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      • Johnson & Alcock Ltd.

        **Download our catalogue** https://app.box.com/s/wxf7sfuxp8uz5c5sj0cel08plfc9z1v3    ** Watch our short video pitches for your key books of the fair https://www.youtube.com/playlist?list=PLRuP9O31bj5-sKE3iByYmYu1PuzFvK8_4 **   We are proud to represent prizewinning and bestselling authors across all genres, from literary fiction (Kate Tempest) to Top5 thrillers (Cara Hunter), from pop science (Sue Black) to narrative nonfiction (Helen Russell) and narrative history (Sinclair McKay).   Join our monthly newsletter:  https://lb.benchmarkemail.com/listbuilder/signupnew?UDxLzrt9hi4UoU%252BY0hWxQf5pwVnAjsSIhoQhofH0GHztO5iNRn8gS049TyW7spdJ

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      • Gerstenberg Verlag GmbH & Co. KG

        The Publishing House and its History Established in St. Petersburg in 1792, today Gerstenberg is one of Germany’s oldest publishing houses. A family business, the publishing house moved to new headquarters in Hildesheim in 1796 and to this day occupies the same address in the old city marketplace as it did then. The most important branch of the publishing business, however, was the Hildesheimer Allgemeine Zeitung, which, incidentally, is the oldest daily newspaper still in existence in Germany. Today, the name of Gerstenberg is synonymous with delightful, innovative books of aesthetic design and high-quality content for children and young adults that compete very successfully also on the international market. An adult range comprising illustrated books, non-fiction and cookery books also forms part of the Gerstenberg portfolio.   Program Gerstenberg publishes board picture books, picture books, children’s and young adult narrative literature and non-fiction. With Eric Carle’s »The Very Hungry Caterpillar« (»Die kleine Raupe Nimmersatt«) and Rotraut Susanne Berner’s ›discovery picture books‹ (›Wimmelbücher‹), Gerstenberg became one of the best-known children’s book publishers. In 1999, the anthology of poetry »Dunkel war’s, der Mond schien helle«, came out as the first in Gerstenberg’s series of household compendiums, a segment that has since developed into a main pillar of the program. The publishing house has brought out some highly respected developments of its own in the children’s knowledge-book series ›Abenteuer! Maja Nielsen erzählt‹.

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        Humanities & Social Sciences
        March 2017

        The Arctic in the British imagination 1818–1914

        by Andrew Thompson, John M. MacKenzie, Rob David

        The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.

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        April 2004

        John Sinclair - Folge 29

        Die grausamen Ritter. Hörspiel

        by Dark, Jason

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        Literature & Literary Studies
        October 2024

        The Legacy of John Polidori

        The Romantic Vampire and its Progeny

        by Sam George, Bill Hughes

        John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.

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        AUTOBIOGRAPHY OF A ZEN MONK

        by Taisen Deshimaru

        A story of bravery and false starts, Autobiography of a Zen Monk candidly recounts the author’s development from a highly mischievous Japanese boy into a world-renowned Sensei (Teacher) of Zen. While countless memoirs exist written by Zen students and teachers, few are as engaging and as tantalizing as Taisen Deshimaru’s. Looking back at his early life, growing up in Japan, from the viewpoint of his status as a Zen teacher in Paris, the author reflects on his earliest misadventures—from defacing a valuable painting of Bodhidharma as a child, to turning the “Zen stick” on a young monk during a retreat. Adventures abound with stories about alcohol and women, during his student years, and his activities during World War II in working for the arms industry in Malaysia, where he was sympathetic to the underground freedom movement. This first English-language translation of Taisen Deshimaru’s autobiography will be prized for its clear and honest documentation of this great master’s life. Many people all over the world have been influenced by Deshimaru’s Zen teachings, especially his book on Zen and the martial arts. This memoir fills an important gap in our knowledge of his teacher, Kodo Sawaki’s influence on the world of Zen. The story of how Deshimaru met Sawaki as a boy, even slept in the same room with him, and later received monastic ordination is the story of a lifelong friendship of two extraordinary characters in the history of modern Zen. Deshimaru’s influence extends beyond Zen practitioners, though, especially in those interested in the martial arts, as he touches on his martial arts experience as a young man and offers a look into the master’s early training. Additional interest extends to historians who recount the supposed “scandals” of Zen masters’ participation in the war effort. Although Deshimaru’s viewpoint is decidedly subjective, he was intimately acquainted with priests and generals alike, and approaches the difficult subject with a refreshing lack of judgmental disdain which counterbalances many other more lopsided works. Translator, Richard Collins, a longtime Zen practitioner, and currently the Abbot of the New Orleans Zen Temple, is a literature scholar and author of several books including No Fear Zen, Hohm Press, 2014. His knowledge of the subject matter and his finesse with language combine to make this book a delightful read for those who appreciate wellwritten memoir.

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        Literature & Literary Studies
        December 2023

        Bulletin of the John Rylands Library 99/2

        by Stephen Mossman, Cordelia Warr

        The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.

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        May 2015

        Gierige Institutionen

        Soziologische Studien über totales Engagement

        by Lewis A. Coser, Marianne Egger de Campo

        Was haben die Eunuchen am Kaiserhof der Ming-Dynastie mit den kleinbürgerlichen Hausfrauen des 20. Jahrhunderts gemeinsam? Was zölibatäre Priester mit Trotzkisten? In allen Fällen handelt es sich um ein Individuum, das mit seiner unbedingten Treue und freiwilligen Selbstaufgabe die Macht einer Institution festigt. Lewis A. Cosers nun erstmals auf Deutsch vorliegender Klassiker über diese »gierigen Institutionen« verblüfft den Leser mit einer ebenso einfachen wie genialen Theorie über eine Spielart totalen Engagements, die nichts an Aktualität eingebüßt hat.

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        June 2021

        Neurowissenschaft und Philosophie

        Gehirn, Geist und Sprache

        by Maxwell Bennett, Daniel C. Dennett, Peter Hacker, John R. Searle, Joachim Schulte, Daniel Robinson

        Als der Neurowissenschaftler Maxwell Bennett und der Philosoph Peter Hacker den Klassiker Philosophical Foundations of Neuroscience veröffentlichten, war dies die erste systematische Untersuchung der begrifflichen Grundlagen der Neurowissenschaften und der Startschuss für den bis heute intensiv geführten Kampf um die Deutungsmacht über den menschlichen Geist. Besonders kritisch fiel seinerzeit die Auseinandersetzung mit den einflussreichen Arbeiten von Daniel Dennett und John Searle aus – also mit jenen beiden Denkern, die von der neurowissenschaftlichen Seite gerne als philosophische Gewährsmänner herangezogen werden. In Neurowissenschaft und Philosophie diskutieren die vier kongenialen »Streithähne« miteinander.

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        September 2013

        Die irgendwie richtige Richtung

        Eine Pilgerreise

        by Gideon Lewis-Kraus

        »Jakobsweg – Zielstrebigkeit – 10. Juni«. Was soll das? Er kann sich beim besten Willen nicht mehr erinnern, warum er das in sein Notizbuch geschrieben hat. Gideon ruft seinen Freund Tom an, und der weiß es. Sie sind zum gemeinsamen Pilgern verabredet. Am 10. Juni geht es los. Der Weg ist das Ziel, alles andere ist egal. Hauptsache, die Richtung stimmt, irgendwie. Santiago di Compostela ist weit entfernt, aber Berlin mit seinen Galerieeröffnungen, Bars und Clubs glücklicherweise auch. Pilgernd will er sich von den Zwängen der grenzenlosen Freiheit befreien. Und der ersten großen Krise seines Lebens entkommen, in die er geriet, als der Vater, ein schwuler Rabbi aus New Jersey, die Familie verließ, um mit seinem Freund zusammenzuziehen. Pilgernd kommt er dem eigenen Glück und dem Mysterium seiner Familie, Vaters verborgenem Leben, auf die Spur. Zum Schluss hat sich etwas verändert. Er hat sich verändert. Er hat das Rätsel seines Lebens gelöst. »Im Verlauf eines Jahres, im Verlauf dieses schönen, lebensklugen, drogen-, freundschaft- und sexverherrlichenden Buches wird Gideon Lewis-Kraus geradezu in eine Pilgerschaftsabhängigkeit geraten und von Ort zu Ort ziehen, fort aus der Welt der unendlichen Freiheiten oder der unendlichen Abhängigkeiten, hinüber in die Wanderwelt der Notwendigkeit.« Volker Weidermann, FAS

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        September 2013

        Die irgendwie richtige Richtung

        Eine Pilgerreise

        by Gideon Lewis-Kraus, Thomas Pletzinger

        »Jakobsweg – Zielstrebigkeit – 10. Juni«. Was soll das? Er kann sich beim besten Willen nicht mehr erinnern, warum er das in sein Notizbuch geschrieben hat. Gideon ruft seinen Freund Tom an, und der weiß es. Sie sind zum gemeinsamen Pilgern verabredet. Am 10. Juni geht es los. Der Weg ist das Ziel, alles andere ist egal. Hauptsache, die Richtung stimmt, irgendwie. Santiago di Compostela ist weit entfernt, aber Berlin mit seinen Galerieeröffnungen, Bars und Clubs glücklicherweise auch. Pilgernd will er sich von den Zwängen der grenzenlosen Freiheit befreien. Und der ersten großen Krise seines Lebens entkommen, in die er geriet, als der Vater, ein schwuler Rabbi aus New Jersey, die Familie verließ, um mit seinem Freund zusammenzuziehen. Pilgernd kommt er dem eigenen Glück und dem Mysterium seiner Familie, Vaters verborgenem Leben, auf die Spur. Zum Schluss hat sich etwas verändert. Er hat sich verändert. Er hat das Rätsel seines Lebens gelöst. »Im Verlauf eines Jahres, im Verlauf dieses schönen, lebensklugen, drogen-, freundschaft- und sexverherrlichenden Buches wird Gideon Lewis-Kraus geradezu in eine Pilgerschaftsabhängigkeit geraten und von Ort zu Ort ziehen, fort aus der Welt der unendlichen Freiheiten oder der unendlichen Abhängigkeiten, hinüber in die Wanderwelt der Notwendigkeit.« Volker Weidermann, FAS

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        The Arts
        June 2022

        Transmodern

        An art history of contact, 1920–60

        by Christian Kravagna, Marsha Meskimmon, Amelia Jones,

        How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.

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        The Arts
        June 2022

        Transmodern

        An art history of contact, 1920–60

        by Christian Kravagna, Marsha Meskimmon, Amelia Jones,

        How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.

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