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      • The Shoestring Publisher

        The Shoestring Publisher is an independent publisher of illustrated books on India’s history and cultural heritage, with a particular focus on the visual arts including architecture, fine art, design, film, photography and textiles.   Founded by Meera Ahuja in 2006, it has received the Indian Tourism Award for Excellence in Publishing for its panoramic limited editions The Monumental India Book (acclaimed as one of the world’s ten best coffee-table books of 2009) and The Sacred India Book. Its most recent publications are America: Films from Elsewhere (2019) and the monograph Mrinalini Mukherjee, published in conjunction with the exhibition “Phenomenal Nature: Mrinalini Mukherjee” at The Met Breuer, NY, in 2019.   Shoestring’s numerous international co-editions include The Monumental India Book (Citadelles & Mazenod, 2007; Schirmer Mosel Verlag, 2008; The Vendome Press, 2008; and Constable & Robinson, 2008), Western Artist and India: Creative Inspirations in Art and Design (Thames & Hudson, 2013) and Mughal Architecture and Gardens (Antique Collectors’ Club, 2011; and Éditions de La Martinière, 2013).

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      • The Authors Show ®

        We present during this event a handful of authors who appeared on our show, and who have expressed an interest in selling the international rights to their work.

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        Humanities & Social Sciences
        June 2010

        The Material Renaissance

        None

        by Michelle O'Malley, Christopher Breward, Evelyn Welch, Bill Sherman

        Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The material Renaissance addresses these issues of economic and social life. It develops the analysis of demand, supply and exchange first proposed by Richard Goldthwaite in his ground-breaking Wealth and the demand for art in Renaissance Italy, and expands our understanding of the particularities of exchange in this consumer-led period. Considering food, clothing and every-day furnishings, as well as books, goldsmiths' work, altarpieces and other luxury goods, the book draws on contemporary archival material to explore pricing, to investigate production from the point of view of demand, and to look at networks of exchange that relied not only on money but also on credit, payment in kind and gift giving. The material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller, shows that communities actively sought new goods and novel means of production long before Colbert encouraged such industrial enterprise in France and reveals the wide ownership of objects, even among the economically disadvantaged. ;

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        Industrial / commercial art & design
        April 2017

        History through material culture

        by Series edited by Simon Trafford, Leonie Hannan, Sarah Longair

        History through material culture is a unique, step-by-step guide for students and researchers who wish to use objects as historical sources. Responding to the significant, scholarly interest in historical material culture studies, this book makes clear how students and researchers ready to use these rich material sources can make important, valuable and original contributions to history. Written by two experienced museum practitioners and historians, the book recognises the theoretical and practical challenges of this approach and offers clear advice on methods to get the best out of material culture research. With a focus on the early modern and modern periods, this volume draws on examples from across the world and demonstrates how to use material culture to answer a range of enquiries, including social, economic, gender, cultural and global history.

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        History of art & design styles: c 1600 to c 1800
        October 2014

        Material goods, moving hands

        Perceiving production in England, 1700–1830

        by Kate Smith

        In eighteenth-century Britain, greater numbers of people entered the marketplace and bought objects in ever-greater quantities. As consumers rather than producers, how did their understandings of manufacturing processes and the material world change? Material goods and moving hands combines material culture and visual culture approaches to explore the different ways in which manufacturers and retailers presented production to consumers during the eighteenth century. It shows how new relationships with production processes encouraged consumers, retailers, designers, manufacturers and workers to develop conflicting understandings of production. Objects then were not just markers of fashion and taste, they acted as important conduits through which people living in Georgian Britain could examine and discuss their material world and the processes and knowledge that rendered it.

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        Humanities & Social Sciences
        December 2021

        Crafting identities

        Artisan culture in London, c. 1550–1640

        by Jasmine Kilburn-Toppin, Christopher Breward, James Ryan

        Crafting identities explores artisanal identity and culture in early modern London. It demonstrates that the social, intellectual and political status of London's crafts and craftsmen were embedded in particular material and spatial contexts. Through examination of a wide range of manuscript, visual and material culture sources, the book investigates for the first time how London's artisans physically shaped the built environment of the city and how the experience of negotiating urban spaces impacted directly on their distinctive individual and collective identities. Applying an innovative and interdisciplinary methodology to the examination of artisanal cultures, the book engages with the fields of social and cultural history and the histories of art, design and architecture. It will appeal to scholars of early modern social, cultural and urban history, as well as those interested in design and architectural history.

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        Humanities & Social Sciences
        March 2017

        Reporting the Raj

        The British Press and India, c.1880–1922

        by Chandrika Kaul

        This book is the first analysis of the dynamics of British press reporting of India and the attempts made by the British Government to manipulate press coverage as part of a strategy of imperial control. The press was an important forum for debate over the future of India and was used by significant groups within the political elite to advance their agendas. Focuses on a period which represented a critical transitional phase in the history of the Raj, witnessing the impact of the First World War, major constitutional reform initiatives, the tragedy of the Amritsar massacre, and the launching of Gandhi's mass movement. Asserts that the War was a watershed in official media manipulation and in the aftermath of the conflict the Government's previously informal and ad hoc attempts to shape press reporting were placed on a more formal basis.

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        Humanities & Social Sciences
        April 2020

        The British political elite and Europe, 1959-1984

        A higher loyalty

        by Bob Nicholls

        This book offers an original interpretation of Britain's relationship with Europe over a 25 year period: 1959-84 and advances the argument that the current problems over EU membership resulted from much earlier political machinations. This evidence based account of the seminal period analyses the applications for EEC membership, the 1975 referendum, and the role of the press. Was the British public misled over the true aims of the European project? How significant was the role of the press in changing public opinion from anti, to pro Common Market membership? Why, after over 40 years since Britain became a member of the European community, does the issue continue to deeply divide not only the political elite, but also the British public? These, and other pertinent questions are answered in this timely book on a subject that remains topical and highly controversial.

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