Editora Moinhos is an independent publishing house that aims to publish books in the most diverse genres. The proposal includes the rescue of great classics of Brazilian and foreign literature, seeking to make viable works still unpublished in Brazil and to deliver a quality work to the reader.
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Addressing a dearth of literature in this area, this book provides a comprehensive overview and framework of study of the politics of religious tourism. Existing work shows awareness that politics is present but the approach has been one of benign neglect, and/or a priori assumptions about the role of politics in the management of sacred sites. Previous literature is fragmented into various perspectives and approaches that best serve different disciplinary interests. By understanding the politics of religious tourism through the various perspectives and approaches from the discipline of political science The Politics of Religious Tourism; · Focuses on how power is exercised regarding religious tourism. · Looks at the governing institutions of religious tourism including the role of relevant governmental bodies such as ministries of tourism or national tourism boards, ministries of religion and/or culture. · Covers the role and influence of religious governing institutions, such as state-supported church/mosque officials, and universities. It will be of valuable interest to researchers and students of religious tourism, pilgrimage, as well as related subjects such as political science, economics, sociology, tourism and religious studies.
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Rilke erzählt in beiden Novellen tragische Lebensgeschichten: die des Sonderlings Kaspar Hörn, der aus Liebe zu einer Frau zum Dichter wurde, in der einen und die eines Arbeiters in armseligsten Verhältnissen, der aus Liebe zu einer Frau zum Mörder wurde, in der anderen.
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Although cultural exchanges were named within the Council of Europe in the mid- 1950s as being second only in importance to the military as a tool for ensuring a stable and integrated Western Europe in the aftermath of the Second World War, European-led initiatives have generally been overlooked in the historiography of art of the immediate post-war period. Popularly remembered as the era of the United States' cultural 'triumph', American Abstract Expressionism in particular is commonly identified as the cultural 'weapon' by which that nation conquered Western European culture. Using the Venice Biennale as a case study, this book challenges the idea that there was an American cultural conquest in the 1950s through the fine arts, arguing instead that Western Europe retained a strong sense of world cultural leadership in the immediate post-war years. An institutional history that combines political and diplomatic with art history, and is informed by extensive archival research, it argues that Italian political and cultural figures actively promoted the 'Idea of Europe' - the Council of Europe's cultural initiative of 1955 designed to promote the idea of a homogeneous post-war European culture - at the Biennale in the form of gesture painting as an international style, as the emblem of a culturally united Western Europe, and as the repository of universal humanist values for the international community. Scholarly but accessible, this book will be of interest not only to researchers and to students of international cultural relations during the Cold War, but to general, interested readers, too. ;
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Fragonard's playful paintings is the first critical analysis of the function of play as an artistic concept and visual experience in Rococo art. The art of Jean-Honoré Fragonard embodies the pervasive culture of play in eighteenth-century France. His interactive paintings and drawings invite beholders to engage in a visual game of interpretation through subject, form and theme. This book not only examines Fragonard's art through close analyses of individual works, but also considers the role of the viewer within a variety of contexts related to social behaviour, philosophy, literature and aesthetics. More than any other artist from the period, Fragonard produced images of play that evidence the ludic impulses of ancien-régime thought and expose the underlying significance of eighteenth-century frivolity. Focused on bringing students and specialists closer to works of art, the book addresses what we see in order to understand better how paintings about play can stimulate playful ideas through dynamic exchanges between artist, image and beholder. ;
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In the 1920s and 1930s, anthropology and ethnography provided new and striking ways of rethinking what art could be and the forms which it could take. This book examines the impact of these emergent disciplines on the artistic avant-garde in Paris. The reception by European artists of objects arriving from colonial territories in the first half of the twentieth century is generally understood through the artistic appropriation of the forms of African or Oceanic sculpture. The author reveals how anthropological approaches to this intriguing material began to affect the ways in which artists, theorists, critics and curators thought about three-dimensional objects and their changing status as 'art', 'artefacts' or 'ethnographic evidence'. This book analyses texts, photographs and art works that cross disciplinary boundaries, through case studies including the Dakar to Djibouti expedition of 1931-33, the Trocadéro Ethnographic Museum, and the two art periodicals Documents and Minotaure. Through its interdisciplinary and contextual approach, it provides an important corrective to histories of modern art and the European avant-garde. ;
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Cubism was the most influential artistic movement that emerged in the twentieth century. The hallmarks of its style were stamped on the art, design and architecture and its aesthetic principles governed the representation of modernity across all the arts. Yet just what cubism was, or stood for, at the time of its emergence is still in dispute, while the explanations offered for its importance for twentieth-century art, and its legacy for the present, are bewildering in their variety. This fascinating book offers a way beyond this confusion: a narrative of its beginnings, consolidation and dissemination that takes into account not only what the style and the movement signified at the time of its emergence but also the principal writings through which cubism's significance for modernism has been established. Visually stunning with over 100 illustrations, this is an essential work for all students and teachers of modern art history. ;
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De Stijl was the title of a magazine founded in the Netherlands in 1917 and is now used to identify the abstract art and functional architecture of its major contributors: Mondrian, Van Doesburg, Van der Leck, Oud, Wils and Rietveld. This book is the first to emphasize the local context of De Stijl and explore its relationship to the distinctive character of Dutch modernism. Examines the connection between debates concerning abstraction in painting and spatiality in architecture and contemporary developments in the fields of urban planning, advertising, interior design and exhibition design. Describes the interaction between the world of mass culture and the fine arts. ;
