Between the Lines
Livres Canada Books
View Rights PortalIn seinem großen historischen Epos inszeniert Mo Yan eine farbenprächtige Pekingoper aus der deutschen Kolonialgeschichte seines Heimatlands. Vor der Kulisse einer untergehenden Epoche treten fünf Figuren auf die Bühne der Geschichte und kämpfen für das, was sie bewahren wollen, und für die, die sie lieben. Viel Neues geschieht im China des Jahres 1899: Von überall her drängen fremde Menschen in das zuvor verschlossene Reich. Sie bringen etwa die Eisenbahn, die bei der Provinzstadt Gaomi über die Gräber der Ahnen verlaufen soll. Vieles geht aber auch zu Ende in diesen letzten Tagen des Jahrhunderts: Das Kaiserreich liegt in Agonie, ebenso wie Sun Bing, der Opernsänger und Anführer des Aufstands gegen die Trasse und deren Erbauer. Um seinen Ungehorsam zu ahnden, bündelt die Staatsmacht all ihre Kräfte und verordnet ein letztes Mal die Sandelholzstrafe, die grausamste und zugleich kunstvollste der überkommenen Foltermethoden. Leib und Leben nicht allein des Opfers, sondern auch seiner Tochter, ihres Ehemanns, ja selbst des Henkers und des Richters stehen mit diesem Urteilsspruch auf dem Richtplatz der Geschichte. In einem der bedeutendsten chinesischen Romane der jüngsten Zeit spielt Mo Yan virtuos das Spiel der Masken, Perspektiven und Kontraste. Gewalt und Poesie, Empathie und schwarzer Humor, Derbheit und Feinsinn, die Fülle des westlichen Romans und die Eleganz der chinesischen Oper gehen in seiner bilderreichen und suggestiven Sprache Hand in Hand.
Yan family instructions is an influential work of Yan Zhitui, a famous scholar in the northern and Southern Dynasties. It is a systematic and complete family education textbook. It is the author's experience summary about setting up oneself, running a family, dealing with affairs and learning. It has a great influence on the history of family education in traditional China and enjoys the reputation of "ancient and modern family motto, as the ancestor". The purpose of Yan Zhitui's writing this book is to systematically sort out his life experience and experience and pass it on to future generations, hoping to rectify the style of the family and help future generations.
"A Forbidden City tells half of Chinese history." This book takes the six hundred year history of the Forbidden City as a clue, tells stories built around the Forbidden City, and represents stories of the emperors, generals and ministers of state, the concubines, even the bodyguards, eunuchs, imperial doctors, and other people on the historical stage of the Forbidden City. There are not only well-known historical events but also secret histories of the palace, with more than 500 historical figures vividly interpreting the vicissitudes of life in the book. The famous historian Yan Chongnian, with his unique vision, selects the most representative historical stories and integrates the events of the changeable Forbidden City of six hundred years into the book. He uses popular and witty diction, combined with his life experience of more than eighty years, to make serious history no longer boring and difficult to understand, so that official history can also be lively and interesting. This is a popularizing history book suitable for readers of all ages. They can better understand the Forbidden City in the palace world built by Yan Chongnian, appreciate the splendid history of Chinese civilization, and develop new insights into life.
"Above Living" is a novel by Yan Zhen. The author uses meticulous meticulous brushwork to describe college life and academic ecology one by one. From the examination and employment of doctoral students, to the work and life of college teachers, the distribution of papers and page fees, academic seminars, awards, application for topics, competition for administrative positions, and even the application and acquisition of students' election cadres, examinations, and grants Wait, there are so many stories about corruption in colleges and universities, which are rarely encountered by readers outside colleges. He even wrote about the real situation of another type of intellectuals, represented by "I", who have conscience and pursuit, but have no choice but to survive in the real environment. Although these people have also succumbed to reality, they still have a trace of longing for the independent personality of Chinese traditional intellectuals deep in their hearts. The special feature of "Above Living" is that it has a detailed description of the academic ecology and "survival" ecology of colleges and universities, which is of pioneering significance, and is happy to see by people who care about education and knowledge communities. Moreover, this novel is written with great meaning, with the height of literature and the height of thinking.
Meishan Wushu is the national intangible cultural heritage in China. This book focusing on Meishan Wushu is divided into five chapters. Chapter 1 is general introduction. Chpater 2 introduces 3 kinds of Meishan Wushu. Chapter 3 shows Meishan martial arts tactics in detail. Chapter 4 presents wushu routines in an all-round way. Chapter 5 tells martial arts lovers how to learn Meishan Wushu on their own. The author, Yan Xizheng, has studied Meishan Wushu for more than 50 years and spent 10 years writing this book, which promotes China's traditional culture and shows the essence of Chinese martial arts Meishan Wushu.
Marianne Gareis, geboren 1957 in Illertissen, lebt als Übersetzerin, u. a. von José Saramago, in Berlin. Karin von Schweder-Schreiner, geboren 1943 in Posen (Polen), studierte Portugiesisch und Französisch in Mainz und Lissabon. Seit 1978 arbeitet sie – nach einer Tätigkeit als Fremdsprachenkorrespondentin – als freie Übersetzerin und erhielt zahlreiche Übersetzerpreise. Nach längeren Aufenthalten in Brasilien, Schweden, Frankreich und Portugal lebt Karin von Schweder-Schreiner heute in Hamburg. Marianne Gareis, geboren 1957 in Illertissen, lebt als Übersetzerin, u. a. von José Saramago, in Berlin.
"Es gelingt Karin Kiwus, in einem einzigen Gedicht mehr Wirklichkeit einzufangen als anderen in seitenlanger fiktionsgetränkter Prosa", hat Wolfgang Hildesheimer über Karin Kiwus' ersten Gedichtband geschrieben. Unabweisbarer noch gilt dies für ihre neuen Gedichte. Das Phänomen Zeit wird nun, stärker als je zuvor in der Arbeit von Karin Kiwus, zum eigentlichen Strukturprinzip äußerst komplexer Texte. Als eine dünne Membran ortet sich ein fragiles Bewußtsein zwischen den Zeiten und bewegt sich vor und zurück. Zeit-, Denk-, Traum- und Erinnerungsbilder werden entworfen in diesen Gedichten, so zum Beispiel in einer "Elegie in sieben Sachen" für Uwe Johnson, in einer Legende um Ho Chi Minh und in der Evokation traumatischer Erfahrungen, die ein ganzes Leben geprägt haben und erst jetzt übersetzt werden können in Sprache.
Written and illustrated by Pang Yan, a modern Chinese artist, the book takes us on a magic tour through the history of China, showing in detail over a hundred precious artifacts. Through their colors, shapes and textures, we reconnect with the past, and reach out to the people long gone.
Karin Kiwus, geboren 1942 in Berlin, lebt dort. Sie war Verlagslektorin in Frankfurt a. M. und Hamburg, Dozentin in Austin/Texas und Berlin sowie Sekretär der Sektion Literatur an der Akademie der Künste Berlin. Karin Kiwus, geboren 1942 in Berlin, lebt dort. Sie war Verlagslektorin in Frankfurt a. M. und Hamburg, Dozentin in Austin/Texas und Berlin sowie Sekretär der Sektion Literatur an der Akademie der Künste Berlin.
The sudden new type of coronavirus pneumonia has caused tensions in the whole society. Schools and kindergartens have postponed the opening of school, and children are locked at home and cannot go out. This will have a huge impact on children's psychology and even trauma. Dr. Yan Hu, a well-known expert on children's psychological painting, suggests that parents use the form of children's psychological painting to help children communicate with their parents, understand relevant knowledge, relieve stress, regulate emotions, and cultivate a healthy personality. This book is well-documented and suitable for parents and children aged 3-9. This book is very practical. Children can pick up the paintbrush and express themselves under the guidance of this book.
This is an epic book depicting the Chinese scholars of the last century in a panoramic manner. The book’s time span is nearly one century, involving most of Chinese master scholars, such as Cai Yuanpei, Wang Guowei, Liang Qichao, Mei Yiqi, Chen Yinke and Qian Zhongshu. In the book, Yue makes an extensive investigation and revelation. It will help the reader broaden their minds and make them mediate that period in sigh. The book is rewarded as one of ten best non-fiction books in 2011 by Asian Weekly. Mao Yushi, He Liangliang, Li Guoqing, Yu Shicun, Zhang Yiwu and Nobel Prize winner Mo Yan recommended the book. CCTV and Peking University had decided to make a big TV series.
Yan Cheng is a master of Yunnan cuisine. He has inherited the essence of Yunnan cooking and is also a modern innovator in the culinary field. The book begins with the development of Yunnan cuisine and its ingredients, showcasing Yan's influence in the industry. Through his career experiences, readers can see his dedication to the evolution and preservation of Yunnan cuisine, appreciating the craftsmanship and vitality he brings to Chinese culinary arts. The book includes numerous classic recipes, personally crafted by the master himself, with detailed steps and beautiful illustrations that highlight his true expertise.