Brookes Publishing is an independent publisher based in Baltimore, Maryland, USA. For more than 40 years, Brookes has been a leading provider of professional resources and assessments in early childhood, communication and language, education (particularly special education), and disability. Brookes Publishing is committed to bettering lives and outcomes for all people.
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The Brookings Institution and its scholars are known worldwide as a source for original and innovative thought in foreign policy, American politics and governance, current affairs, metropolitan policy, economics, and development. In turn, the Brookings Institution Press helps bring the knowledge and research by scholars from within and outside the Institution to a wider audience of readers, researchers, students, and policymakers through its books and journals. The Press publishes about forty books a year that harness the power of fact and rigorous research to start conversations, inform debates, change minds, and move policy.
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Sam is the award winning ballroom dancer. But one day his dad decides the boy must become a real man and enrolls him in the combat club. And that’s when the real adventures begins. Will Sam be able to withstand a much stronger opponent? Will he find his dance partner Anhelinka? You will learn about all this on the pages of this dynamic and humororus book.
Der beste Freund des Mannes ist der Hund. Von wegen! In seinem stilsicher wie liebevoll illustrierten Buch widmet sich Sam Kalda den großen »Katzenmännern« der Geschichte und beweist, dass den bedeutendsten Denkern, Erfindern, Künstlern und Schriftstellern unserer Zeit keineswegs imposante Vierbeiner beiseite standen, sondern filigrane Katzengeschöpfe. Hemingway, der für seinen Jagdinstinkt – in tierischen wie in libidinösen Gefilden – und seinen exzessiven Alkoholkonsum berüchtigt war, legte eine erstaunliche Zuneigung zu Katzen an den Tag, zärtlich nannte er sie seine »Schnurr-Fabriken«. Nikola Tesla wurde angeblich zum Nachdenken über Elektrizität inspiriert, als er seine Katze Macak streichelte und einen Schlag abbekam. Und als fanatischster Katzenliebhaber wird vermutlich Karl Lagerfeld in die Geschichte eingehen, dessen weißes Siamkätzchen Choupette nicht nur für Chanel modelt, sondern auch einen Twitter-Account, zwei Nannys und eigenes Designergeschirr besitzt. Von Männern und ihren Katzen ist eine längst überfällige und charmante Hommage an die größten Katzenliebhaber aller Zeiten.
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Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the 'Lowry of filmmaking' by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna's remarkable output. Hanna's intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna's unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.
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This book discusses the various basic monitoring techniques available for emergency patients. The book elaborates on and explains monitoring techniques that can be easily performed in basic ER clinics and primary care clinics. This includes blood pressure, capnography, ECGs, pulse oximetry, and point of care monitoring ranging from the physical exam to bedside diagnostic tests like PCV/TP, urine specific gravity, blood glucose, and lactate. Each chapter is structured in the following way: basic physiology as related to the monitor, how the monitor/piece of equipment works, pros and cons of the monitor/piece of equipment, when not to trust the monitor, and clinical applications/examples of how to use the monitor in clinical settings.
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In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children - often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion.
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A study of one of the most intense and formative periods of modern political history. The years 1899-1914 witnessed a fundamental challenge to many Victorian values and institutions: Free Trade, the new Poor Law, the House of Lords, the Irish Union - all were under attack, while organized labour and the feminist movement displayed an unprecedented assertiveness and aggression. Drawing on a variety of sources, this work examines what made these years the most politically turbulent between the Chartist era and today. It emphasizes the long shadow cast by the South African War, and the challenges to national identity posed by imperialism and by the Irish nationalist movement. Consideration is also given to the 1906 Liberal landslide victory and the way in which this aroused expectations that could not always be fulfilled. The author offers his own perspectives on the leading figures of the day - Chamberlain, Balfour, Lloyd George, Asquith and Churchill. While the emphasis of the book is on political thought, the author also sets his discussion within the broader context of social and economic change. This study is designed for A' level and undergraduate students of Edwardian history. ;
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This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard's work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students. ;
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Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary. ;
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Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;
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Sexual politics in revolutionary England recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.
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So lernen Babys das Schauen, Fühlen und Begreifen - ganz spielerisch mit einem allerersten Stoffbuch, das gleichzeitig ein Kuscheltier ist. Wunderschöne Reime über das Liebhaben machen Spaß beim Vorlesen, ein Quietscher und Knisterfolie beim Spielen - und jede Menge unterschiedliche Materialien laden zum Fühlen ein.
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Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary.
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Like every year, at the end of the autumn the bear was going to go to sleep. He doing his final preparations and was waiting for Tukoni, who was to help him to settle down in his den. However, the bear met the bison, who told him about animals who do not hibernate and have fun in the winter forest . And how can the bear go to sleep after this?
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This study addresses the role of agricultural policies in raising incomes in developing countries. Higher incomes are essential for sustained progress on the first Millennium Development Goal (MDG1), which calls for the eradication of extreme poverty and hunger, and includes a specific target of reducing by 50% between 1990 and 2015 the proportion of people living on less than a dollar a day. The aim is to identify ways in which the appropriate set of policies may vary according to a country's stage of development. A synthesis volume will also be published for policy makers. With more than two-thirds of the world's poor living in rural areas, higher rural incomes are needed to sustain poverty reduction and reduce hunger. This volume sets out a strategy for raising rural incomes which emphasises the need to create diversified rural economies with opportunities within and outside agriculture. This means adopting policies that facilitate rather than impede structural change and integrate agricultural policies within the overall mix of policies and institutional reforms that are needed. By investing in public goods, such as infrastructure and agricultural research, and by building effective social safety nets, governments can reduce the pressures related to less efficient policies such as price controls and input subsidies.
