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      • Richard Griffin (1820) Ltd t/a Tarquin

        Tarquin produces books for recreational mathematics, and for students and teachers in schools. We have a near 50 year history of enriching mathematics as well as papercraft and origami titles. Many of our 240 titles have been translated into all the major languages of the world. But as a small publisher, we understand other small publishers and can tailor rights deals appropriately and economically. We have 12 titles that are new in 2020 and where rights are available.

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      • Sue Richardson Associates Ltd (SRA Books)

        SRA Books are a team of dedicated individuals who strive to help writers and business owners to produce fantastic books that not only look good but sell well and increase business for their authors. Sue Richardson is a dynamic publishing professional who together with her associates Maria Waite (publishing assistant and proofreader), Kelly Mundt (production manager), Sarah Williams (book coach and substantive editor), Mark Hobin (creative book designer), Mark Renwick (book blogsite builder) and Chantal Cooke (ace book PR) work to ensure all aspects of publishing a book are catered for to the highest standards.

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      • Trusted Partner
        October 1984

        Die Struktur der Moderne

        Grundmuster und differentielle Gestaltung des institutionellen Aufbaus der modernen Gesellschaften

        by Richard Münch

        Die Moderne verstehen – dies ist ein prominentes Thema der Soziologie. Richard Münch versucht in seinem neuen Buch, durch die soziologische Analyse ihres institutionellen Aufbaus zu einem Verständnis der Grundstruktur und der Strukturprobleme der modernen Gesellschaften zu gelangen. Im Vordergrund der Analyse steht zunächst die gemeinsame institutionelle Tiefenstruktur moderner Gesellschaften. Diese generalisierende Betrachtung wird dann durch die Analyse ihrer unterschiedlichen institutionellen Oberflächenstruktur im inter- und intrakulturellen Vergleich konkretisiert.

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        Humanities & Social Sciences
        May 2022

        The pastor in print

        Genre, audience, and religious change in early modern England

        by Amy G. Tan

        The pastor in print explores the phenomenon of early modern pastors who chose to become print authors, addressing ways authorship could enhance, limit or change clerical ministry and ways pastor-authors conceived of their work in parish and print. It identifies strategies through which pastor-authors established authorial identities, targeted different sorts of audiences and strategically selected genre and content as intentional parts of their clerical vocation. The first study to provide a book-length analysis of the phenomenon of early modern pastors writing for print, it uses a case study of prolific pastor-author Richard Bernard to offer a new lens through which to view religious change in this pivotal period. By bringing together questions of print, genre, religio-politics and theology, the book will interest scholars and postgraduate students in history, literature and theological studies, and its readability will appeal to undergraduates and non-specialists.

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        Literature & Literary Studies
        October 2004

        Richard Brome

        Place and politics on the Caroline stage

        by Matthew Steggle, Paul Edmondson, Martin White

        Richard Brome was the leading comic playwright of 1630s London. Starting his career as a manservant to Ben Jonson, he wrote a string of highly successful comedies which were influential in British theatre long after Brome's own playwriting career was cut short by the closure of the theatres in 1642. This book offers the first full-length chronological account of Brome's life and works, drawing on a wide range of recently rediscovered manuscript sources. It traces the early hostility to Brome from those who wrote him off as a mere servant; his continuing struggles with plague closures, contract disputes and theatrical takeover bids; and his literary relationships with Jonson, Shakespeare and others. Each of the surviving plays is discussed in relation to its social and political context, and its sense of place. A final chapter reviews Brome's enduring stageworthiness into the eighteenth and nineteenth centuries, and the most recent Brome revivals. ;

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        June 1983

        Der Fall Wagner

        Schriften-Aufzeichnungen-Briefe. Herausgegeben und mit einer Chronik sowie einem Nachwort versehen von Dieter Borchmeyer

        by Friedrich Nietzsche, Dieter Borchmeyer, Dieter Borchmeyer

        Friedrich Nietzsche wurde am 15. Oktober 1844 in Röcken bei Lützen als Sohn eines Pastors geboren. Er studierte in Bonn und Leipzig zunächst Sprachwissenschaften und evangelische Theologie, seinen Abschluß machte er jedoch nur in klassischer Philologie. 1868 lernte er Richard Wagner kennen, der sein Denken neben Schopenhauer stark beeinflußte. Einige Jahre später zerbrach die Freundschaft über Nietzsches Geringschätzung der Bayreuther Festspiele. 1869 wurde er auf eine Professur für Altphilologie nach Basel berufen, die er aus gesundheitlichen Gründen zehn Jahre später wieder aufgab. Fortan lebte er von seiner Pension und finanzierte davon viele Reisen, u.a. in die Schweiz und nach Italien, auf denen seine wichtigsten philosophischen Werke entstanden. In seinen Hauptwerken sagte Nietzsche den Tod Gottes voraus, beschrieb den Übermenschen, trat für die Umwertung aller Werte ein und prägte somit den Nihilismus. Zu seinen bekanntesten Werken zählen Also sprach Zarathustra (1883) und Ecce Homo (1908). In den 1880er Jahren nahmen seine körperlichen und seelischen Leiden zu und gipfelten 1889 in einem Zusammenbruch, von dem er sich nicht mehr erholte. Bis zu seinem Tod am 25. August 1900 in Weimar wurde er von seiner Mutter und seiner Schwester gepflegt. Dieter Borchmeyer, geboren 1941, ist Professor emeritus an der Universität Heidelberg, war Präsident der Bayerischen Akademie der Schönen Künste und lehrt im Rahmen der Stiftungsdozentur »Heidelberger Vorträge zur Kulturtheorie« weiterhin an der Universität Heidelberg. Borchmeyers Arbeitsfeld ist vor allem die deutsche Literatur vom 18. bis 20. Jahrhundert und das Musiktheater mit Monographien zu Goethe, Schiller, Mozart, Wagner und Nietzsche. Zuletzt erschien von ihm Was ist deutsch? (2017). Dieter Borchmeyer, geboren 1941, ist Professor emeritus an der Universität Heidelberg, war Präsident der Bayerischen Akademie der Schönen Künste und lehrt im Rahmen der Stiftungsdozentur »Heidelberger Vorträge zur Kulturtheorie« weiterhin an der Universität Heidelberg. Borchmeyers Arbeitsfeld ist vor allem die deutsche Literatur vom 18. bis 20. Jahrhundert und das Musiktheater mit Monographien zu Goethe, Schiller, Mozart, Wagner und Nietzsche. Zuletzt erschien von ihm Was ist deutsch? (2017).

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        Humanities & Social Sciences
        February 2013

        Richard Wainwright, the Liberals and Liberal Democrats

        Unfinished business

        by Frances Babbage, Matt Cole

        Richard Wainwright, the Liberals and Liberal Democrats: Unfinished Business now available in paperback, offers new research on familiar themes involving loyalties of politics, faith and locality. Richard Wainwright was a Liberal MP for seventeen years during the Party's recovery, but his life tells us about much more than this. Wainwright grew up in prosperity, but learned from voluntary work about poverty; he refused to fight in World War Two, but saw war at its cruellest; he joined the Liberal Party when most had given up on it, but gave his fortune to it; lost a by-election but caused the only Labour loss in Harold Wilson's landslide of 1966. He then played a key role in the fall of Jeremy Thorpe, the Lib-Lab Pact and the formation of the SDP-Liberal Alliance and the Liberal Democrats; he represented a unique Yorkshire constituency which reflected his pride and hope for society; and though he gave his life to the battle to be in the Commons, he refused a seat in the Lords. Richard Wainwright's story is central to the story of the Liberal Party and sheds light on the reasons for its survival and the state of its prospects. At the same time this book is a parable of politics for anyone who wants to represent an apparently lost cause, who wants to motivate people who have been neglected, and who wants to follow their convictions at the highest level. ;

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        The Arts
        July 2010

        Richard Lester

        by Neil Sinyard, Brian McFarlane, Neil Sinyard

        Richard Lester is of the most significant yet misunderstood directors of the post-war era. Indelibly associated with the Beatles and the 'swinging Sixties' because of his direction of A Hard Day's Night and Help and his joyous sex comedy The Knack, Lester has tended to be categorised as a modish director whose heyday passed when that decade's optimism slid into disillusionment and violence. This book offers a critical appreciation and reappraisal of his work, arguing that it had much greater depth and variety than he has been given credit for. His versatility encompasses the Brechtian anti-heroics of How I Won the War; the surreal nuclear comedy of The Bed-Sitting Room and the swashbuckling adventure of The Musketeers films. He has even, in his instinctively iconoclastic manner, cut Superman down to size. The book should win new admirers for a director with a gift of making movies whose visual wit and imaginative imagery reveal an intelligent and enquiring scepticism about heroes and society. Including comments from Lester himself and illustrations from his own private collection, the book is a must for film scholars and enthusiasts alike. ;

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        Literature & Literary Studies
        May 2009

        The works of Richard Edwards

        Politics, poetry and performance in sixteenth century England

        by Paul Edmondson, Rosalind King, Martin White

        The heart of this book is its fully annotated, critical editions of the surviving work of Richard Edwards, one of the most influential poets and dramatists writing in England before Shakespeare. Ros King's extensive introduction, identifying the holes in the documentary evidence that might accommodate this important but now little known writer, rewrites the history of pre-Shakespearean drama, illustrates new approaches to sixteenth-century prosody and to the modernisation of dramatic poetry, and re-evaluates the public role of theatre and poetry during a particularly turbulent period in English history. While it will be essential reading for specialist scholars, it will also be of much wider interest. The introduction is highly accessible which makes it an appropriate text-book for students in a field where few textbooks are available. It will appeal to the current appetite among the reading public for biography, while the play, poems and songs are themselves very appealing. ;

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        October 1994

        Nietzsche und Wagner

        Stationen einer epochalen Begegnung

        by Jörg Salaquarda, Dieter Borchmeyer

        Dieter Borchmeyer, geboren 1941, ist Professor emeritus an der Universität Heidelberg, war Präsident der Bayerischen Akademie der Schönen Künste und lehrt im Rahmen der Stiftungsdozentur »Heidelberger Vorträge zur Kulturtheorie« weiterhin an der Universität Heidelberg. Borchmeyers Arbeitsfeld ist vor allem die deutsche Literatur vom 18. bis 20. Jahrhundert und das Musiktheater mit Monographien zu Goethe, Schiller, Mozart, Wagner und Nietzsche. Zuletzt erschien von ihm Was ist deutsch? (2017).

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        Literature & Literary Studies
        January 2004

        Theatre and religion

        Lancastrian Shakespeare

        by Richard Dutton, Alison Findlay, Richard Wilson

        This important collection of essays focuses on the place of Roman Catholicism in early modern England, bringing new perspectives to bear on whether Shakespeare himself was Catholic. In the Introduction, Richard Wilson reviews the history of the debate over Shakespeare's religion, while Arthur Marotti and Peter Milward offer current perspectives on the subject. Eamon Duffy offers a historian's view of the nature of Elizabethan Catholicism, complemented by Frank Brownlow's study of Elizabeth's most brutal enforcer of religious policy, Richard Topcliffe. Two key Catholic controversialists are addressed by Donna Hamilton (Richard Vestegan) and Jean-Christophe Mayer (Robert Parsons). Robert Miola opens up the neglected field of Jesuit drama in the period, whilst Sonia Fielitz specifically proposes a new, Jesuit source-text for Timon of Athens. Carol Enos (As You Like It), Margaret Jones-Davies (Cymbeline), Gerard Kilroy (Hamlet) and Randall Martin (Henry VI 3) read individual plays in the light of these questions, while Gary Taylor's essay fittingly investigates the possible influence of religious conflicts on the publication of the Shakespeare First Folio. Theatre and religion: Lancastrian Shakespeare as a whole represents a major intervention in this fiercely contested current debate. ;

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        Literature & Literary Studies
        2005

        Window that Flies

        by Vasyl Holoborodko

        The first and the most diverse edition of the selected works of the famous poet, laureate of the Shevchenko National Literary Prize of Ukraine collected under the title “The Window that Flies”. It includes all the best that was written by the author on the eve of his sixtieth birthday. The ancient world of native mythology and fairy tales comes to life in the work of the most prominent post-sixties poet Vasyl Holoborodko. Probably, this search for something nationally specific, which stretched on for years continues to this day.

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        Humanities & Social Sciences
        June 2012

        The reign of Richard II

        by Edited by Alison McHardy

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        Children's & YA

        Snöfrid from Meadow Valley (3). The Hectic Hunt for the River Pearl

        by Andreas H. Schmachtl

        What a disaster! Snöfrid’s stream has disappeared during the night! Without water there can be no porridge, and Snöfrid doesn’t have to think twice. This problem must be solved immediately! The hunt for water begins with a wet meeting at the pond of the little nymph Flumina, but when it turns into a hunt for the mysterious river pearl, involving a submersible boat, the story quickly becomes an underwater adventure, and who knows how it will end? Magical adventure, great fun for boys and girls, by Spiegel bestselling author Andreas H. Schmachtl.

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        May 1999

        Stolz auf unser Land

        Die amerikanische Linke und der Patriotismus

        by Richard Rorty, Hermann Vetter

        Richard Rorty (1931-2007) war einer der bedeutendsten angelsächsischen Philosophen seiner Generation. Er wurde in der Tradition der analytischen Philosophie ausgebildet, wandte sich aber Stück für Stück von dieser ab und entwickelte eine einflussreiche Spielart des Pragmatismus. Richard McKay Rorty wird am 4. Oktober 1931 in New York City geboren und kommt früh mit im weitesten Sinne linken und progressiven Ideen in Berührung. Im Alter von 14 Jahren beginnt er ein Philosophiestudium in Chicago, 1956 promoviert er an der Yale University. Von 1958 bis 1961 ist Rorty Assistant Professor am Wellesley College, danach hat er bis 1982 eine Professur für analytische Philosophie an der Princeton University inne. 1979 erscheint sein bekanntestes Werk, Philosophy and the Mirror of Nature (dt. Der Spiegel der Natur), in dem er zahlreiche klassische Fragen der Philosophie einer scharfen Kritik unterzieht; zugleich wendet er sich verstärkt kulturellen und politischen Fragen zu. Als Konsequenz dieser Kehrtwende verlässt Rorty 1982 Princeton und geht als Kenan Professor of the Humanities an die University of Virginia, ab 1998 schließlich lehrt er Vergleichende Literaturwissenschaft an der Stanford University. Am 8. Juni 2007 stirbt Richard Rorty in Palo Alto, Kalifornien.

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        Literature & Literary Studies
        May 2009

        The First and Second Parts of King Edward the Fourth

        By Thomas Heywood

        by David Bevington, Richard Rowland, Richard Dutton, Alison Findlay, Helen Ostovich

        'Edward IV' (1599) was printed no less than six times up to 1626, and was one of the best loved plays of the early modern period, but this edition is the first since the 1870s. The play premiered at a moment when the representation of medieval history in any format was coming under the hostile scrutiny of the Elizabethan government. Yet the playwright produced a text which was at once generically complex (the play blurs the distinction between chronicle history and 'domestic' tragedy), brilliantly assured in its dramatic craftsmanship, and politically explosive. The text of this new paperback edition has already been used by the actors at Shakespeare's Globe when they gave the first London performance of 'Edward IV' for more than four centuries. By demonstrating the playwright's dextrous marshalling of a remarkable range of sources, and by examining afresh the dramatist's singular theatrical technique, this volume reopens an exciting if difficult play to a new generation of scholars and performers. ;

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        June 2008

        Nietzsche, Cosima, Wagner

        Porträt einer Freundschaft

        by Dieter Borchmeyer

        An Pfingsten 1869 besucht Nietzsche Richard Wagner und Cosima von Bülow in deren Haus in Tribschen bei Luzern. Dies ist der Beginn einer innigen Freundschaft – und eine der kulturhistorisch bedeutsamsten Dreierkonstellationen. Zwischen den beiden Männern entwickelt sich fast eine Vater-Sohn-Beziehung, bis es 1878 zum Bruch kommt. Die Entzweiung mit Nietzsche ist die wohl tiefste menschliche Enttäuschung in Wagners Leben gewesen. Und auch Nietzsche, der die Tribschener Jahre immer wieder als die glücklichste Zeit seines Lebens bezeichnet hat, hat die Trennung von Wagner und Cosima nie verwunden. Dieter Borchmeyer entwirft ein lebendiges Porträt dieser epochalen Begegnung.

      • Trusted Partner
        April 2000

        Die Schönheit, die Erhabenheit und die Gemeinschaft der Philosophen

        by Richard Rorty, Jürgen Blasius, Christa Krüger, Albrecht Wellmer

        Für Richard Rorty zeichnen sich Philosophen dadurch aus, daß sie auf die eine oder andere Weise von der Spannung zwischen dem Relativen und dem Absoluten, oder besser: zwischen dem Schönen und dem Erhabenen fasziniert sind. Der Streit zwischen den »Parteien« ist nicht zu schlichten, sondern er ist der Motor unserer Zivilisation.Während Rorty im ersten Text ein leidenschaftliches Plädoyer für den philosophischen Diskurs hält, macht sein zweiter Beitrag Die Intellektuellen und die Armen auf repräsentative Weise den politischen Denker Rorty sichtbar

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        December 2015

        Gift of the Dark Mother Earth

        by Can Xue

        Gift of the Dark Mother Earth, the latest novel by Can Xue, is a profound metaphor of her hometown. It follows her usual magical style in the sense that it vividly unfolds the complex and delicate inner world of the characters. The story takes place in the remote Wuliqu School, with such distinctive characters as Teacher Meiyong, Zhang Danzhi, Yutian, Xiao Man, Uncle Yun and Sha Men presented one after another. The personality and human nature exposed through unique dialogues enable the readers to feel a return to simplicity so that they want to explore human soul and nature and start in-depth reading and thinking. The book depicts petty matters in a great age. The author’s ambition is to create a feeling for the pattern of the whole universe through the structure of an ordinary tree leaf, and to unify the arbitrarily split world through the narration of various folk sundries so that different characters can all become the center of this unity and their performance can have a universality. As the only Chinese writer who has won the Best Translated Book Award in the United States, Can Xue was nominated for the foreign novel prize of The Independent of the UK and shortlisted in the Neustadt International Prize for Literature of the US. As the Chinese woman writer, whose works have been translated and published the most abroad, Can Xue has been called the most creative Chinese writer by overseas critics.

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