PalmArtPress is an international publishing house located in Berlin. It publishes books in both German and English languages and distributes them in Germany and English-speaking areas. Our program includes literature, poetry, philosophy, and art books.PalmArtPress connects not just different genres, but also people of different nationalities and cultures, who are brought together in the press’ space for readings and exhibitions.
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Hadassah para la salud del pueblo La misión de educación para la salud de Hadassah: mujeres norteamericanas sionistas en Tierra Santa por la Prof. Shifra Shvarts y la Dra. Zipora Shehory-Rubin, en colaboración con el Prof. Yoel Donchin El Libro de Hadassah trata de mujeres, salud pública y sionismo. El libro se centra principalmente en el esfuerzo único de los miembros de la Organización Femenina Hadassah, que asumieron la misión de constituir servicios modernos de salud pública y de educación para la salud para la comunidad judía en Palestina bajo el dominio británico, basándose en la experiencia acumulada en el terreno en los Estados Unidos. Durante ese primer decenio, los servicios de salud pública prestaron asistencia a 46 mil mujeres embarazadas y a 53 mil recién nacidos, posibilitaron 700 mil visitas de enfermeras a domicilio y registraron 1,7 millones de visitas en los 44 centros de asistencia social para madres y niños que prestaron servicios en todo el país. Estos servicios llevaron a una reducción drástica de la mortalidad infantil en la comunidad judía, de 144 por cada mil en 1922 a 54 por cada mil en 1939, en comparación con 50 por cada mil en los Estados Unidos y a 53 por cada mil en el Reino Unido. Jamás otra iniciativa similar ha logrado resultados tan notables en un espacio de tiempo tan corto. La prestación de todos los servicios de salud pública en el marco de Hadassah se realizó en pie de igualdad para todos, incluida la comunidad árabe. Su cometido se basaba principalmente en la ideología sionista de crear una nueva nación con cuerpo y mente sanos. La misión de estas mujeres norteamericanas en el ámbito de la salud pública fue parte integral de los cometidos y de las actividades sionistas en esos días. No obstante, a diferencia de otros campos de la actividad sionista en Palestina durante dicho periodo, tomaron parte en ella únicamente mujeres. Este libro relata la historia de estas resueltas mujeres sionistas norteamericanas y sus notables logros para asegurar la salud de la comunidad judía en Palestina, uno de los primeros vástagos de una nación en gestación. El Libro de Hadassah también incluye fotografías originales descubiertas hace pocos años en uno de los antiguos almacenes de Hadassah en Jerusalén por el Profesor Yoel Donchin y que se pueden ver actualmente en una exposición en el Teatro de Jerusalén. Acerca de los autores La Dra. Shifra Shvarts es profesora adjunta de Historia de la Medicina en la Universidad Ben Gurión e investigadora en el Instituto Gertner de Investigación de Epidemiología y Políticas de Salud, del Centro Médico Sheba. La doctora Shvarts se especializa en la historia social de la medicina y la salud pública en Israel de los siglos XIX y XX y ha publicado seis libros sobre el desarrollo y la historia del sistema de salud en Israel. También es autora de los artículos sobre las Organizaciones de seguro médico en la Enciclopedia Médica Israelí y en la Enciclopedia Judaica. La Dra. Zipora Shehory-Rubin es profesora titular del Colegio Universitario Kaye de Beer Sheba, Israel, donde enseña historia de la educación y hebreo. Obtuvo su Doctorado en historia de la Universidad Ben Gurión del Néguev, tras haber completado su disertación sobre las iniciativas educativas y las actividades de Hadassah en el ámbito de la salud durante el Mandato británico en Palestina. Sus publicaciones incluyen libros y artículos sobre diversos aspectos de la historia de la educación y de la medicina. El Prof. Yoel Donchin, doctor en medicina, es profesor clínico de anestesia y cuidados intensivos en el centro médico Hadassah de la Universidad Hebrea de Jerusalén. Tras graduarse en la Facultad de Medicina Hadassah, continuó como residente en Hadassah, donde dirige ahora el Centro para la seguridad del paciente. El Dr. Donchin también ha rescatado y preservado más de 1.000 fotografías de los primeros años de Hadassah, así como películas filmadas durante dicho período. Actualmente preside la Sociedad de historia de la medicina de Israel.
Michel Ezra Safra y sus hijos por Amnon Shamosh “Michel Ezra Safra y sus hijos” es una saga familiar, escrita por el muy bien conocido escritor Israelí Amnon Shamosh. La historia es semi biográfica y toma lugar de forma parcial en Alepo, Siria, el lugar de nacimiento del autor. El libro describe la vida, las luchas, y la dispersión de una adinerada familia de sirio-judíos durante el curso de tres generaciones, comenzando a los mediados de los años 30. La historia de la familia Ezra Safra es la historia de una familia judía del medio oriente y sus valores básicos tradicionales, los cuales son constantemente desafiados por otras normas, ya sean circunstanciales como universales. Sacudida por levantamientos locales como globales, la familia encabezada por Michel y su hermosa esposa Linda, es obligada a abandonar su hogar, la ciudad de Alepo, durante los disturbios generados por la resolución de las Naciones Unidas a finales de 1947, de establecer el estado judío en Palestina. Michel, un hombre práctico, continúa manejando su imperio económico. Su poder sobre sus hijos parece desvanecerse, sin embargo, aunque aún disfruta de su respeto y cariño. Rachmo, el hijo mayor y su aparente heredero, dirige la sucursal del negocio familiar en Paris, pero su comportamiento como hombre de familia no cumple con los estándares de sus padres. Alberto, el hermano menor, aborrece el negocio familiar y rehuye el curso que se espera que tome. Encuentra una salida en las actividades sionistas clandestinas, incluyendo el “contrabando” de judíos hacia Palestina. Los otros 5 hijos e hijas Safra emigran a Europa, Estados Unidos e Israel. Lo que más preocupa, obsesiona y perturba a Michel, no es la situación financiera de su imperio, sino el grave “pecado” que ha cometido. Cuando la vieja sinagoga de Alepo fue incendiada, Michel rescató los rollos de la Torá “Aram de Soba” y logró rescatarlos del fuego. Se llevó un pedazo de su más preciado y sagrado rollo y secretamente lo guardó en una caja fuerte en Niza, Francia. Mientras su tesoro está protegido, Michel interpreta las tragedias que sufre su familia como un castigo divino. A través de la novela, el lector sigue a Michel a través de sus viajes por el mundo, estableciendo asuntos familiares como comerciales. Sin embargo sufre de una débil salud y de culpa de conciencia. La vida de su hijo Alberto, ahora un influyente miembro de una comunidad colectiva en Israel, es completamente ajeno a él. La saga de la familia Ezra Safra llega a su final cuando Michel muere de tristeza unos pocos días después de la muerte de su nieto durante la guerra de los Seis Días en 1967. Más tarde, Rachmo, que tomó parte en el secreto de su padre, muere de un ataque al corazón al saber que el rollo en Niza ha sido robado. Linda concuerda unirse con sus hijos en Israel, pero rechaza vivir con ellos. Ella escoge vivir una vida solitaria, rodeada de fotos y memorias del pasado. La novela “Michel Ezra Safra” fue llevada a la televisión como una mini-serie, teniendo un altísimo éxito. Amnon Shamosh nació en Siria en 1929, inmigró a Tel Aviv de niño, y llegó a ser posteriormente uno de los miembros fundadores de Kibutz Ma'ayan Baruch, donde reside hasta hoy en día. Se graduó en la Universidad Hebrea de Jerusalén .Es autor tanto de poesía como de prosa para niños y adultos, su trabajo se ha traducido al inglés, al español, y al francés, y una de sus novelas fue llevada a la televisión en forma de miniserie. Amnon Shamosh ha sido galardonado con el Premio "Agnon", denominado con ese nombre en honor al laureado célebre israelí Nóbel de Literatura, el Premio "Shalom-Aleichem", el Premio del Primer Ministro de creatividad, el Premio de literatura del presidente de Israel, y numerosos premios de literatura adicionales.
In a city and a country immersed in a permanent conflict, the Liban, Rita, Shawn, Ibraïm and some other characters as Mahmud, Mariam or old Suleiman will be involved and pulled into the heart of the conflict, gobbled down by the passional force that pulls strings in the history of this country.
With an agile, precise and sustained style Música Contra los Muros explores the influence of music on the human being in extreme circumstances. Different choral voices immerse the reader in the geopolitical labyrinth of the Middle East and tell a true and little-known story: that of famous musicians who canceled all their commitments and voluntarily traveled to Israel to encourage their compatriots who were fighting at the front. Against this backdrop, suggestive narrative threads are woven: the passionate romance of the pianist Daniel Barenboim with the cellist Jacqueline du Pré during the Six Day War; the account of Israeli soldiers, whose voices were censored for forty years, forced to participate in a war in which they did not believe; or the torn lives of thousands of Palestinians who, since the occupation, lost the right to a decent and dignified life. Hand in hand with a narrative strategy that recalls the New Journalism that emerged in the sixties, a reconciliation proposal is offered: the case of the West-Eastern Divan orchestra, made up of Arab, Israeli and Palestinian musicians, shows that thanks to music, coexistence is possible. Edward Said, a Palestinian thinker and philosopher, asked himself: Who knows how far we are going to be able to change the thoughts and convictions of these young people thanks to music? The energy of this interrogation continues to challenge the possibilities of the present, while confirming the success of an experience as unusual as it is fascinating.
Where does freedom of speech end and do insults, threats, and hate speech begin? Why does a rapper sing that more Muslims than Jews were killed during the Holocaust? This book addresses the 21st century wave of anti-Semitic incidents in the streets and on the internet, the distortions of historic commemoration in our country and the problems with education about the Holocaust. It is an incisive analysis of a multicultural drama in which anti-Jewish statements play a crucial role. By going back in time, Remco Ensel puts the new anti-Semitism in the context of post-war history of protest and provocation. From the student protests in the sixties to the Second Intifada, from ‘zionazi’ to ‘Adolf Sharon’, the Rushdie affair to Mohammed B. The book is based on extensive archival research in Morocco and the Netherlands and on conversations with journalists and politicians, such as Bertus Hendriks, Job Cohen, Elatik Fatima Ahmed Marcouch, Ronny Naftaniel and many others.
El conocimiento de la historia y la literatura de Mesopotamia constituye el entramado necesario para la buena comprensión de la Biblia, especialmente del Antiguo Testamento. La narración del Diluvio se entrelaza con la epopeya de Gilgamesh; el Código de Hammurabi asoma entre la legislación bíblica; el zigurat de Babilonia deja entrever su silueta en la mención de la Torre de Babel; mientras la leyenda de Sargón orienta la mirada hacia la figura de Moisés. El lector inquieto por conocer la relación entre la Biblia y el mundo oriental encontrará en este libro una guía para escuchar el eco de Mesopotamia entre las líneas de la Sagrada Escritura. A knowledge of the history and literature of Mesopotamia constitutes the necessary framework for a proper understanding of the Bible, especially the Old Testament. The narration of the Flood is interwoven with the epic of Gilgamesh; the Code of Hammurabi looms among the biblical legislation; the Ziggurat of Babylon reveals its silhouette at the mention of the Tower of Babel; while the legend of Sargon focuses its gaze towards the figure of Moses. The reader, eager to know the relationship between the Bible and the Oriental world, will find in this book a guide for listening to the echo of Mesopotamia between the lines of the Holy Scripture.
BIBLE CITY is infinite, unforeseen, unique, eternal, surprising, inexhaustible, vital. God willing, this biblical adventure will make the reader repeat those impassionedwords of Saint John Chrysostom: «I hold the Scripture in my hands: this is my staff, my safety, my quiet harbour».
A hospitable practice needs hospitable thinking and a way of believing. If, before being a right, existing is a debt that is extinguished only by becoming hospitable people, theology is called to favour coexistence among people by overcoming even its own self-understanding, when this is an obstacle to dialogue, helping to live this great change, and learning to welcome the spiritual riches that are for all. This, to the point of making a public contribution at the service of human and spiritual growth of humanity. A research of great value for a hospitable belief, which gives a theological foundation to a new paradigm of welcome and which opens up concrete perspectives for the indispensable interreligious dialogue.
Since its very beginning, Christianity has been present in the Middle East. However, the rise of Islam toward the end of the seventh century and the political and linguistic dominion it exerted over that region has a deep impact on the area and the Christian communities. When Arabic became the language of culture, Christian authors adopted it in their writings. As a result of the ups and downs in their relation with Islam, there will be apocalyptic and apocryphal works in ancient Palestine monasteries, books by Melkite, Nestorian and Monophysite authors, dogmatic treatises and poetic compositions. Moreover, both the Bible and patristic, liturgical and hagiographical works were soon translated into Arabic. This literary activity took place not only in major centers such as Damascus, Baghdad and Cairo, but also in farther areas like Al-Andalus.
Written in the second half of the 14th century, this book by John of Hildesheim is an outstanding document of Medieval literature and historiography. The text is accompanied by some of the most wonderful illustrations taken from the great artistic tradition dating from the Middle Ages and the Renaissance and it shows the inspiration that John of Hildesheim has given to the whole Christian iconography of Christmas and to some of the most outstanding works of art. “The remarkable iconography accompanying this volume, with forty-three different representations of the story of the three wise men (from Gentile da Fabriano to Lippi, from Giotto to Botticelli, from Benozzo Gozzoli to Piero della Francesca), is an evidence of the appeal of a story in which history, devotion, theology are closely intertwined, starting from the very journey of those three figures as the symbolic guiding thread of the Gospel narration.” (Card. Gianfranco Ravasi)
From the Hebrew name meaning “Who Is Like God?”, Michael is one of the angels–together with Raphael (“God Heals”) and Gabriel (“God Is My Strength”)–whose names are mentioned in the Holy Scripture. Since the first centuries of Christianity, there has been a wide diffusion of his worship in Europe and in the East through a multitude of sanctuaries and chapels, mostly nestled in high places, related to caves and water. An astonishing feature of this spread is a mysterious straight line crossing the European continent from North-West to South-East from Ireland to Asia Minor, and it is perfectly aligned with the sunset on the day of Summer Solstice. Along this line are seven sanctuaries dedicated to Michael, three of which have been significantly important over the centuries: Mont Saint-Michel in Normandy, the Sacra di San Michele in val di Susa and the Sanctuary of Monte Sant’Angelo on Mount Gargano, in Puglia. Three extraordinary high places that are all the same distance one from the other and which have always been a constant pilgrimage destination. Another aspect is the connection Saint Michael had with the Longobards, who migrated across Europe between the second and the sixth century until they reached Italy where they settled. This made Michael the first truly “European” Saint, attracting believers from all over the continent. With the contribution of some of the most important historians and medievalists from different European countries, this book depicts the presence of Saint Michael in Europe, starting with the diffusion of his devotion, especially during the Middle Ages, and extending to an analysis of the iconography of the Saint through the many architectural and artistic testimonies to be found throughout Europe. Thanks to its influential contributions and to the variety of both historical and iconographic topics, combined with the spectacular nature of the numerous images of places and artistic testimonies, this book is a unique journey through Europe between art and faith.
David W. Barber has delighted readers around the world with Accidentals on Purpose, When the Fat Lady Sings and other internationally bestselling books of musical humor. His bestselling Bach, Beethoven and the Boys chronicles the lives of the great (and not-so-great) composers as you've never read them before – exploring their sex lives, exposing their foibles and expanding on our understanding of these all-too-human creatures. Filled with information, interesting facts and trivia, this hilarious history covers music from Gregorian chant to the mess we're in now. From Bach's laundry lists to Beethoven's bowel problems, from Gesualdo's kinky fetishes to Cage's mushroom madness, Barber tells tales out of school that ought to be put back there. (Think how much more fun it would be if they taught this stuff.) As always, Dave Donald had provided witty and clever cartoon illustrations to accompany the text. "My heartiest commendation for an admirable work of scholarship... I will not say again that it is funny, since this will compel you to set your jaw and dare Barber to make you laugh." - Anthony Burgess, on Bach, Beethoven and the Boys
Egypt, 1346 B.C.: Ever since he can recall, Amunet hasbeen able to communicate with animals, but his lifeis turned upside down when the priests of Amun, themost powerful clergy in Ancient Egypt, discover hisprodigious gift. Convinced that he is the piece they needin their political puzzle, they bring him to the templeof Ipet Sut, where he will begin his training as a heka orsorceror in the service of the royal family.Egypt, 1799: When Napoléon Bonaparte’s army takescontrol of Cairo, the gang of thieves Shaheen belongsrecieves a comission to raid an ancient tomb in theValley of the Nobles. What Shaheen doesn’t know is thatinside that tomb they’ll encounter something even moreunsettling: the spirit of Amunet himself, trapped forover three thousand years... and thirsting for vengeance.
The Chagall Atlas follows Jewish artist Marc Chagall, whose personal and artistic life collided with world history more than once. Born in the 19th Century in anti-Semitist Czarist Russia, Chagall travelled to 20th Century Paris, where Cubism and Fauvism were about to change art forever. During World War I, he was ‘stuck’ in his hometown Vitebsk, right at the Eastern Front of a war that seamlessly merged into the Russian Revolution. Chagall could literally see the Revolution unfold from the window of his office in St. Petersburg. Chagall spent the twenties and thirties in Berlin and Paris, trying not to think about World War II that loomed over Europe. His spectacular escape from Vichy France to the US, where Chagall and his family spent the war along with other exiled artists, is a fantastic story in its own right. After the War, Chagall settled in the South of France, where he lived next door to Picasso and Matisse. But it wasn’t until later in life, against the backdrop of the Cold War and the foundation of the State of Israel, that he fully came into his own as an artist.
A lively book for those children who want to learn everything about the ancient Romans, Greeks end Egyptians. Many beautiful illustrations and fun comics throughout.
