Lindbak + Lindbak
Lindbak + Lindbak is a fresh new Nordic publishing house adding an innovative twist to popular genres like crime, romance & children's books.
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National University of Singapore Press
The NUS Press Story NUS Press publishes academic books and journals, as well as general non-fiction. Our home market is Singapore and Southeast Asia, but our books are distributed internationally. We publish books of special relevance to Southeast Asia and we maintain a disciplinary focus on the humanities and social sciences. Books and memoirs meant mostly for a general audience and to be sold in bookshops are published under our Ridge Books imprint. We publish some 30 books a year. NUS Press currently publishes two academic journals: China: An International Journal (for the East Asian Institute at NUS) and Southeast of Now: Directions in Contemporary and Modern Art in Asia. We are accepting new journal proposals. Please contact us at npubox5@nus.edu.sg if you are interested to start a new journal. For more, see Journals. The National University of Singapore Press is heir to a tradition of academic publishing in Singapore that dates back some 60 years, starting with the work of the Publishing Committee of the University of Malaya, beginning in 1954. Singapore University Press was created in 1971 as the publishing division of the University of Singapore. The University of Singapore merged with Nanyang University in 1980 to become the National University of Singapore, and in 2006 Singapore University Press was succeeded by NUS Press, bringing the name of the press in line with the name of the university. Our publishing mission is to enable the dissemination and creation of knowledge through the publishing of scholarly and academic books; and to empower learning, innovation and enterprise for the Singapore- and Asia-focused global community. All NUS Press books must be approved by a Publishing Committee, drawn from the ranks of the academic staff at the National University of Singapore. NUS Press is currently managed by Peter Schoppert. Previous Director Paul Kratoska remains onboard as Publishing Director.
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Promoted Content
Literature & Literary StudiesOctober 2023Reading David Foster Wallace between philosophy and literature
by Allard den Dulk, Pia Masiero, Adriano Ardovino
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Promoted Content
Anthologies (Children's/YA)October 2022Vuvuzela Verses
by Seele, Liza / Wallace, Stephen
Vuvuzela Verses is Liza Seele's sequel to the nose snortingly hilarious Potjie Pot Poems, with belly laugh inducing illustrations from Stephen Wallace. Once again from the South African melting pot, Liza Seele brings children together under one banner: No more boring poems allowed at school! Dive into these childhood-friendly poems and join the boring textbook protest.
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Business, Economics & LawNovember 2020Tourism in Development: Reflective Essays
by Peter U C Dieke, Brian E M King, Richard Sharpley, Ali Thompson
This book: - comprises reflective essays written by internationally-ranked scholars and tourism consultants with extensive experience, particularly in the developing world countries - considers extant themes, issues and challenges related to tourism and development - offers a critical and contemporary perspective on tourism's significance and role in development.
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Children's & YAO sumiço do tatu (The disappearance of the armadillo)
by Marília Moreira
Haroldo, a minho, who as he relates to other animals in the garden brings to light issues such as friendship and respect, mixing a harmonic field with an inside-out view of the garden of a house inhabited by some strange animals, among them the (human) balance-beast.
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March 2018Wie ich dank Shakespeare in Verona die große Liebe fand
Eine wahre Geschichte
by Dixon, Glenn / Übersetzer Bauer, Lars
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Children's & YAPode me chamar de Dodô (You can call me Dodo)
by Daniella Michelin
Coexistence, harmony, respect, existence and resistance are central themes of the book Pode me chamar de Dodô, written by Daniella Michelin and illustrated by Elisa Carareto.
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The ArtsJanuary 2019French cinema in the 1970s
The echoes of May
by Alison Smith
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.
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Literature & Literary StudiesApril 2020Interweaving myths in Shakespeare and his contemporaries
by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
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January 2001Daisy Miller
Eine Erzählung
by Henry James, Gottfried Röckelein
Im Mittelpunkt des umfangreichen Prosawerks von Henry James (1843-1916) steht der Gegensatz von „alter“ und „neuer Welt“, so auch in Daisy Miller. Die Amerikanerin ist eine Frau, die weiß, was sie will, und sich nicht geniert,es auch zu tun ...
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Children's & YAA oficina do Cambeva (Cambeva's workshop)
by Lido Loschi
Cambeva's workshop is the first of four books of the collection "Presente de Vô" in partnership with Grupo Ponto de Partida. The book is a mixture of colours and elements that highlight the memory of the world, in which seekers of memories have the mission of bringing light and life to objects found in the travels of two characters: Zalém and Calunga. Cambeva is a restorer who, when the world lost its embrace, tried to reinvent it; he is the grandfather who mends dreams, forgotten things and lost emotions, to whom the seekers ask for help to fix something. In a magical universe, full of children, grandchildren, stories and memories of his lineage of restorers, when faced with this request for restoration, he makes room to bring back an emblematic figure who can no longer sing. A story about memories, care and affection...
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The ArtsOctober 20174 saints in 3 acts
A snapshot of the American avant-garde in the 1930s
by Patricia Allmer, John Sears
Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
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