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We are a publishing company for audio books in German. We also have our own studios and produce audio for clients such as other publishing houses, museums, etc.
View Rights PortalWe are a publishing company for audio books in German. We also have our own studios and produce audio for clients such as other publishing houses, museums, etc.
View Rights PortalEvery story describes a wish that Tyler makes, the steps he takes to obtain it, and the reason why he gladly grants it to a dear one. In "Tyler's Promised Gift" Tyler works hard to obey his mother's commands in anticipation of receiving his promised 'little red car". At his birthday party he offers the car to a younger, sad, and crying guest. In "Tyler's Baby Sister" Tyler tries to get his mother to focus her attention again on him instead of on his baby sister, Tia. Tyler finally realizes that helping his mother to give more care to Tia gave him the most satisfaction. In "Tyler's Acting Practice" Tyler spends hours perfecting his aim when using a slingshot. When he was finally ready to play the part of David in the school play "David and Goliath", he noticed that his friend Joel, who was new to the school this year, was being bullied and excluded from all games because he was missing the net whenever he tried to shoot a basketball. Heroically, Tyler offers the role of David to Joel when he learns that Joel excels at aiming pebbles with his slingshot. His plan to reverse the students' disrespect towards Joel succeeded when everyone in the school auditorium cheered Joel for his perfect aim at the helmet of Goliath. In "Tyler's Lunchbox Treat", Tyler could hardly wait for lunch break to bite into the krispy marshmallow treat his mother had baked for him. When Tyler discovers that the sandwich of his lunch companion was missing, and that he couldn't share his peanut butter sandwich with him because his companion was allergic to peanuts, Tyler gives him his krispy marshmallow square. Tyler always feels like a winner at the end, and not at all a loser. Children and parents are happy to arrive at the ending of each story.
View Rights PortalThis volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.
Mary I, eldest daughter of Henry VIII, was Queen of England from 1553 until her death in 1558. For much of this time she ruled alongside her husband, King Philip II of Spain, forming a co-monarchy that put England at the heart of early modern Europe. In this book, Alexander Samson presents a bold reassessment of Mary and Philip's reign, rescuing them from the neglect they have suffered at the hands of generations of historians. The co-monarchy of Mary I and Philip II put England at the heart of early modern Europe. This positive reassessment of their joint reign counters a series of parochial, misogynist and anti-Catholic assumptions, correcting the many myths that have grown up around the marriage and explaining the reasons for its persistent marginalisation in the historiography of sixteenth-century England. Using new archival discoveries and original sources, the book argues for Mary as a great Catholic queen, while fleshing out Philip's important contributions as king of England.
This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony. ;
Capoeira is a martial art developed by African slaves in Brazil from the 16th century, as a result of the fusion of several ethnic groups that originally brought with them to South America their cultural identity, as well as their seeds of liberty. Despite the strong evidence of influence from a plurality of other forms of ancient African martial arts, capoeira is essentially an original Brazilian expression with many practitioners and enthusiasts in every continent. Although capoeira values much of its cultural and historical aspects, no one should be misled - it is an efficient and deadly fighting system! As a result of its development throughout the years, capoeira became the richest and the most spectacular and beautiful martial art on the planet. However, what even most capoeiristas do not know is that this fascinating martial art can turn into a gracefully athletic and also lethal weapon at the hands (and feet) of any disciplined, serious practitioner. In this book you will learn unique secrets of capoeira as performed in the roda or in actual combat. Moves, ground fighting and aerial techniques are fully described to the level of perfection, with the help of hundreds of pictures. Diagrams explain special maneuvers never before published in the world of martial arts. Additionally, readers will have free access to exciting animated GIF files for the numerous moves presented in the book. Mestre Ricardo, a.k.a. Cachorro, a graduate of Mestre Adilson’s Grupo Bantus de Capoeira at Morro do Pavão e Pavãozinho – poverty-stricken slums in the midst of the rich suburbs of Rio de Janeiro – was the first Mestre of the YMCA Capoeira Group in Governor’s Island, achieving this honor in 1975. The following year, he became a certified Mestre from the first federation of capoeira of Rio de Janeiro, the FCP, and in the same year he introduced capoeira in a live TV show filmed in North Carolina, sponsored by the local YMCA. In the 1970’s Mestre Ricardo was a member of the Olympic gymnastics team of Rio de Janeiro’s Fluminense Football Club, where he specialized in floor exercises. During his professional career as a capoeira practitioner, Ricardo learned and practiced boxing, Shotokan karate and judo as a means to better understand the body mechanics of motion involved in different martial arts. An English-language edition was publlished in fall 2009, 288 pages, two colors, 16.5X24 cm, 200-plus illustrated practical moves. Further new title in the Capoeira series: The Amazing History of Capoeira
Low and middle income countries in Africa, Asia and Latin America bear a significant proportion of the global burden of chronic non-communicable diseases. This book synthesizes evidence across countries that share similar socio-economic, developmental and public health profiles, including rapid urbanization, globalization and poverty. Providing insights on successful and sustainable interventions and policies, it shows how to slow and reverse the rising burden of chronic diseases in resource-poor settings.
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
Am 15. Februar 1952 legte die ganze Nation zu Ehren des toten Königs eine Schweigeminute ein. Es war der Tag seiner Beerdigung. Ein denkwürdiger Tag auch für die sechsjährige Mary Ward, die mit ihren Eltern und dem jüngeren Bruder auf einem Kartoffelacker in Suffolk stand. Vom Hof her hörte sie das vertraute Krächzen ihres Perlhuhns Marguerite, dem sie eine erschütternde Entdeckung mitzuteilen hat: »Ich habe eine Neuigkeit für dich, Marguerite, ich habe ein Geheimnis, das ich dir anvertrauen möchte, mein Liebling. Ich bin nicht Mary, das ist ein Irrtum. Ich bin kein Mädchen. Ich bin ein Junge.« So hat sie angefangen, die lange Reise der Mary Ward. Wahrlich keine einfache Aufgabe für die Tochter einer armen Bauernfamilie im England der 50er Jahre. 30 Jahre dauerte es, bis Mary sein darf, der sie ist. Martin. Es gibt nur wenige, die sie begleiten, der Großvater, ihre geliebte Lehrerin. Die Reise verändert Mary, aber auch ihre Familie und die Beziehungen untereinander von Grund auf. Ein langer, schmerzhafter und harter Weg bis zu dem Tag, an dem – 1980 – Post in Nashville, Kentucky eintrifft: »Lieber Martin, bitte verzeih mir. Ich hoffe sehr, dass Du es kannst. Deine Mutter Estelle.«
Am 15. Februar 1952 legte die ganze Nation zu Ehren des toten Königs eine Schweigeminute ein. Es war der Tag seiner Beerdigung. Ein denkwürdiger Tag auch für die sechsjährige Mary Ward, die mit ihren Eltern und dem jüngeren Bruder auf einem Kartoffelacker in Suffolk stand. Vom Hof her hörte sie das vertraute Krächzen ihres Perlhuhns Marguerite, dem sie eine erschütternde Entdeckung mitzuteilen hat: »Ich habe eine Neuigkeit für dich, Marguerite, ich habe ein Geheimnis, das ich dir anvertrauen möchte, mein Liebling. Ich bin nicht Mary, das ist ein Irrtum. Ich bin kein Mädchen. Ich bin ein Junge.« So hat sie angefangen, die lange Reise der Mary Ward. Wahrlich keine einfache Aufgabe für die Tochter einer armen Bauernfamilie im England der 50er Jahre. 30 Jahre dauerte es, bis Mary sein darf, der sie ist. Martin. Es gibt nur wenige, die sie begleiten, der Großvater, ihre geliebte Lehrerin. Die Reise verändert Mary, aber auch ihre Familie und die Beziehungen untereinander von Grund auf. Ein langer, schmerzhafter und harter Weg bis zu dem Tag, an dem – 1980 – Post in Nashville, Kentucky eintrifft: »Lieber Martin, bitte verzeih mir. Ich hoffe sehr, dass Du es kannst. Deine Mutter Estelle.«
A crisis does not make a disease. It only becomes dangerous when we get stuck – in the ways of thinking and acting that are rooted in our fears and desires, but not in reality. That way, we wear ourselves out for nothing; exhaustion and frustration increase, and may even end in depression. This book sheds a light on ten main stress situations that may be the reason for depression. It goes far beyond the usual explanations of the symptoms of depression or individual stories, and is a treasure trove for people who want to understand what has caused them to wear themselves out mentally and how they can lift themselves out of this low.
From a journalist perspective, the writer, following China's peace-keeping force, has recorded the real stories of blue helmet -their rarely known special experiences, which have recorded forever the precious historical events of the Chinese soldiers on the global peace-keeping stage, including their peace-keeping operations in Congo, Liberia, South Sudan, Mari and other UN peace-keeping regions.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
Sweetpotato and potato are expanding faster than any other food crops in sub-Saharan Africa. There is growing investment in research to address bottlenecks in value chains concerning these two crops, and growing interest from the private sector in investing in them. This book addresses five major themes on sweetpotato and potato: policies for germplasm exchange, food security and trade in Africa; seed systems; breeding and disease management; post-harvest management, processing technologies and marketing systems; nutritional value and changing behaviours. Read three chapters for free.