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Trusted Partner
Literature & Literary StudiesJune 2016South African performance and archives of memory
by Yvette Hutchison, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels, Rebecca Mortimer
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Trusted Partner
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Literature & Literary StudiesJuly 2010The politics of Jean Genet's late theatre
by Carl Lavery, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels, Rebecca Mortimer
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Literature & Literary StudiesOctober 2002Theatre in crisis?
Performance manifestoes for a new century
by Maria M. Delgado, Maria M. Delgado, Caridad Svich, Maggie B. Gale, Peter Lichtenfels
A wide-ranging look at the state of contemporary theatre practice, economics, and issues related to identity, politics, and technology. Contains a snapshot dissection of where theatre is, where it has been and where it might be going through the voices of established and emerging theatre artists and scholars from the UK, US and elsewhere. Offers an examination of how to make theatre in a time of crisis and why it is a vital form of communication are at the heart of the book's mission. Asks questions such as: where is theatre now taking place?; what is the relationship between play and performance?; how does funding work?; what states does theatre flourish under?; and if there is a current 'crisis of theatre' should it not be seen as a welcome opportunity to develop a vigorous 'theatre of crisis'?. The international list of contributors includes Jim Carmody, Phyllis Nagy, Michael Billington, Max Stafford-Clark, Peter Sellars, Dragan Klaic, Goat Island, Erik Ehn and many others, making up a vast array of practising artists, thinkers, and scholars. ;
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Humanities & Social SciencesNovember 2011Performance in a time of terror
by Jenny Hughes, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels
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Literature & Literary StudiesMay 2010World stages, local audiences
Essays on performance, place and politics
by Peter Dickinson, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels
World Stages, local audiences argues that the forms of intimacy and identification that come from being part of the public of a local performance, provide a potential model for rethinking our roles as world citizens. Using his own experience of recent theatrical practice in Vancouver as a starting point, Dickinson maps the spaces of connection and contestation, the flows of sentiment and social responsibility, produced by different communities in response to global sports spectacles. He also analyses how such topics are taken up in the work of playwrights, conceptual, installation, and performance artists like Ai Weiwei, and Rebecca Belmore. In so doing, Dickinson makes an original contribution to the emerging discourse on live art and 'livability' by examining not only the geographical and historical affiliations between different sites of performance, but also the - at times - radical new social bonds created by audiences witness to those performances. ;
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The ArtsApril 2002The Paris jigsaw
Internationalism and the city's stages
by Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels
Paris has always exerted a magnetic force on artists; it has historically offered safety to those escaping oppressive regimes in Europe and farther afield. In recent years it has welcomed performers, artists and intellectuals from all over the world, offering strategies for the practice of theatre in a new Europe of ever-shifting boundaries. This book, once again available in paperback, examines the creation and development of communities of actors, directors, designers and playwrights in Paris over the past thirty years. It shows how the willingness of the city to welcome international influences has enriched its creative life. Many of the most important trends and new developments in the art of theatre have been the direct result of the creative combination of influences from all over the world. This study demonstrates how the pioneering work of Brook, Boal, Mnouchkine, Lecoq and many others has been able to draw on this vibrant, multi-cultural mix, in turn creating new work that has enriched theatre's potential to enlarge our thinking and our imagination. ;
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The ArtsSeptember 2020Science in performance
by Maggie B. Gale, Maria M. Delgado, Peter Lichtenfels, Simon Parry
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The ArtsSeptember 2017Performing Presence
Between the live and the simulated
by Maria M. Delgado, Gabriella Giannachi, Nick Kaye, Maggie B. Gale, Peter Lichtenfels
Performing presence: Between the live and the simulated proposes that the advent of new media forms, and the increasing integration of contemporary performance and media, has generated new engagements, practices and understandings of presence. Addressing new media art and performance, multi-media theatre, video installation, mixed reality environments and locative arts, the book presents case studies of work by Lynn Hershman Leeson, Paul Sermon, Gary Hill, Tony Oursler, The Builders Association and Blast Theory, as well as analyses of a series of related experiments created for CAVE, an immersive virtual reality environment. Performing presence combines extensive analysis, and extracts from interviews with the artists, as well as the documentation of elements of work and working processes, in order to provide specific insight into these engagements with contemporary practices and concepts presence.
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Trusted Partner
The ArtsMay 2011Performing Presence
Between the live and the simulated
by Gabriella Giannachi, Nick Kaye, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels
Performing presence: Between the live and the simulated proposes that the advent of new media forms, and the increasing integration of contemporary performance and media, has generated new engagements, practices and understandings of presence. Addressing new media art and performance, multi-media theatre, video installation, mixed reality environments and locative arts, the book presents case studies of work by Lynn Hershman Leeson, Paul Sermon, Gary Hill, Tony Oursler, The Builders Association and Blast Theory, as well as analyses of a series of related experiments created for CAVE, an immersive virtual reality environment. Performing presence combines extensive analysis, and extracts from interviews with the artists, as well as the documentation of elements of work and working processes, in order to provide specific insight into these engagements with contemporary practices and concepts presence. This book will be of interest to students, researchers and practitioners of theatre and performance, contemporary art, media, new media and technology. ;
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The ArtsDecember 2018Unlimited action
by Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels, Dominic Johnson
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The ArtsSeptember 2017Directing scenes and senses
by Peter Boenisch, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels
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Literature & Literary StudiesJune 2002Negotiating cultures
Eugenio Barba and the intercultural debate
by Maria M. Delgado, Ian Watson, Maggie B. Gale, Peter Lichtenfels
Eugenio Barba is one of the world's leading theatre artists and theorists working across cultures. Examines three major strands of Barba's work; his research at the International School of Theatre Anthropology, his use of performance as a means of exchange, and his ongoing relationship with Latin America. The artists who write and are interviewed in the book provide an invaluable insight into Barba's work methods, his relationship with performers from different cultures, and the ramifications of his research in a variety of performance forms. Concludes with a dialogue between Barba and Ian Watson. ;
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Trusted Partner
Literature & Literary StudiesJune 2016
South African performance and archives of memory
by Yvette Hutchison, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels
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Trusted Partner
The ArtsMay 2012Not magic but work
by Gay McAuley, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels
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Literature & Literary StudiesOctober 2017The politics of Jean Genet's late theatre
by Carl Lavery, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels
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Trusted Partner
Literature & Literary StudiesApril 2004Trans-global readings
Crossing theatrical boundaries
by Maria M. Delgado, Caridad Svich, Maggie B. Gale, Peter Lichtenfels
Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work.|Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work. ;
