Literary essays
February 2014
"Complete this moderately well-known line from a play by Shakespeare: "Romeo, Romeo, wherefore art thou" - what? If you answer by repeating Juliet's first word as her last here, you may as well be, as Cedric Watts argues, in the wrong. Juliet's quarrel is not with the name 'Romeo' but with the surname 'Montague' (or 'Mountague', as the earliest prints, the quartos, have it). Does the line simply sound too good now, too familiar, for some enterprising editor to correct it? In fact, Watts, who is Emeritus Professor of English in the University of Sussex, had the opportunity to make the change in his own edition of the play, published in 2000, but argued himself out of it.
Wrangling over the precise meaning of Shakespeare's poems and plays is a centuries-old sport, yet the game goes on, as vigorously and sometimes viciously as ever, in our own time. Shakespeare's Puzzles brings together, in revised and augmented form, twenty-five of Professor Watts’ lively contributions to the genre from Around the Globe, the magazine of Shakespeare’s Globe in London, including his reflections on Juliet’s famously star-crossed line. Other acts of “informative entertainment” put the case for restoring the spelling ‘Dolphin’ in the place of the more usual ‘Dauphin’ in Henry V, for retitling Hamlet as Hamleth, and for restoring “Innogen” to Much Ado About Nothing. (If you’re asking “who is she?”, look no further than the opening of the play in the first quarto and the First Folio: “Enter Leonato gouernour of Messina, Innogen his wife”, etc.) Such seeming niceties often have wider implications. What would it mean to have a silent woman on stage for much of Much Ado, observing but saying nothing about the affairs of her daughter Hero and her niece Beatrice? Or are we to guess that the author has second thoughts and silenced Innogen himself, before those benighted editors and critics got to her?
Entertaining for some, Shakespeare’s Puzzles will no doubt have others – Professor Watts’ fellow scholars – scribbling in furious disagreement in the margin. Many readers will know that he has form in this area, being the co-author, with John Suntherland, of Henry V, War Criminal? And other Shakespeare Puzzles (Oxford University Press, 2000)."
(Michael Caines in The Times Literary Supplement, 28 February 2014, p.32.)