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      • The Shoestring Publisher

        The Shoestring Publisher is an independent publisher of illustrated books on India’s history and cultural heritage, with a particular focus on the visual arts including architecture, fine art, design, film, photography and textiles.   Founded by Meera Ahuja in 2006, it has received the Indian Tourism Award for Excellence in Publishing for its panoramic limited editions The Monumental India Book (acclaimed as one of the world’s ten best coffee-table books of 2009) and The Sacred India Book. Its most recent publications are America: Films from Elsewhere (2019) and the monograph Mrinalini Mukherjee, published in conjunction with the exhibition “Phenomenal Nature: Mrinalini Mukherjee” at The Met Breuer, NY, in 2019.   Shoestring’s numerous international co-editions include The Monumental India Book (Citadelles & Mazenod, 2007; Schirmer Mosel Verlag, 2008; The Vendome Press, 2008; and Constable & Robinson, 2008), Western Artist and India: Creative Inspirations in Art and Design (Thames & Hudson, 2013) and Mughal Architecture and Gardens (Antique Collectors’ Club, 2011; and Éditions de La Martinière, 2013).

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      • The Authors Show ®

        We present during this event a handful of authors who appeared on our show, and who have expressed an interest in selling the international rights to their work.

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      • Math Origami

        Origami Puzzles that Fly, Roll & Move!

        by Fumiaki Shingu

        Develop geometric thinking skills while folding origami animals, solving origami puzzles and even learning magic tricks! The process and the result make math so much fun.

      • Fiction

        Days at the Morisaki Bookshop

        by Satoshi Yagisawa

        25-year-old Takako has lived a relatively easy life. Born and raised on the southern island of Kyushu, she went to a good university and got a graduate job at a company in Tokyo where she met her charming boyfriend, Kashikoi. However, when Kashikoi casually announces that he’s been cheating on her and is planning to marry somebody else, Takako’s life is suddenly in freefall. She loses her job and with it all of her friends and acquaintances. She ends up in a deep depression but just as her despair seems to have reached a new low, she receives a call from her distant uncle.         Her uncle, who she refers to as Ojisan, is in his forties and has always lived something of an unconventional life, especially since his wife Momoko left him out of the blue five years ago. He runs a second-hand bookshop in Jimbocho, Tokyo’s famous book district which is home to hundreds of used bookshops, publishing houses and literary societies. Takako used to turn her nose up at Ojisan’s way of life but when he offers her the tiny room above the bookshop rent-free in exchange for helping out at the store, she reluctantly agrees. In the months that follow, Takako surprises herself by discovering a passion for Japanese literature from the “Modern” period (1868–1945), partly thanks to recommendations from Ojisan and the bookshop’s loyal customers. She becomes a regular at a local coffee shop where she befriends a graduate student who is waitressing there part-time, and she also meets a young editor from a nearby publishing house who’s going through his own messy breakup.         Just as Takako is learning how to enjoy life again, Kashikoi gets back in touch which unearths all the negative emotions associated with their relationship. Ojisan notices the decline in Takako’s mood and when she finally tells him the whole story he is horrified at Kashikoi’s behaviour. Ojisan convinces Takako to take a cab to Kashikoi’s apartment at 11pm. They confront him and this gives Takako the closure she needs. Takako is infinitely grateful to Ojisan and her life starts to come back together again: she’s offered a job at a design company and she finds a new apartment.         A year and a half later, Takako has the chance to return the favour and help Ojisan get closure on the mystery that has plagued him for the last five years: why his loving wife Momoko suddenly left him. When Momoko reappears and refuses to explain her absence, Takako senses that Momoko might not be comfortable sharing her reasoning with Ojisan but that she may open up to Takako. Momoko moves into the room above the bookshop and Takako visits often. They form a bond and go on a two-day trip to the Okutama Mountains in far western Tokyo. There, Momoko confesses that she left because Ojisan got so wrapped up in the bookshop that he was oblivious to the emotional turmoil she went through after the birth of their stillborn child. She always wanted children but had to have a hysterectomy. For her, it is all tied up in the guilt surrounding an abortion she had in her twenties.         Takako tells Ojisan. He runs after Momoko, who is leaving again. She says she’ll return one day but he needs to get his own feelings in order before she comes back. When Momoko returns a year later, she and Ojisan enthusiastically embark on the next chapter of running the Morisaki Bookshop together, and Takako has begun to date the editor she met at the coffee shop.

      • Fiction

        The Floating Castle

        by Ryō Wada

        Set in feudal Japan, the story is based on the Siege of Oshi and depicts the struggle of Oshi's villagers in defending their fortress against Toyotomi Hideyoshi's campaign against the Hojo clan. Against insurmountable odds, Narita Nagachika, the fortress's castellan, leads a group of 500 men against 20,000 men led by Ishida Mitsunari, part of Toyotomi clan's greater army of 20,000 samurai.

      • Fiction

        The Seventh Hope

        by Honobu Yonezawa

        In a rainy day, we met a 17 year western girl, Marija. She came from Yugoslavia. She came to stay with her father’s friend but the man died before her arrival. We decided to help her. Marija was girl full with curiosity. She asked many daily questions that we never thought of it. It was kinds of mysteries to solve one by one with her. It was in 1991, the time of Yugoslav Wars. Marija stayed two months in Japan and left. She promised to write but we never receive any words from her. We didn’t have her address. Because we were worried of the wars, we decided to find out where did she come from.

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