Agence Deborah Druba
AGENCE DEBORAH DRUBA is an international rights agency based in Paris.
View Rights PortalAGENCE DEBORAH DRUBA is an international rights agency based in Paris.
View Rights PortalMetis list includes both fiction and nonfiction. Some literary authors are Gerbrand Bakker, John Berger, Maurice Blanchot, Anne Carson, Rana Dasgupta, Carlos Fonseca, Georgi Gospodinov, Alasdair Gray, Ursula K. LeGuin, Norman Manea, Javier Marias, Georges Perec, Per Petterson, Andrei Platonov, J.R.R. Tolkien, and Marguerite Yourcenar. Metis nonfiction list -in History Society Philosophy, Literary Criticism, Arts and People, Critical Science, Gender Studies series- features works of prominent authors such as Benedict Anderson, Alain Badiou, Etienne Balibar, Walter Benjamin, Wendy Brown, Susan Buck-Morss, Judith Butler, Byung Chul-Han, David Harvey, Kojin Karatani, Tim Parks, Adam Phillips, Jacques Rancière, Edward Said, Renata Salecl, Immanuel Wallerstein, Slavoj Zizek and Alenka Zupancic. World-class literary theorists including Mikhail Bakhtin, Gyorgy Lukacs and Tzvetan Todorov, philosophers such as Roland Barthes, Paul Ricoeur and Ludwig Wittgenstein and psychoanalytic masters including Didier Anzieu, Sigmund Freud, Anna Freud, Melanie Klein, Jacques Lacan and D.W. Winnicott are amongst the authors Metis has published.
View Rights Portal»Wer den Chor der Mäuse nicht hört, braucht nicht mit mir befreundet zu sein.« Clemens J. Setz ist der Autor bahnbrechender Romane wie Die Stunde zwischen Frau und Gitarre, aufregender Erzählungsbände wie Der Trost runder Dinge, von Gedichten, Theaterstücken, Drehbüchern, Nacherzählungen und Essays. Er ist Übersetzer, ein Freund der Plansprachen, des Obertongesanges, der Ziegen und der Hasen. Er ist Träger des Georg-Büchner-Preises, des Kleist-Preises, des Berliner Literaturpreises. Außerdem ist er ein Poet der Kurznachrichtendienste und noch einiges mehr. In seiner radikalen Vielfältigkeit und vielfältigen Radikalität ist er eine herausragende Figur der Gegenwartsliteratur. Für Fans der Setz’schen Werke und seiner Person ist dieses hochwertige Plakat mit einem Porträt des Dichters gedacht, aufgenommen vom Berliner Fotografen Max Zerrahn. Poster auf stabilem GalaxyArt-Papier im DIN-A1-Format
Seit seinem Debüterfolg mit dem Roman Wäldchestag im Jahr 2000 ist Andreas Maier häufig unterwegs, um aus seinen Romanen zu lesen. Nur daß er in den letzten ein, zwei Jahren meist, wenn er eingeladen war, auch immer wieder schon aus dem kommenden Onkel J. las. Jedesmal hatte er damit das Publikum im Handumdrehen auf seiner Seite. Umstandslos fand man sich angeschlossen an Maiers Welt aus Wetterau, Familie, Fußball, Apfelwein, aus Thomas Bernhard und dem Evangelium nach Matthäus, aus Ängsten, Kneipenfreuden und -nöten, eingepackt in absurde Vorkommnisse und komische Erlebnisse. Jede Kolumne beginnt mit einem »Neulich«-Satz, die erste so: »Neulich war ich in Berlin. Das wird jetzt niemand weiter ungewöhnlich finden, aber ich bin Hesse, und mir ging in Berlin ein Wunsch in Erfüllung.« Dennoch handelt es sich um alles andere als ein Kolumnenbuch. Vielmehr nimmt Onkel J. – im Übergang von den ersten vier Romanen zu Maiers Projekt »Ortsumgehung« – eine zentrale Stelle ein. »Alles gehört zusammen, und für alles ist das Kolumnenbuch der Kern.«
Eine historische Begebenheit liegt diesem szenischen Bericht zu Grunde: der Fall Oppenheimer. Am 12. April 1954 begann in Washington die Untersuchung gegen den Physiker und langjährigen Leiter der amerikanischen Atomforschung J. Robert Oppenheimer. Der Untersuchungsausschuß, von der Atomenergiekommission der USA eingesetzt, sollte prüfen, ob sich der Wissenschaftler der Regierung seines Landes gegenüber loyal verhalten habe. Das drei Wochen währende Verhör, Beispiel und Ausdruck des Konflikts zwischen Individuum und Gesellschaft, Wissenschaft und Staat, zählt zu den denkwürdigen Ereignissen der Zeitgeschichte.
Now available in paperback, this is the first academic book dedicated to the filmmaking of the three-best known Mexican-born directors, Guillermo del Toro, Alejandro González Iñárritu and Alfonso Cuarón. Deborah Shaw examines the career trajectories of the directors and presents a detailed analysis of their most significant films with a focus on both the texts and the production contexts in which they were made. These include studies on del Toro's Cronos/Chronos, El laberinto del fauno/Pan's Labyrinth, and Hellboy II: The Golden Army; Iñárritu's Amores Perros, 21 Grams and Babel; and Cuarón's Sólo con tu pareja/Love in the Time of Hysteria, Y tu mamá también, and Children of Men. The Three Amigos will be of interest to all those who study Hispanic and Spanish cinema in particular, and world and contemporary cinema in general.
Er hatte ihnen das Paradies auf Erden versprochen. Und sie sind ihm gefolgt – bis in den Tod. Vor dreißig Jahren geriet die US-Sekte People’s Temple in die Schlagzeilen der internationalen Presse. Ein regelrechtes Massaker hatte am 28. November 1978 in Jonestown (Guyana) stattgefunden, 913 Menschen starben, darunter 276 Kinder. Opfer eines charismatischen Führers, James Warren Jones. Was treibt Menschen dazu, sich in ein System der Unterdrückung und Manipulation zu begeben, das sie mit dem Leben bezahlen? Deborah Layton, die neun Jahre lang Mitglied der Sekte war, konnte ein halbes Jahr vor dem Massaker aus Jonestown fliehen. Zwanzig Jahre später schrieb sie diesen eindrücklichen Bericht. Ein Buch mit Wucht. Ein Buch, das auf fesselnde Weise aufklärt. Ein Buch von beängstigender Aktualität.
The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;
Der Psychoanalytiker J. Laplanche und der Philosoph J.-B. Pontalis haben die gesamte psychoanalytische Literatur durchgearbeitet und zu einem »Vokabular der Psychoanalyse« zusammengetragen. Das Vokabular definiert nicht nur die von Freud und einigen seiner Schüler eingeführten und mittlerweile über die halbe Welt verbreiteten Ausdrücke, sondern erörtert ihre Entstehung, ihre Wandlungen, ihren heutigen Status, um ihre Bedeutung innerhalb der psychoanalytischen Theorie und Praxis zu entschlüsseln. Der gesamte begriffliche Apparat der Psychoanalyse wird so unter drei Gesichtspunkten analysiert: Geschichte, Struktur, Problematik.
This is the first study to examine the entire life cycle in the Middle Ages. Drawing on a wide range of secondary and primary material, the book explores the timing and experiences of infancy, childhood, adolescence and youth, adulthood, old age and, finally, death. It discusses attitudes towards ageing, rites of passage, age stereotypes in operation, and the means by which age was used as a form of social control, compelling individuals to work, govern, marry and pay taxes. The wide scope of the study allows contrasts and comparisons to be made across gender, social status and geographical location. It considers whether men and women experienced the ageing process in the same way, and examines the differences that can be discerned between northern and southern Europe. The fourteenth and fifteenth centuries suffered famine, warfare, plague and population collapse. This fascinating consideration of the life cycle adds a new dimension to the debate over continuity and change in a period of social and demographic upheaval.
Crónica del alba is a novel by Sender with a Civil War background, like the popular Réquiem por un campesino español, also in this series. The author evokes his childhood in rural Aragón at the beginning of the twentieth century in a book which has a charm and something of the character of The Adventures of Tom Sawyer. The young Pepe fights to believe in himself as a hero in the face of a world, and a father bent on putting him down. He is supported by his girlfriend, Valentina, who believes in him implicitly and often ends up in as much trouble as him. But there is something more here than scrapes and mischief-making. It is written by an older and disillusioned Pepe who has known real heroism and is now detained in a prison camp for Spanish Civil War refugees in southern France. The novel raises challenging questions about the loss of hope, how people cope with disillusionment, and the place of writing in that process. Moreover, since the novel reflects Sender's own childhood it sheds light on the complex relationship of fact and fiction in autobiographical novels. ;
This is the first study to examine the entire life cycle in the Middle Ages. Drawing on a wide range of secondary and primary material, the book explores the timing and experiences of infancy, childhood, adolescence and youth, adulthood, old age and, finally, death. It discusses attitudes towards ageing, rites of passage, age stereotypes in operation, and the means by which age was used as a form of social control, compelling individuals to work, govern, marry and pay taxes. The wide scope of the study allows contrasts and comparisons to be made across gender, social status and geographical location. It considers whether men and women experienced the ageing process in the same way, and examines the differences that can be discerned between northern and southern Europe. The fourteenth and fifteenth centuries suffered famine, warfare, plague and population collapse. This fascinating consideration of the life cycle adds a new dimension to the debate over continuity and change in a period of social and demographic upheaval.
What makes human beings human? Is it a life in society that makes us what we are? We often hear stories of persons who have survived in the wild without social contact or who were supposedly raised by wild animals. Kaspar Hauser is probably the most well-known example, but certainly not the only one. P. J. Blumenthal has taken up the hunt for the “wild man” Homo ferus on the boundary between man and animal.
Richard J. Bernstein, geboren 1932, war Professor für Philosophie an der New Yorker New School for Social Research, an der auch Hannah Arendt bis zu ihrem Tod im Jahr 1975 lehrte. Am 4. Juli 2022 verstarb Bernstein in New York.