Somos una congregación de mujeres consagradas a Dios de la Iglesia Católica, para la evangelización con los medios de comunicación social.Sobre las huellas de Pablo, y con su mismo espíritu dedicamos todas nuestras fuerzas para VIVIR y COMUNICAR a Jesucristo en el areópago de la comunicación.
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It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
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First published in 1974, this novel is a semi-autobiographical reflection on the author's experience of having been the subject of Stanley Kubrick's film adaptation of A Clockwork Orange in 1971. This is the end of Enderby, Anthony Burgess's finest comic creation. Dyspeptic and obese, this is the account of his last day as a visiting professor in New York, and his last day on Earth. The Irwell Edition of The Clockwork Testament will provide new information about the genesis of the novel, gleaned from a series of drafts and typescripts recently discovered in the archive of the International Anthony Burgess Foundation (IABF) in Manchester, as well as printing a deleted chapter for the first time in English.
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Four years before his death in 1996, National Artist for Film Ishmael Bernal started writing a journal for what he envisioned is a unique biography that would tell all. The goal was an anti-biography that refused to be hagiography or tribute, and instead would be Bernal unexpurgated and uncensored. His biographer was his closest friend and constant collaborator, Jorge Arago, who worked on Pro Bernal Anti Bio until his death in 2011. He then passed the task of completing the book to his friend, Angela Stuart-Santiago. Working towards the goal of a tell-all, and with new research and additional interviews, the final product is a memoir unlike any other in the Philippines. Pro Bernal Anti Bio brings in a cast of actors, scholars, colleagues, and peers who speak from the margins of the book, while Bernal and Arago tell this personal-political history in their own words, sometimes gay, often irreverent, but always revealing an intellect and spirit that was ahead of its time.
Women cannot lift heavy things. Is this true? Before becoming an Olympic champion in weightlifting, Hidilyn Diaz was a girl who lifted pails of water and fish and dreamt of vicgtory in a game for men. With determination and hard work, Hidilyn proved that not only can women lift heavy weights but also win gold and silver medals.
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Winner of THE KRESNIK AWARD 2020 for the best novel in Slovenia. Rights sold to Croatia, Serbia, Albania and China! IVANA IN FRONT OF THE SEA (Ivana pred morjem) The narrator returns from Paris, where she has created a home for herself, to the Primorje region in Slovenia in order to clear the apartment that belonged to her late mother for a serious buyer, and in a heap of yellowed photographs she finds a picture of her grandmother, holding her five-year old mother’s hand, whilst her other hand lies on her pregnant stomach. The year it was taken, 1943, was one of troubling events and rapid change. What happened to the unborn child? Through a number of parallel stories taking place at different times and generations of one family, Veronika Simoniti’s novel presents the reader with the collective past and individual fates. These move between Paris and Primorska, also stopping in Gorenjska, Ljubljana and many other places, even in Serbia as refugees, but all this movement cannot break the human bonds. Even the hard times after the war are written about in the author’s gentle manner, looking from ever new standpoints at what we share. A beautiful novel about unattractive times and things.
The Sugar shoes tells a story about the love for sweets and the consequences of overeating candy. The book shows that we can control the sugar cravings, and if the sweets are made of healthy and local ingredients, they will be that much tastier. An intriguing storyline that shows children in a non-violent way that goodies don’t have to be eaten all at once, you can save something for tomorrow, too. Foreign Rights: books@owlagency.org
Charice Pempengco was poised to be the next big global pop star, the most powerful names in Hollywood staunchly behind her. But she bravely turned her back on the glittering lights of Hollywood for a bigger dream—to be himself in a world that tried its best to erase him from his own story. From his turbulent childhood to the dizzying heights of Hollywood, and the fall from grace to his rebirth, Jake Zyrus delves into it all and inspires with his story of becoming.
Joan, a Chinese Canadian English conversation teacher who is unmoored in Europe, flees Budapest for a fresh start. Stepping off the train in Bratislava, she meets Milan, a proud Roma teenager, with whom she strikes up a friendship. The ensuing tale of youthful hope in the face of systemic oppression and racial violence, of family reconciliation and the magic of coincidence, asserts the primacy of love and courage in hard times. Where the Silver River Ends plumbs the depths of intergenerational relationships, mixed-race identity, and what happens when we gather the courage to step out of the current and make our own way in the world.
