationales dans la région Méditerranée. Les Editions Tamar ont publié une version en hébreu de la Dolce Vita, dans une élégante édition bichrome de 256 pages en format 24x17cm, et celle-ci a connu un très grand succès. Une second édition a d’ailleurs déja été publiée. Le livre est rehaussé d’illustrations, fondées sur des représentations du folklore culinaire régional à travers l’Art italien ancien. Si la possibilité de publier une édition en français de cet ouvrage ou un projet de co-édition vous intéresse, veuillez nous contacter. C'est avec plaisir que nous vous ferons parvenir une documentation supplémentaire.

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      • Trusted Partner
        Art as worldmaking
        The Arts
        November 2018

        Art as worldmaking

        Critical essays on realism and naturalism

        by Malcolm Baker, Andrew Hemingway, Andrew Hemingway, Briony Fer, Joshua Shannon, Adrian Rifkin, Malcolm Baker, Martina Droth, Caroline Arscott, Anne Wagner, Martin Powers, Neil McWilliam, Celeste Brusati, T.J. Clark, Rebecca Zurier, Steve Edwards, Tamar Garb, Lisa Tickner, Alistair Rider, Thomas Crow, Gail Day

        Art as worldmaking is a response to Alex Potts's provocative 2013 book Experiments in modern realism. Twenty essays by leading scholars test Potts's recasting of realism through examinations of art produced in different media and periods, ranging from eighth-century Chinese garden aesthetics to video work by the contemporary Russian collective Radek Community. While the book does not neglect avatars of pictorial realism such as Menzel and Eakins, or the question of nineteenth-century realism's historical antecedents, it is contemporary in orientation in that many contributors are particularly concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. It will be essential reading for students of art history concerned with art's truth value or more broadly with conceptual problems of representation and the intersections of art and politics.

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      • The Water and the Wine
        Fiction

        The Water and the Wine

        by Tamar Hodes

        Leonard Cohen is at the start of his career and in love with Marianne Jensen, who is also a muse to her ex-husband, Axel. Australian authors George Johnston and Charmian Clift write, drink and fight. It is a hedonistic time of love, sex and new ideas on the Greek island of Hydra. As the island hums with creativity, Jack and Frieda join the artistic community, hoping to mend their broken marriage. However, Greece is overtaken by a military junta and the artists’ idyll is over. In this fictional account of real events, Tamar Hodes explores the destructive side of creativity and the price that we pay for our dreams.

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      • Dart

        Dart

        by Deborah Harvey

        ‘Dart’, Deborah Harvey’s lyrical yet unflinching portrayal of life on Dartmoor during the winter of 1348-49, takes the reader back to a time when half the population of the British Isles was struck down by the Black Death and the only remedies were prayer … and witchcraft.  Tobias Hext is in love with Beatrice and if his sister, Kat, is to be believed, the feeling’s mutual. But in nearby Tavystoke, the townsfolk are dying of some terrible fever, and it’s creeping ever closer to their village, thanks to the illicit activities of their neighbour, the villainous Serlo Crake.  And then there’s the witch, Isabella, and her strange stone arrowhead. Will it bring good fortune or be the death of them all?

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      • Mourning: The Day After Loss
        Coping with personal problems

        Mourning: The Day After Loss

        Insights and practical Advice on Coping with Grief

        by Tamar Ashkenazi

        The notification of the death of a loved one is a devastating event. Once a loved one is gone, family and friends are left to cope with his memory and absence. But how? Mourning: The Day After Loss offers practical advice and insight into the process of coping with grief and bereavement based on extensive experience and research. It leads the reader on a journey through the various stages of bereavement - from the death notification to the formal days of mourning, the burial, and the weeks and months following. The book is based on the author’s experience as a hospital nurse and donors coordinator for the Israel National Transplant Center. It is a product of her doctoral research on adjustment to loss. The book focuses on Israeli protocols and traditions of grief but offers universal insight.   Practical insight on coping with grief and bereavement The death of a loved one surfaces pressing dilemmas: How should the deceased be commemorated in daily life and special occasions, such as holidays, birthdays, and memorials? How should his absence be regarded in school or at work? How does a marriage continue after death? How should the deceased’s clothes and belongings be handled? How should one remember, and how does one find the power to live on? Mourning: The Day After Loss delivers personal expressions of grief from parents and grandparents, siblings, spouses, and friends who have suffered loss or supported others in their grief. The author uses her experience as a group facilitator to bring the voices of participants in support groups for the bereaved, as well as the insights and testimonies of others who have dealt with life after loss. This book offers a comprehensive overview of bereavement and the approaches and methods of dealing with loss.

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      • Night's Dancer
        September 2011

        Night's Dancer

        by Lewin, Yaël Tamar

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      • Μήδεια, ἡ γυνὴ πρὸ τοῦ μύθου
        November 2022

        Μήδεια, ἡ γυνὴ πρὸ τοῦ μύθου

        Medea, la donna prima del mito მედეა, მითების პირველი ქალი

        by Viviana Sgorbini, Tamar Gumburashvili, Enrica Fontani

        Medea is often associated to Euripides' tragedy, which makes her an infanticide. But this is only one version of her story. Who was Medea before this myth started to spread?   This precious picture book takes the reader back to ancient Colchis and Greece through delicate watercolour illustrations and a translation into Georgian and ancient Greek and shows Medea as an enchanteress and healer.

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      • Bridge watching
        Architecture
        January 2003

        Bridge watching

        by Jupp, Edmund W.

        The aim of the Watching series is to draw attention to some of the very interesting items around us, things that perhaps we don't notice as much as we might. The first was Bridge Watching, and when this was put ''on the Net'' it produced, to the surprise of the author, such a pleasant flood of e-mail that another was written, called Water Watching. This, too, was kindly received. So it was tempting to continue with the theme.Wherever we go we seem to meet bridges. Mostly we tend to use them almost without noticing them, except when we see a particularly striking example like the suspension bridge over the river Tamar in Devon. There is no attempt to cover everything about bridges, just enough to make a bridge a more interesting object for you, or your camera, or your paint-box. I do hope it will help you to enjoy bridges, wherever you see them. They are such nice comfortable things to watch, especially when you know something about them. As either a hobby or an intellectual pursuit bridge-watching has much to commend it, for people of all ages and persuasions. You don't have to pay a subscription. You can enjoy it on your own or in company, and weather is relatively unimportant. It doesn't need any special clothing or equipment. (If you like, you can use field glasses or cameras, and note-books; but they aren't essential). You need no training, no practice, no coaching. From all angles, bridge-watching is an attractive pastime, all over the world. Go out and enjoy these fascinating structures. You may find them addictive, in the nicest possible way.

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