Alam Al Kotob
Alam Al Kotob has published a wide array of distinguished books in various fields, including Law, Engineering and Arts, Education and Psychology, Literature, Language.
View Rights PortalAlam Al Kotob has published a wide array of distinguished books in various fields, including Law, Engineering and Arts, Education and Psychology, Literature, Language.
View Rights PortalIn Der Weg der Masken wendet der Ethnologe Claude Lévi-Strauss seine strukturalistische Betrachtungsweise von Mythen erstmals auf sichtbare, künstlerische Objekte an – nämlich auf die Masken der Indianer an der Küste des Pazifischen Ozeans in Britisch-Kolumbien und Alaska. Entstanden ist eine faszinierende kleine Studie, in der Claude Lévi-Strauss zeigt, wie diese Masken zu betrachten sind: nicht als isolierte Gegenstände, sondern eingebettet in Transformationsbeziehungen hinsichtlich ihres Gründungsmythos, ihrer Funktion und ihrer materiellen Beschaffenheit.
Samuel Hall Young, a Presbyterian clergyman, met John Muir when the great naturalist's steamboat docked at Fort Wrangell, in southeastern Alaska, where Young was a missionary to the Stickeen Indians. In "Alaska Days With John Muir" he describes this 1879 meeting: "A hearty grip of the hand and we seemed to coalesce in a friendship which, to me at least, has been one of the very best things in a life full of blessings." This book, first published in 1915, describes two journeys of discovery taken in company with Muir in 1879 and 1880. Despite the pleas of his missionary colleagues that he not risk life and limb with "that wild Muir," Young accompanied Muir in the exploration of Glacier Bay. Upon Muir's return to Alaska in 1880, they traveled together and mapped the inside route to Sitka. Young describes Muir's ability to "slide" up glaciers, the broad Scotch he used when he was enjoying himself, and his natural affinity for Indian wisdom and theistic religion. From the gripping account of their near-disastrous ascent of Glenora Peak to Young's perspective on Muir's famous dog story "Stickeen," Alaska Days is an engaging record of a friendship grounded in the shared wonders of Alaska's wild landscapes.
There are 4 volumes in the series, one volume per quarter and each volume containing six short stories. From the perspective of children, they can experience the beauty of spring, summer, autumn, harvest, winter collection, seasonal scenery, and thousands of ecological beauty. This volume is "Summer". This volume tells about the summer. Nini experienced the change of solar terms from “Lixia” (the beginning of summer) to “Dashu” (the great heat) in the countryside: “Xiaoshu” (the small heat) and “Dashu”, frogs and cicadas, and different stages of farming. Nini felt that it was completely different from the urban life.
Im Frühjahr 2005 bricht der serbische Schriftsteller Bora ?osi? zu einer Reise durch das frühere Jugoslawien auf. Er hat das Land Anfang der neunziger Jahre verlassen und findet nun ein Gebiet neuer Widersprüche vor. Müllberge türmen sich in Kroatien, Dörfer sind noch vom Krieg gezeichnet. In Sarajevo überblenden sich die Gegenwart und das Wissen um die Jahre der Belagerung, in Belgrad erfährt er sich als dazugehörender Außenseiter. ?osi? verbindet sinnliche Anschauung mit politischer Kritik, scharfsinnige Reflexion mit Erinnerungen an die avantgardistische jugoslawische Kulturszene. Im Mittelpunkt steht die Frage, wie es zur Katastrophe kommen konnte.
There are 4 volumes in the series, one volume per quarter and each volume containing six short stories. From the perspective of children, they can experience the beauty of spring, summer, autumn, harvest, winter collection, seasonal scenery, and thousands of ecological beauty. This volume is "Winter". This volume tells that winter was finally arrived and it is soon the time when Nini's parents would pick her up. However, Nini, who has gradually become accustomed to rural life, began to truly fall in love with the four distinct seasons of the countryside. With the arrival of “Dahan”, the last big cold solar term in the twenty-four solar terms, she reluctantly returned to her home in the city with her parents. The charm of nature and the taste of agriculture that countryside life revealed to her has become her eternal precious wealth.
Stell dir vor, mitten im Zauberwald gibt es einen magischen Ort, wo die Kinder aller Fabelwesen zusammentreffen. Willkommen im zauberhaften Kindergarten! Hier lernen sich auch unsere kleinen Freunde kennen: Pim Pegasus, Drache Dex, Nixe Nini und das Trollmädchen Topsy. Und auf die wartet ein erstes großes Abenteuer, bei dem sie Bork, den kleinen Bäumling, kennenlernen. Gemeinsam müssen die fünf fabelhaften Freunden den Zauberwald retten und das schaffen sie nur, wenn sie fest zusammenhalten. Fantastisches Lesefutter für Kindergartenkinder
There are 4 volumes in the series, one volume per quarter and each volume containing six short stories. From the perspective of children, they can experience the beauty of spring, summer, autumn, harvest, winter collection, seasonal scenery, and thousands of ecological beauty. This book is "Autumn". This book tells about the autumn. Nini experienced the change from “Liqiu” (the beginning of autumn) to “Shuangjiang” (the frost season) and felt the joy of the autumn harvest. The influence and enlightenment of countryside life revealed to her the charm of nature and the taste of agriculture.
There are 4 volumes in the series, one volume per quarter and each volume containing six short stories. From the perspective of children, they can experience the beauty of spring, summer, autumn, harvest, winter collection, seasonal scenery, and thousands of ecological beauty. This book is "Spring". It tells about the arrival of spring, Nini was sent to the countryside grandmother’s house, she was first immersed in missing her parents and then gradually started to feel the vitality of the growth of everything on earth. Significant changes in nature awakened her heart to perceive the beauty of nature.
This book argues that the Caribbean frontier, usually assumed to have been eclipsed after colonial conquest, remains a powerful but unrecognised element of Caribbean island culture. Combining analytical and creative genres of writing, it explores historical and contemporary patterns of frontier change through a case study of the little-known Eastern Caribbean multi-island state of St Vincent and the Grenadines. Modern frontier traits are located in the wandering woodcutter, the squatter on government land and the mountainside ganja grower. But the frontier is also identified as part of global production that has shaped island tourism, the financial sector and patterns of migration.