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      • mikrotext / Nikola Richter

        mikrotext is a publisher for texts with attitude and for new narratives, founded in 2013 in Berlin by Nikola Richter The independent publishing house focusses on new literary texts that comment on contemporary questions and allow insights into tomorrow. The texts are inspired by discussions on social media platformes and reflect today’s global debates. All titles are published digital first. A selection is available in English. In 2020 and 2019, mikrotext was awarded the German Publisher Award by the Federal Ministry of Culture and Media.

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      • Reimheim Verlag Thorsten Zeller

        Home to poetry slammers / stage poets and their stages-texts as well as novels / fictional works. What have all our authors in common? They can perform on stages what make every reading quite entertaining. When a stage-experienced actor and poetry slammer writes a dragon-novel for yound readers / listeners, then it's beatuful to read, listen and his readings are always fascinating. That way, the young dragon Fionrir, princess Quirina and their most unusual pack gained a intensely interacting fanbase. As the other stage-performers do.

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      • Trusted Partner
        La Mothe le Vayer
        Literature & Literary Studies
        February 2014

        La Mothe le Vayer

        Lettre sur la comedie de L'Imposteur

        by Mike Thompson, Robert McBride

        The Lettre sur la comédie de l'Imposteur is the only work of any length which does full justice to comedy in the 17th century as a serious dramatic form. It is an important document in its own right and because it is inseparable from the historical context of Molière's Le Tartuffe ou l'Imposteur and the circumstances which influenced its development. ;

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        Saramago's labyrinths
        Literature & Literary Studies
        June 2012

        Saramago's labyrinths

        A journey through form and content in Blindness and All the Names

        by Rhian Atkin, Mike Thompson

        Saramago's labyrinths is the first book-length study to focus on the relationship between form and the content in Saramago's writing, paying particular attention to Ensaio sobre a Cegueira (Blindness) and Todos os Nomes (All the Names). Atkin provides a close textual analysis of Blindness and All the Names, and suggests that the labyrinth pervades Saramago's work, both in the form of the text, and as a literary and philosophical trope. She makes clear connections between these novels and Saramago's other literary works, and identifies ways in which Saramago causes the reader to return to and consider the philosophical, epistemological and ethical concerns and dilemmas that are recurrent in his literary output. Atkin's jargon-free approach to Saramago's complex ideas, and her thorough understanding of Portuguese history, culture and society, make this an accessible yet challenging guide to Saramago's fiction, for undergraduate and postgraduate students and scholars with or without prior knowledge of the Portuguese context. ;

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        Fire, Blood and the Alphabet
        Literature & Literary Studies
        October 2009

        Fire, Blood and the Alphabet

        One hundred years of Lorca

        by Sebastian Doggart, Mike Thompson

        Celebrates the life and work of Federico Garcia Lorca, Spain's greatest modern poet and dramatist. ;

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        Aura
        Literature & Literary Studies
        October 2009

        Aura

        By Carlos Fuentes

        by Mike Thompson, Peter Standish

        Since its publication in 1962, Carlos Fuentes' novel, Aura, remains not merely an object of academic interest but a continuous source of controversy in Mexico. It was the explosive combination of sex and religion that incensed the Ministro de Hacienda, Salvador Abascal, and linked Aura to the recent polemical Mexican film El crimen del Padre Amaro. Aura is preoccupied with the place and persistence of the sacred in modern Mexico rather than simply the secret abuses of institutional Catholicism. This critical edition of the work is accompanied by an introduction and notes on the text. ;

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        The limits of performance in the French Romantic theatre
        The Arts
        November 2011

        The limits of performance in the French Romantic theatre

        by Susan McCready, Mike Thompson

        This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). ;

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        The Théâtre des Variétés in 1852
        Literature & Literary Studies
        June 2012

        The Théâtre des Variétés in 1852

        by David Hillery, Mike Thompson

        This book gives a picture of a year's activities at the Théâtre des Variétés. It includes an account of the financial side of the Theatre and impressions of the principal actors and actresses, as well as a month-by-month overview of what was actually performed. ;

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        Confabulations: Cologne life and humanism in Hermann Schotten’s Confabulationes Tironum Litterariorum (Cologne, 1525)
        Humanities & Social Sciences
        November 2009

        Confabulations: Cologne life and humanism in Hermann Schotten’s Confabulationes Tironum Litterariorum (Cologne, 1525)

        by Peter Macardle, Mike Thompson

        This study, a companion to Peter Macardle's edition of the Confabulationes, examines the ways in which the colloquies relate to their Cologne background, to the major contemporary colloquy collections (particularly Erasmus's Colloquia and Mosellanus's Paedologia), and to the humanist renewal of Classical Latin. It also looks in detail at the documentary traces of Schotten's career, and of his networks of friendship and patronage, and tries to understand how he fitted into the structures of a university which has often been (wrongly) understood as hostile to humanism. Based on primary archival material, this is the only full-length study of this underrated German humanist's life and work. ;

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        Malherbe, Théophile de Viau and Saint-Amant
        December 2009

        Malherbe, Théophile de Viau and Saint-Amant

        A selection

        by Mike Thompson, Richard G. Maber

        This volume offers a representative yet concise selection of the work of the seventeenth-century poets, Malherbe, de Viau and Saint-Amant. It also provides supporting documentation to bring out the unique literary personality of each, and to help make their poetry as accessible as possible to a modern reader. It is designed to fill the gap between scholarly complete editions and more general anthologies which are rarely able to devote much space to any one author. The present volume was prompted by the success that this poetry enjoyed with readers who were relative newcomers to French verse. ;

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        The flâneur and his city
        Humanities & Social Sciences
        April 2010

        The flâneur and his city

        Patterns of daily life in Paris 1815–1851

        by Richard D. E. Burton, Mike Thompson

        The book provides a 'flâneur's eye view' of Parisian life in the first half of the nineteenth century: dress, cafés and restaurants, but also shops and passages, the omnibus, bals publics and carnival. The author provides general conclusions about the private and public spheres in 'le vieux Paris'. Like the flâneur, the author concentrates less on factual information for its own sake - which may be found in the secondary works cited in the text and footnotes - than on the 'semiological' or anthropological significance of the cultural forms in question. Links are drawn between cultural institutions and class relations in pre-1850 Paris, with particular emphasis on cultural inequality, on the persistence of cross-class contacts, and the growing differences between classes as reflected in behaviour and attitudes. ;

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        Framing narratives of the Second World War and Occupation in France, 1939–2009
        Teaching, Language & Reference
        August 2012

        Framing narratives of the Second World War and Occupation in France, 1939–2009

        by Margaret Atack, Mike Thompson, Christopher Lloyd

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        Framing narratives of the Second World War and Occupation in France, 1939–2009
        Teaching, Language & Reference
        August 2012

        Framing narratives of the Second World War and Occupation in France, 1939–2009

        by Margaret Atack, Mike Thompson, Christopher Lloyd, Rebecca Mortimer

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        Intertextuality in modern Arabic literature since 1967
        Literature & Literary Studies
        December 2009

        Intertextuality in modern Arabic literature since 1967

        by Luc Deheuvels, Mike Thompson, Barbara Michalak-Pikulska, Paul Starkey

        This volume of essays is the first to be dedicated to the subject of intertextuality in modern Arabic literature. Beginning with a general overview of the topic by Roger Allen, it brings together essays on a range of writers from all parts of the Arab world, including, among others, Edwar al-Kharrat, Sa'd Allah Wannus, Najib Mahfuz, Rabi' Jabir, Salim Matar and the recently deceased Sudanese writer al-Tayyib Salih, whose seminal work Season of Migration to the North heralded a new phase in the modern Arabic literary tradition. The volume, which also includes two essays on aspects of intertextuality in Gulf literature, also discusses transformations of popular medieval literature such as the Alf Layla wa-Layla (the Thousand and One Nights) in modern Arabic literature. ;

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        The UK financial system
        Business, Economics & Law
        October 2004

        The UK financial system

        4th Edition

        by Mike Buckle, John Thompson

        Substantially revised and updated, this fourth edition of The UK financial system presents a comprehensive explanation of the workings of the institutions and markets which make up the UK financial system, and discusses the issues affecting them. It presents key theoretical developments such as asymmetric information, the efficient markets hypothesis, behavioural economics and the term structure of interest rates, thus providing an analytical framework to aid understanding of the institutional structure. Several case studies are provided throughout the book looking at the failure of various financial firms and the lessons that can be learned from these. Examples include Equitable Life, Barings Bank, the Bank of International Credit and Commerce (BCCI) and Long Term Capital Management. ;

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        The UK financial system
        Business, Economics & Law
        June 2020

        The UK financial system

        by Mike Buckle, John Thompson

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        Disability in industrial Britain
        Humanities & Social Sciences
        January 2020

        Disability in industrial Britain

        A cultural and literary history of impairment in the coal industry, 1880-1948

        by Kirsti Bohata, Alexandra Jones, Mike Mantin, Steven Thompson

        This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. An electronic version of this book is also available under a Creative Commons (CC-BY-NC-ND) license, thanks to the support of the Wellcome Trust. Coalmining was a notoriously dangerous industry and many of its workers experienced injury and disease. However, the experiences of the many disabled people within Britain's most dangerous industry have gone largely unrecognised by historians. This book looks at British coal through the lens of disability, using an interdisciplinary approach to examine the lives of disabled miners and their families. A diverse range of sources are used to examine the economic, social, political and cultural impact of disability in the coal industry, looking beyond formal coal company and union records to include autobiographies, novels and existing oral testimony. It argues that, far from being excluded entirely from British industry, disability and disabled people were central to its development. The book will appeal to students and academics interested in disability history, disability studies, social and cultural history and representations of disability in literature.

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        J. Lee Thompson
        The Arts
        January 2019

        J. Lee Thompson

        by Steve Chibnall

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        Disability in industrial Britain
        Humanities & Social Sciences
        January 2020

        Disability in industrial Britain

        by Mike Mantin, Steven Thompson, Kirsti Bohata, Alexandra Jones, Julie Anderson

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        Film light
        The Arts
        October 2015

        Film light

        Meaning and emotion

        by Lara Thompson

        In one of the first monographs of its kind to focus on the aesthetic and emotional impact of lighting in cinema, Lara Thompson looks at the way light informs the cinematic experience, from constructing star identities, sculpting natural light and creating imaginary worlds, to the seductive power of darkness, fading representations of the past and arresting twilight encounters. This groundbreaking and accessible introductory study offers a unique insight into the way illumination has transcended its diffuse functional boundaries and been elevated to a position of narrative and emotional importance, transforming it from an unobtrusive element of film style to an expressive and essential component. It includes analyses of over fifty renowned international films, discussed in inventive and illuminating combinations, from cinema's earliest moments to its most recent digital manifestations, and is essential reading for all those who want to understand what film light means and how it makes us feel. ;

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