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      • Strange Days Books, Social Cooperative Enterprise

        Strange Days Books is a social cooperative publishing firm based in Crete, Greece. Since 2012 we have published almost 100 books. Every year we organize Sand Festival, an online Writers’ Workshop and - in cooperation with www.eyelands.gr literary magazine - the one and only international short story competition based in Greece, plus our International Book Awards. In 2019 SDB was the only publishing house in Greece to receive approval by the European Union’s Creative Europe translation funding program for its project "Strange Days in Europe”. Strange Days Books is an entirely independent publisher, primarily interested in showcasing the wealth of new writing voices in Greece. We work closely with our authors to create books that will appeal to booklovers, books about the present, books that strive to push the art of literature forward, books written with talent and passion, books that challenge the way we see the world, books bursting with new ideas and intriguing perspectives.

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      • Robert Lecker Agency

        Robert Lecker Agency is a dynamic literary management and consulting firm devoted to securing and advancing the careers of its client authors. The Agency draws on 30 years of publishing experience to obtain profitable and fair contracts with North America’s fastest growing publishers. Robert Lecker has worked extensively in trade publishing and has an established track record as an editor, coordinator, and subsidiary rights manager. RLA specializes in books about entertainment, music, popular culture, popular science, intellectual and cultural history, food, and travel. However, we are open to any idea that is original and well presented. We are also receptive to books written by academics that can attract a broad range of readers.

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      • Trusted Partner
        Robert Guédiguian
        The Arts
        April 2017

        Robert Guédiguian

        by Diana Holmes, Robert Ingram, Joseph Mai

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      • Trusted Partner
        Robert Bresson
        The Arts
        June 2000

        Robert Bresson

        by Keith Reader, Diana Holmes, Robert Ingram

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      • Trusted Partner
        Mathieu Kassovitz
        The Arts
        February 2007

        Mathieu Kassovitz

        by Will Higbee, Diana Holmes, Robert Ingram

        Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience - and, above all, with a youth audience. He is also one of the few contemporary French filmmakers who is capable of productively engaging with Hollywood, in terms of cinematic style, narrative and genre, yet still retaining his own identity as a French filmmaker. In addition to his directorial successes, Kassovitz has also achieved considerable critical and commercial success in France as a screen actor. His films - whether directed by or acted in, or both - show an astonishing variety, from his early Métisse (1993), his break-through, La Haine (1995) through to Jeunet's Le fabuleux destin d'Amélie Poulain (2000), Astérix et Obélix: Mission Cléopatre (2002) and Gothika (2003). Will Higbee's study is the first to explore of one of the most fascinating characters in French cinema. ;

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      • Trusted Partner
        Bertrand Blier
        The Arts
        August 2001

        Bertrand Blier

        by Sue Harris, Diana Holmes, Robert Ingram

        The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English. ;

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      • Trusted Partner
        Henri-Georges Clouzot
        The Arts
        April 2007

        Henri-Georges Clouzot

        by Christopher Lloyd, Diana Holmes, Robert Ingram

        Despite his controversial reputation and international notoriety as a film-maker, no full-length study of Clouzot has ever been published in English. This book offers a significant revaluation of Clouzot's achievement, situating his career in the wider context of French cinema and society, and providing detailed and clear analysis of his major films (Le Corbeau, Quai des Orfèvres, Le Salaire de la peur, Les Diaboliques, Le Mystère Picasso). Clouzot's films combine meticulous technical control with sardonic social commentary and the ability to engage and entertain a broad public. Although his films are characterised by an all-controlling perfectionism, allied to documentary veracity and a disturbing bleakness of vision, Clouzot is well aware that his is an art of illusion. His fondness for anatomising social pretence, the deception, violence and cruelty practised by individuals and institutions, drew him repeatedly to the thriller as a convenient and compelling model for plots and characters, but his source texts and the usual conventions of the genre receive distinctly unconventional treatment. ;

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      • Trusted Partner
        Jean Cocteau
        The Arts
        April 2010

        Jean Cocteau

        by James S. Williams, Diana Holmes, Robert Ingram, Susan Williams

        This is a comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. It is the first major study in English to appear for over forty years and casts new light on Cocteau's most celebrated films as well as those often neglected or little known. Jean Cocteau is not only one of French cinema's greatest and most influential auteurs whose work covered all the major genres but also an experimenter, collaborator, theorist and all-round ambassador of film. This lucid account provides a complete introduction to Cocteau's cinematic project in the context of his entire oeuvre, detailed analysis of individual films, and a thematic engagement with all his cinema from a range of interdisciplinary perspectives. The Cocteau that emerges is at once a materialist filmmaker and visionary who is committed to realism in all its guises and reveals the wonder and mystery of what he called 'the cinematograph'. ;

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      • Trusted Partner
        Alain Resnais
        The Arts
        October 2009

        Alain Resnais

        by Emma Wilson, Diana Holmes, Robert Ingram

        Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais' films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond. Yet it also offers a highly personal and detailed engagement with individual images and scenes in Resnais' films. A passionate and partial defence of Resnais' work, old and new, this volume stands apart in its attention to the more tangible and moving pleasures of his films, their pathos, rigour and visual beauty. ;

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      • Trusted Partner
        Queer cinema in contemporary France
        The Arts
        July 2022

        Queer cinema in contemporary France

        by Todd Reeser, Diana Holmes, Robert Ingram

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      • Trusted Partner
        Patrice Leconte
        The Arts
        January 2005

        Patrice Leconte

        by Diana Holmes, Robert Ingram

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      • Trusted Partner
        Coline Serreau
        The Arts
        December 1998

        Coline Serreau

        by Diana Holmes, Robert Ingram

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      • Trusted Partner
        Francois Truffaut
        The Arts
        January 2019

        Francois Truffaut

        by Diana Holmes, Robert Ingram

        First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .

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      • Trusted Partner
        Alain Robbe-Grillet
        The Arts
        June 2011

        Alain Robbe-Grillet

        by John Phillips, Diana Holmes, Robert Ingram

        Placing Robbe-Grillet's filmic oeuvre in the related contexts of both his novelistic work and the different historical and cultural periods in which his films were made, from the early 1960s to the present, the book traces lines of influence and continuity throughout his work, which is shown to exhibit a consistent preoccupation with an identifiable body of themes, motifs and structures. Close readings of all the films are skilfully combined with a thematic approach, ranging across the entire filmic corpus. The book also contains chapters on cinematography and technique. Ultimately, this lucid, comprehensive and fascinating study shows Robbe-Grillet's contribution to the evolution of the cinematic art both in France and internationally to have been considerably more important than previously acknowledged. ;

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      • Trusted Partner
        Laurent Cantet
        The Arts
        January 2018

        Laurent Cantet

        by Martin O'Shaughnessy, Diana Holmes, Robert Ingram

        Laurent Cantet is of one France's leading contemporary directors. In a series of important films, including Human Resources, Time Out, Heading South, The Class and Foxfire, he takes stock of the modern world from the workplace, through the schoolroom and the oppressive small town to the world of international sex tourism. His films drive the hidden forces that weigh on individuals and groups into view but also show characters who are capable of reflection and reaction. If the films make their protagonists rethink their place in the world, they also challenge the positions of the viewer and the director. This is what makes them so worthy of study. Combining a fine eye for detail with broad contextual awareness, this book gives an account of all Cantet's works, from the early short films to the major works. Martin O'Shaughnessy is a leading international writer on French cinema, especially in film and politics.

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      • Trusted Partner
        Negotiating the auteur
        The Arts
        July 2012

        Negotiating the auteur

        Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux

        by Julia Dobson, Diana Holmes, Robert Ingram

        This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts. ;

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      • Trusted Partner
        Jean Epstein
        The Arts
        May 2016

        Jean Epstein

        by Christophe Wall-Romana, Diana Holmes, Robert Ingram

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      • Trusted Partner
        Bertrand Tavernier
        The Arts
        December 2011

        Bertrand Tavernier

        by Lynn Anthony Higgins, Diana Holmes, Robert Ingram

        Bertrand Tavernier is widely recognized as the leading French filmmaker of his generation. Both a consummate artist and a controversial public figure, he is a passionate advocate for social causes and also a tireless defender of world cinema in general and the French cinematic heritage in particular. Lynn Higgins' book offers a guided tour through Tavernier's oeuvre, taking into account both its prodigious diversity and its unifying themes. It explores his use of genre and adaptation, his work with actors and his affection for characters, his treatment of France's colonial history, his explorations of the powers of art and the complexities of intergenerational relations, both among fictional characters and within French cinema history. This is the most comprehensive and up-to-date scholarly book about Tavernier. Original and lively, sophisticated and engaging, the book will appeal to anyone interested in film studies, gender studies, and French cultural studies including academics, students, cinema enthusiasts, and Tavernier fans. ;

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      • Trusted Partner
        Die neuen Abenteuer des Sherlock Holmes
        December 2011

        Die neuen Abenteuer des Sherlock Holmes

        Erzählungen

        by Sir Arthur Conan Doyle

        Die Verfilmung der Abenteuer des Sherlock Holmes entwickelte sich 2009 zu einem sensationellen Kinoerfolg, der weltweit Millionen von Zuschauer in die Kinos lockte. 2012 kämpfen Sherlock Holmes und sein Freund Dr. Watson weiter gegen den skrupellosen Verbrecher Professor Moriarty. Unter der Regie von Guy Ritchie lassen sich Robert Downing Jr. und Jude Law als grandioses Ermittlergespann erneut auf halsbrecherische und gefährliche Abenteuer ein, um den Schuldigen zu finden …

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      • Trusted Partner
        Eric Rohmer
        The Arts
        May 2007

        Eric Rohmer

        by Derek Schilling, Diana Holmes, Robert Ingram

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