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      • Gallimard Jeunesse

        Founded in 1972, Gallimard Jeunesse now boasts a list of more than 4,000 titlesin both fiction and non-fiction, for young readers of all ages and reading levels,from the very first books for babies to great literary classics and bestsellingcontemporary titles. Over the years, our output has been a major stimulus for the children’s book industry in France, with readers, parents, booksellers, librarians and teachers trusting us to provide books of the highest quality in both print and digital format. Our list has a worldwide reputation for excellence and creativity.

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      • Galaxy Press, Inc.

        Publisher of Mr. Hubbard’s fiction library, including perennial and New York Times bestsellers such as Battlefield Earth, Mission Earth, Fear, Final Blackout and To the Stars.

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      • Trusted Partner
        Stage rights!
        The Arts
        November 2020

        Stage rights!

        The Actresses’ Franchise League, activism and politics 1908–58

        by Naomi Paxton

        Stage rights! explores the work and legacy of the first feminist political theatre group of the twentieth century, the Actresses' Franchise League. Formed in 1908 to support the suffrage movement through theatre, the League and its membership opened up new roles for women on stage and off, challenged stereotypes of suffragists and actresses, created new work inspired by the movement and was an integral part of the performative propaganda of the campaign. Introducing new archival material to both suffrage and theatre histories, this book is the first to focus in detail on the Actresses' Franchise League, its membership and its work. The volume is formulated as a historiographically innovative critical biography of the organisation over the fifty years of its activities, and invites a total reassessment of the League within the accepted narratives of the development of political theatre in the UK.

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      • Trusted Partner
        Auto/biography and identity
        The Arts
        May 2009

        Auto/biography and identity

        by Kate Dorney, Maggie B. Gale, Viv Gardner, Maggie B. Gale

        This groundbreaking book shows how female performers - one of the first groups of professional women - used and still use autobiography and performance as both a means of expression and control of their private and public selves, the 'face and the mask'. It looks at how a range of women in the theatre - actors, managers, writers and live artists - have done this on the page and on the stage from the late eighteenth-century to the present day, testing the boundaries between gender, theatre and autobiographical form. This paperback edition facilitates connections - between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography and the creative act. 'Auto/biography and identity' is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies. ;

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      • Trusted Partner
        The Chalk Giraffe
        Children's & YA
        2018

        The Chalk Giraffe

        by Kirsty Paxton

        What if your drawings magically came to life, only to prove rather demanding art critics? Oh, the hassle! In The Chalk Giraffe we follow an artistic child who finds herself drawing a giraffe with chalk… but she is surprised when her creation comes alive and demands changes to his surrounding landscape. What follows is a quirky and humorous tale of creativity and perspective, with the beautiful African landscape as a backdrop to this new and unlikely friendship.

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      • Trusted Partner
        Stage women, 1900–50
        The Arts
        July 2019

        Stage women, 1900–50

        by Maggie B. Gale, Kate Dorney, Maggie B. Gale, Kate Dorney

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      • Trusted Partner
        Queer exceptions
        The Arts
        December 2018

        Queer exceptions

        by Stephen Greer, Maggie B. Gale

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      • Trusted Partner
        Performance in a time of terror
        Humanities & Social Sciences
        November 2011

        Performance in a time of terror

        by Jenny Hughes, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels

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      • Trusted Partner
        Theatre in crisis?
        Literature & Literary Studies
        October 2002

        Theatre in crisis?

        Performance manifestoes for a new century

        by Maria M. Delgado, Maria M. Delgado, Caridad Svich, Maggie B. Gale, Peter Lichtenfels

        A wide-ranging look at the state of contemporary theatre practice, economics, and issues related to identity, politics, and technology. Contains a snapshot dissection of where theatre is, where it has been and where it might be going through the voices of established and emerging theatre artists and scholars from the UK, US and elsewhere. Offers an examination of how to make theatre in a time of crisis and why it is a vital form of communication are at the heart of the book's mission. Asks questions such as: where is theatre now taking place?; what is the relationship between play and performance?; how does funding work?; what states does theatre flourish under?; and if there is a current 'crisis of theatre' should it not be seen as a welcome opportunity to develop a vigorous 'theatre of crisis'?. The international list of contributors includes Jim Carmody, Phyllis Nagy, Michael Billington, Max Stafford-Clark, Peter Sellars, Dragan Klaic, Goat Island, Erik Ehn and many others, making up a vast array of practising artists, thinkers, and scholars. ;

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      • Trusted Partner
        Performing the testimonial
        The Arts
        July 2020

        Performing the testimonial

        by Amanda Stuart Fisher, Maggie B. Gale

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      • Trusted Partner
        Witness onstage
        The Arts
        October 2019

        Witness onstage

        by Molly Flynn, Maggie B. Gale

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      • Trusted Partner
        Street theatre and the production of postindustrial space
        The Arts
        July 2019

        Street theatre and the production of postindustrial space

        by David Calder, Maggie B. Gale

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      • Trusted Partner
        Female performance practice on the fin-de-siècle popular stages of London and Paris
        Literature & Literary Studies
        November 2007

        Female performance practice on the fin-de-siècle popular stages of London and Paris

        by Catherine Hindson, Kate Dorney, Maggie B. Gale

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      • Trusted Partner
        Women, theatre and performance
        Literature & Literary Studies
        April 2001

        Women, theatre and performance

        New histories, new historiographies

        by Kate Dorney, Maggie B. Gale, Susan Williams

        The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;

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      • Trusted Partner
        Plays and performance texts by women 1880–1930
        March 2012

        Plays and performance texts by women 1880–1930

        by Maggie B. Gale, Gilli Bush-Bailey

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      • Trusted Partner
        Science in performance
        The Arts
        September 2020

        Science in performance

        by Maggie B. Gale, Maria M. Delgado, Peter Lichtenfels, Simon Parry

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      • Trusted Partner
        Victorian touring actresses
        The Arts
        May 2020

        Victorian touring actresses

        by Janice Norwood, Maggie B. Gale, Kate Dorney

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      • Trusted Partner
        Female performance practice on the fin-de-siècle popular stages of London and Paris
        Literature & Literary Studies
        November 2007

        Female performance practice on the fin-de-siècle popular stages of London and Paris

        by Catherine Hindson, Kate Dorney, Maggie B. Gale, Rebecca Mortimer

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      • Trusted Partner
        Joseph Losey
        The Arts
        January 2019

        Joseph Losey

        by Colin Gardner

        The career of Wisconsin-born Joseph Losey spanned over four decades and several countries. A self-proclaimed Marxist and veteran of the 1930s Soviet agit-prop theater, he collaborated with Bertholt Brecht before directing noir B-pictures in Hollywood. A victim of McCarthyism, he later crossed the Atlantic to direct a series of seminal British films such as "Time Without Pity," "Eve," "The Servant," and "The Go-Between," which mark him as one of the cinema's greatest baroque stylists. His British films reflect on exile and the outsider's view of a class-bound society in crisis through a style rooted in the European art house tradition of Resnais and Godard. Gardner employs recent methodologies from cultural studies and poststructural theory, exploring and clarifying the films' uneasy tension between class and gender, and their explorations of fractured temporality.

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      • Trusted Partner
        Kitty Marion
        The Arts
        April 2019

        Kitty Marion

        by Viv Gardner, Diane Atkinson, Maggie B. Gale

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