Codice Edizioni was founded in Turin in September 2003 with the goal of renovating Italy’s traditional non-fiction and popular science publishing; science in its many variations (physics, evolutionism, technology, natural sciences), as a key to interpreting modern society
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Jacoby & Stuart is a publishing house of richly illustrated and well-written children’s books, picture books, fiction and non-fiction. For adults we publish graphic novels, lovingly designed gift books, richly illustrated and informative non-fiction as well as inventive and exquisite cookbooks.
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As the tragedy of the Grenfell tower fire has slowly revealed a shadowy background of outsourcing, private finance initiatives and a council turning a blind eye to health and safety concerns, many questions need answers. Stuart Hodkinson has those answers. He has worked for the last decade with residents groups in council regeneration projects across London. As residents have been shifted out of 60s and 70s social housing to make way for higher rent paying newcomers, they have been promised a higher quality of housing. Councils have passed the responsibility for this housing to private consortia who amazingly have been allowed to self-regulate on quality and safety. Residents have been ignored for years on this and only now are we hearing the truth. Stuart will weave together his research on PFIs, regulation and resident action to tell the whole story of how Grenfell happened and how this could easily have happened in multiple locations across the country.
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The streetscape - the closely observed, faithfully rendered view of the city's streets, squares, canals, buildings and people - was a new artistic genre of the early modern era, a period in which the city itself was assuming new forms and taking on new roles in Europe and America. This unique book reopens the window of the early city view makers by tracing earlier forms of urban representation in European art into the sudden coalescence of the new genre in Italy and the Low Countries during the middle years of the seventeenth century. It explores the rapid expansion and diffusion of the genre through the eighteenth century, its appeal to such artists as Canaletto, Bernardo Bellotto, Francesco Guardi, and Giovanni Battista Piranesi, and its embrace of a culture of secular improvement more commonly understood through the writings of Enlightenment philosophes. To examine the long history of the genre is to learn much about the early modern city, and to rediscover many beautiful and long-forgotten works of art. ;
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This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation.
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