The most recent project 2020 is our cat series- 52 cat books in all genres and all sizes (including miniature books with short stories). One book every week beginning with March 2020. The series bestseller: Loving Reaper (author and artist Jenny Jinya), a comic that sold more than 2000 during the first 4 weeks. Read the comic online for free!
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Agence éditoriale depuis 2009. Cette maison généraliste, ouverte sur le monde, se distingue par sa connaissance de la Russie et de ses talents contemporains. Son objectif est de proposer aux lecteurs des ouvrages variés, parfois surprenants qui, chacun à leur manière, invitent à découvrir des univers, une partie de soi-même, ou simplement à se divertir.
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Hilde Spiel in der Weltwoche: »Mit seinem ›Lear‹ ist Bond an die Seite Becketts getreten: sagt dieser uns letzte Wahrheiten über die kosmische Situation des Menschen, so rührt Bond an die sozialen Wurzeln unserer Existenz.«
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The heart of this book is its fully annotated, critical editions of the surviving work of Richard Edwards, one of the most influential poets and dramatists writing in England before Shakespeare. Ros King's extensive introduction, identifying the holes in the documentary evidence that might accommodate this important but now little known writer, rewrites the history of pre-Shakespearean drama, illustrates new approaches to sixteenth-century prosody and to the modernisation of dramatic poetry, and re-evaluates the public role of theatre and poetry during a particularly turbulent period in English history. While it will be essential reading for specialist scholars, it will also be of much wider interest. The introduction is highly accessible which makes it an appropriate text-book for students in a field where few textbooks are available. It will appeal to the current appetite among the reading public for biography, while the play, poems and songs are themselves very appealing. ;
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David Myles Robinson was eight years old when he first got hooked on travel. Since then, he’s seen most of the world—all its continents plus, he laments, “far too many places where travel is now off-limits.”After a lifetime of visiting near and far, in heat and in cold, in comfort and in danger, Robinson has put it all together now in this unique collection of the varied travel adventures he’s found—and the lessons he’s learned from them. A Fellini-esque view of the Amazon, a Mercedes caravan to Istanbul, Jane Goodall's amazing chimps—just part of a travel trunk full of experiences guaranteed to keep you seesawing from “Boy, I'd love to do that" to “Sure glad it was him, not me.”In Conga Line on the Amazon, Robinson brings to his first travel book the same gift for intriguing narrative and sharp characterization that has won praise for his six highly successful novels. Some of his tales may be for the strong of heart, but they’re all for the reader with a yen to be entertained by one intrepid man’s adventures and misadventures exploring the strange and wonderful world we live in.
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Hans Magnus Enzensberger wurde 1929 in Kaufbeuren geboren. Als Lyriker, Essayist, Biograph, Herausgeber und Übersetzer ist er einer der einflussreichsten und weltweit bekanntesten deutschen Intellektuellen.
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Two young boys seeking to be initiated into the order of warriors, find their lives upturned when an accident wakes a vengeful goddess. This story, weaved from the oral lore and magic of the Igbo takes the reader on a journey through the lake where mermaids and crocodiles contend for power. And through enchanted kingdoms ruled by mythical spirits. A curse has been unleashed that would cause the destruction of the world. An army of both humans and mythical creatures must be raised to defend the world. Only a white heart can lead this great army.
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'Edward IV' (1599) was printed no less than six times up to 1626, and was one of the best loved plays of the early modern period, but this edition is the first since the 1870s. The play premiered at a moment when the representation of medieval history in any format was coming under the hostile scrutiny of the Elizabethan government. Yet the playwright produced a text which was at once generically complex (the play blurs the distinction between chronicle history and 'domestic' tragedy), brilliantly assured in its dramatic craftsmanship, and politically explosive. The text of this new paperback edition has already been used by the actors at Shakespeare's Globe when they gave the first London performance of 'Edward IV' for more than four centuries. By demonstrating the playwright's dextrous marshalling of a remarkable range of sources, and by examining afresh the dramatist's singular theatrical technique, this volume reopens an exciting if difficult play to a new generation of scholars and performers. ;
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The story of The White Witch's Garden is about a white witch living in the sky wants to create into a garden, and she experimented three thousand years but has not been succeeded. Cannot see the sunlight and no air circulation, no warmth and love, only infinite expectations and a variety of radical experiments, so of course there not open a beautiful flower. The good is that the white witch finally figured it out. She opened the window, let the sun shine in, let the air flow, swept away the tension and anxiety, arrogance and greed in her heart, and the spring would come for the flowers. This picture book is full of children's philosophies and gives children good inspiration for their thoughts. The pictures are beautiful and enhance their aesthetic skills. It is lovely to be persistent, but sometimes it is possible to take a step back, let go of tension and anxiety, and open yourself up to more possibilities.
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Shanka is the king's gardener. He lived in a small house with his wife. One night, unable to sleep, Shanka sat up and looked out of the window, and saw a white elephant was eating grass in the silvery moonlight! Shanka never saw a white elephant before, where was it from? Shanka jumped out of his bed and tiptoed into the garden, grabbed the elephant by the tail and flew up to heaven.
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Kenya's white settlers have been alternately celebrated and condemned, painted as romantic pioneers or hedonistic bed-hoppers or crude racists. The souls of white folk examines settlers not as caricatures, but as people inhabiting a unique historical moment. It takes seriously - though not uncritically - what settlers said, how they viewed themselves and their world. It argues that the settler soul was composed of a series of interlaced ideas: settlers equated civilisation with a (hard to define) whiteness; they were emotionally enriched through claims to paternalism and trusteeship over Africans; they felt themselves constantly threatened by Africans, by the state, and by the moral failures of other settlers; and they daily enacted their claims to supremacy through rituals of prestige, deference, humiliation and violence. The souls of white folk will appeal to those interested in the histories of Africa, colonialism, and race, and can be appreciated by scholars and students alike.
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Born White Zulu Bred is the story of a white child and his brother raised in poverty in a Zulu community in rural South Africa during the apartheid era. His extraordinary parents, Creina and Neil Alcock, gave up lives of comfort and privilege to live and work among the destitute people of Msinga, whose material and social well-being became their mission. But more than that, this is a story about life in South Africa today which, through GG’s unique perspective, explores the huge diversity of the country’s people – from tribal Zulu warriors to sophisticated urban black township entrepreneurs. A journey from the arid wastes of Msinga into the thriving informal economies of urban townships. GG’s view is that we do not live in a black and white world but in a world of contrast and diversity, one which he wants South Africans, and a world audience, to see for what it is without descending into racial and historical clichés. He takes us through the mazes of township marketplaces, shacks and crowded streets to reveal the proud and dignified world of township entrepreneurs who are transforming South Africa’s economy. This is the world that he moves in today as a successful businessman, still walking those spaces and celebrating the vibrant informal economies that are taking part in the Kasinomic Revolution. GG’s story is about being truly African, even as a white person, and it draws on the adventures, the cultural challenges, the informal spaces and the future possibilities of South Africa.
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*** Eure schöne neue Welt ist tödlich! *** Mit einem Schlag endet Vivians sorgenfreies Leben: Ihre Mutter Sofia wurde ermordet! Die erfolgreiche Game-Entwicklerin stand kurz vor dem Release eines bahnbrechenden Computerspiels. „White Maze“ wird mit neuartigen Lucent-Kontaktlinsen gespielt - dank ihnen erleben die Spieler virtuelle Game-Welten mit allen Sinnen. Aber warum zerstörte Vivians Mutter kurz vor ihrem Tod die Prototypen der Linsen? Zusammen mit dem schulbekannten Hacker Tom will Viv den Mord an Sofia aufklären. Dazu muss Viv selbst Lucent-Linsen einsetzen und tief in die virtuelle Welt eintauchen. Doch dort ist es für den Mörder ein Leichtes, die falsche Realität nach seinen Spielregeln zu manipulieren. Kann Vivian ihren eigenen Gefühlen vertrauen, wenn alles, was sie sieht, hört, riecht und schmeckt, bloße Lüge ist?
