Tracey McDonald Publishers
Tracey McDonald Publishers is a leading indie publishing house based in South Africa. We publish non-fiction titles, written by people from Africa, or about Africa.
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Tracey McDonald Publishers
TMP, established in 2013, is a leading indie publishing house based in South Africa. In the 11 years of business, they have published 123 titles. Under the TMP imprint they publish non-fiction titles, written by people from Africa, or about Africa.
View Rights Portal
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Promoted Content
October 2008Die Geheimnisse von Paris
Vollständige Ausgabe. Zwei Bände in Kassette
by Eugène Sue, Helmut Kossodo, Helmut Kossodo
Paris 1838: Ein geheimnisvoller deutscher Herzog kämpft in den verrufensten Gegenden der Stadt für Gerechtigkeit, denn im Labyrinth der nächtlichen Gassen treiben so allerhand finstre Gestalten ihr Unwesen. Eugène Sue (1804-1857) gehört zu den meistgelesenen Autoren des 19. Jahrhunderts. Die Geheimnisse von Paris wurden bei Erscheinen 1843 schlagartig zum Bestseller. Einer der spannendsten und furiosesten Romane der europäischen Literatur!
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Trusted Partner
Literature & Literary StudiesDecember 1997Introducing Bakhtin
by Sue Vice
There is no other comprehensive introduction to Bakhtin. The book is aimed at arts students - the primary market. Deals extensively with gender issues. ;
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Literature & Literary StudiesMay 2024EcoGothic gardens in the long nineteenth century
by Sue Edney
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Humanities & Social SciencesJune 1997Florence Nightingale
by Sue M. Goldie
The letters in this volume come from the period in Florence Nightingale's life that brought her lasting fame. The letters, written amid scenes of horror and chaos, to officials, family and friends, express her hopes and fears and the doubts and frustrations of her arduous service. ;
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January 1990Zerzaustes Käuzchen
Die Emanzipation einer Epilepsiekranken. (Persönliche Erfahrungen mit Krisen)
by Cooke, Sue
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The ArtsJanuary 2019Bertrand Blier
by Sue Harris
The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English.
