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      • Howard J. Erlichman

        The Roman Century: How a Determined People Launched the Greatest Empire in World History should be of interest to anyone who ponders the increasingly intense competition among the United States, China and Russia. The book places the spectacular Roman advance during a single “long” century (323-188 BCE) in a much wider geo-politico-economic context than existing works; explains how the Romans perfected a three-pronged blueprint of imperial conquest which had been devised by Philip II of Macedon; and incorporates timeless observations from the likes of Appian, Arrian, Clausewitz, Diodorus, Livy, Machiavelli, Plutarch, Polybius, Sun Tzu and Thucydides. The book also explains how the Romans generated a host of lessons to be studied by anyone concerned with the processes through which overseas empires are won and lost. The ebook edition is currently available on Amazon Kindle, Apple iTunes, B&N Nook and Rakuten Kobo.

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      • Petra Schier

        Petra Schier, Jahrgang 1978, lebt mit Mann und Hund in einer kleinen Gemeinde in der Eifel. Sie studierte Geschichte und Literatur an der Fernuniversität Hagen und arbeitet seit 2003 freie Autorin. Ihre sehr erfolgreichen historischen Romane erscheinen u.a. im Rowohlt Taschenbuch Verlag, ihre ebenfalls sehr beliebten Weihnachts- sowie Liebesromane bei Rütten Loening, MIRA Taschenbuch, HarperCollins und Weltbild.Unter dem Pseudonym Mila Roth veröffentlicht die Autorin verlagsunabhängig verschiedene erfolgreiche Buchserien.

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        Literature & Literary Studies
        February 2019

        ABBA ABBA: By Anthony Burgess

        by Paul Howard, Andrew Biswell

        ABBA ABBA is one of Anthony Burgess's most original works, combining fiction, poetry and translation. A product of his time in Italy in the early 1970s, this delightfully unconventional book is part historical novel, part poetry collection, as well as a meditation on translation and the generating of literature by one of Britain's most inventive post-war authors. Set in Papal Rome in the winter of 1820-21, Part One recreates the consumptive John Keats's final months in the Eternal City and imagines his meeting the Roman dialect poet Giuseppe Gioachino Belli. Pitting Anglo-Italian cultures and sensibilities against each other, Burgess creates a context for his highly original versions of 71 sonnets by Belli, which feature in Part Two. This new edition includes extra material by Burgess, along with an introduction and notes by Paul Howard, Fellow in Italian Literature at Trinity College, Cambridge.

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        Literature & Literary Studies
        April 2000

        Modernism and empire

        Writing and British coloniality, 1890–1940

        by Howard Booth, Nigel Rigby

        This is the first book to explore the relationship between literary modernism and the British Empire. Contributors look at works from the traditional modernist canon as well as extending the range of work addresses - particularly emphasising texts from the Empire. A key issue raised is whether modernism sprang from a crisis in the colonial system, which it sought to extend, or whether the modern movement was a more sophisticated form of cultural imperialism. The chapters in Modernism and empire show the importance of empire to modernism. Patrick Williams theorises modernism and empire; Rod Edmond discusses theories of degeneration in imperial and modernist discourse; Helen Carr examines Imagism and empire; Elleke Boehmer compares Leonard Woolf and Yeats; Janet Montefiore writes on Kipling and Orwell, C.L. Innes explores Yeats, Joyce and their implied audiences; Maire Ni Fhlathuin writes on Patrick Pearse and modernism; John Nash considers newspapers, imperialism and Ulysses; Howard J. Booth addresses D.H. Lawrence and otherness; Nigel Rigby discusses Sylvia Townsend Warner and sexuality in the Pacific; Mark Williams explores Mansfield and Maori culture; Abdulrazak Gurnah looks at Karen Blixen, Elspeth Huxley and settler writing; and Bill Ashcroft and John Salter take an inter-disciplinary approach to Australia and 'Modernism's Empire'. ;

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        January 1981

        Aussenseiter

        Zur Soziologie abweichenden Verhaltens

        by Becker, Howard S

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        January 1986

        Feind schreibt mit

        Ein amerikanischer Korrespondent erlebt Nazi-Deutschland

        by Smith, Howard K

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        Literature & Literary Studies
        May 2016

        Howard Barker's art of theatre

        by Sarah Goldingay, David Rabey

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        Literature & Literary Studies
        October 2016

        Howard Barker's art of theatre

        by David Rabey, Sarah Goldingay

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        Literature & Literary Studies
        July 2018

        Shakespeare's London 1613

        by David M. Bergeron

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        Microbiology (non-medical)
        January 1972

        Microfungi, part I - V

        by S J Hughes

        Mycological papers parts 1 to 5 on microfungi.

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        Literature & Literary Studies
        February 1997

        A Game at Chess

        Thomas Middleton

        by T.H. Howard-Hill

        For many years Middleton's "A Game at Chess" was more notorious than read, considered rather a phenomenon of theatrical history than a pre-eminent piece of dramatic writing. "A Game at Chess" was a nine days' wonder, an exceptional play of King James' reign on account of its unprecedented representation of matters of state usually forbidden on the stage. The King's Men performed the play uninterruptedly between 5th and 14th August, 1624 at their Globe Theatre, attracting large audiences, before the Privy Council closed the theatre by the King's command. More recently, growing interest in the connections of economics and politics with authorship have promoted readings that locate the play so firmly within its historical context as propaganda that, again, its worthwhile literary and theatrical qualities are neglected. In writing "A Game at Chess", Middleton employed the devices of the neoclassical comedy of intrigue within the matrix of the traditional oral play. What might have seemed old-fashioned allegory was rejuvenated by his adoption of the fashionable game of chess as the fiction within which the play was set. The product of Middleton's experienced craftsmanship is at once deceptively simple and surprisingly complex. ;

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        Individual film directors, film-makers
        March 2015

        The three amigos

        The transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón

        by Deborah Shaw

        Now available in paperback, this is the first academic book dedicated to the filmmaking of the three-best known Mexican-born directors, Guillermo del Toro, Alejandro González Iñárritu and Alfonso Cuarón. Deborah Shaw examines the career trajectories of the directors and presents a detailed analysis of their most significant films with a focus on both the texts and the production contexts in which they were made. These include studies on del Toro's Cronos/Chronos, El laberinto del fauno/Pan's Labyrinth, and Hellboy II: The Golden Army; Iñárritu's Amores Perros, 21 Grams and Babel; and Cuarón's Sólo con tu pareja/Love in the Time of Hysteria, Y tu mamá también, and Children of Men. The Three Amigos will be of interest to all those who study Hispanic and Spanish cinema in particular, and world and contemporary cinema in general.

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