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      • Sandu Publishing Co., Limited

        Established in 2001, Sandu Publishing (China) embraces a global vision ever since. Specialized in international design and visual communication, Sandu keeps abreast with the latest design trends and diffuse outstanding and all-round design information. So far Sandu has published Chinese and English books and magazines in more than 70 countries worldwide. Amongst Design 360°, Asian Pacific Design and a series of professional design books are highly appreciated by design institutes and designers. For more info, please go to www.sandupublishing.com and www.design360.cn.

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        Literature & Literary Studies
        May 2016

        Gothic Renaissance

        by Elisabeth Bronfen, Beate Neumeier

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        Humanities & Social Sciences
        June 2010

        The Material Renaissance

        None

        by Michelle O'Malley, Christopher Breward, Evelyn Welch, Bill Sherman

        Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The material Renaissance addresses these issues of economic and social life. It develops the analysis of demand, supply and exchange first proposed by Richard Goldthwaite in his ground-breaking Wealth and the demand for art in Renaissance Italy, and expands our understanding of the particularities of exchange in this consumer-led period. Considering food, clothing and every-day furnishings, as well as books, goldsmiths' work, altarpieces and other luxury goods, the book draws on contemporary archival material to explore pricing, to investigate production from the point of view of demand, and to look at networks of exchange that relied not only on money but also on credit, payment in kind and gift giving. The material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller, shows that communities actively sought new goods and novel means of production long before Colbert encouraged such industrial enterprise in France and reveals the wide ownership of objects, even among the economically disadvantaged. ;

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        Literature & Literary Studies
        March 2013

        The Renaissance text

        Theory, editing, textuality

        by Andrew Murphy

        This collection of essays focuses attention on the broad issue of Renaissance textuality. It explores such topics as the position of the reader relative to the text; the impact of editorial strategies and modes of presentation on our understanding of the text; the complexities of extended textual histories; and the relevance of gender to the process of textual retrieval and preservation. The essays, whilst informed by contemporary theory, are not dominated by a single programmatic viewpoint. Reflecting the multiplicitous nature of Renaissance textuality, the collection provides space for a variety of different positions and lines of analysis and enquiry. The Renaissance text will be of interest to those with specialist concerns in editing, textuality and bibliography, and will also be of interest to those more generally concerned with Renaissance literature or with textual or literary history. ;

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        The Arts
        May 2016

        Representations of Renaissance monarchy

        Francis I and the image-makers

        by Lisa Mansfield

        Representations of Renaissance monarchy analyses the portraits and personal imagery of Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. The distinctive likeness of the Valois king was widely disseminated and perceived by his French subjects, and Tudor and Habsburg rivals abroad. Complementing studies on the representation of Henry VIII, this book makes a dynamic contribution to scholarship on the enterprise of royal image-making in early-modern Europe. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance and seductive power of the face and body in modern visual culture. Coinciding with the five hundredth anniversary of Francis I's accession, this book will appeal to scholars and students of medieval and Renaissance art, the history of portraiture or anyone interested in images of monarchy and the history of France. ;

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        Literature & Literary Studies
        January 2019

        Pastoral poetry of the English Renaissance

        An anthology

        by J. B. Lethbridge, Sukanta Chaudhuri

        Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices.

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        November 1981

        Heidnische Mysterien in der Renaissance

        by Edgar Wind, Christa Münstermann, Gisela Heinrichs, Bernhard Buschendorf, Bernhard Buschendorf, Bernhard Buschendorf

        Die Heidnischen Mysterien handeln vom »Bilddenken« des Neuplatonismus und von seinem glanzvollen Ausdruck in der Renaissancekunst. Heidnische Mythologie, christliche Bildersprache, religiöse Spekulation und philosophische Reflexion verschmelzen zu jener »poetischen Theologie«, deren verschiedene Ausprägungen bei Philosophen, Dichtern und bildenden Künstlern der Renaissance (unter besonderer Berücksichtigung des florentinischen Künstler- und Gelehrtenkreises um Lorenzo di Medici) aufgezeigt werden. Aus den Mosaiksteinen dieses Denkens rekonstruiert Wind allmählich das System eines »orphischen Pantheon« und lässt dabei seine ideengeschichtliche Explikation immer wieder in faszinierende Interpretationen bildkünstlerischer Werke der Renaissance münden.

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        Shakespeare studies & criticism
        May 2017

        The Renaissance of emotion

        Understanding affect in Shakespeare and his contemporaries

        by Edited by Richard Meek, Erin Sullivan

        This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in this period.

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        Gender studies: men
        November 2007

        Representing Renaissance art, c.1500–c.1600

        by Catherine E. King

        Representing Renaissance art, c.1500-c.1600 is a study of change and continuity in the iconographies of art and the visual representation of artists during the sixteenth century, especially in Italy and the Netherlands. The issue of how, and how far, artists obtained higher status for their profession during the Renaissance is a key question for the study of the early modern period. This book considers the maintenance of well-established traditions for the visual representation of artists, and also examines the new iconographies that emerged in the sixteenth century. By highlighting art and architecture that artists designed for their personal use, including the decoration of their houses, this study provides insight into the tastes and 'ways of looking' specific to artists. By examining the visual evidence we see the opinions both of artists who expressed their views in literary texts, and additionally those of artists who did not publish their ideas in written form.

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        November 2015

        Poverty in Athenian Public Discourse

        From the Eve of the Peloponnesian War to the Rise of Macedonia

        by Cecchet, Lucia

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        Literature & Literary Studies
        May 2018

        David and Bathsheba

        By George Peele

        by Mathew R. Martin, David Bevington

        David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.

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        Literature & Literary Studies
        August 2022

        David and Bathsheba

        George Peele

        by Mathew R. Martin

        David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.

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        Literature: history & criticism
        January 2017

        Conversions

        Gender and religious change in early modern Europe

        by Edited by Simon Ditchfield, Helen Smith

        Conversions is the first collection to explicitly address the intersections between sexed identity and religious change in the two centuries following the Reformation. Chapters deal with topics as diverse as convent architecture and missionary enterprise, the replicability of print and the representation of race. Bringing together leading scholars of literature, history and art history, Conversions offers new insights into the varied experiences of, and responses to, conversion across and beyond Europe. A lively Afterword by Professor Matthew Dimmock (University of Sussex) drives home the contemporary urgency of these themes and the lasting legacies of the Reformations. Of interest to scholars of early modern history, literature, and architectural history, this collection will appeal to anyone interested in the vexed history of religious change, and the transformations of both masculine and feminine identity.

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        Literature & Literary Studies
        May 1999

        Introduction to English Renaissance comedy

        by Alexander Leggatt

        Introduction to English Renaissance comedy provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, emphasising the eclectic, experimental nature of this comedy: its departures from the mainstream New Comedy tradition, its searching, witty analysis of social and personal relations in court, city and country. This book makes a close analysis of some of the richest comedies of the period, making unexpected connections between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholomew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a comprehensive picture of English comedy in one of its most creative periods. ;

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        Humanities & Social Sciences
        November 2013

        Renaissance humanism and ethnicity before race

        The Irish and the English in the seventeenth century

        by Ian Campbell

        The modern ideology of race, so important in twentieth-century Europe, incorporates both a theory of human societies and a theory of human bodies. Ian Campbell's new study examines how the elite in early modern Ireland spoke about human societies and human bodies, and demonstrates that this elite discourse was grounded in a commitment to the languages and sciences of Renaissance Humanism. Emphasising the education of all of early modern Ireland's antagonistic ethnic groups in common European university and grammar school traditions, Campbell explains both the workings of the learned English critique of Irish society, and the no less learned Irish response. Then he turns to Irish debates on nobility, medicine and theology in order to illuminate the problem of human heredity. He concludes by demonstrating how the Enlightenment swept away these humanist theories of body and society, prior to the development of modern racial ideology in the late eighteenth century. ;

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        The Arts
        February 2025

        Tattoos in crime and detective narratives

        Marking and remarking

        by Kate Watson, Katharine Cox

        Tattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.

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        December 2017

        Die Entdeckung der Frauen in der Renaissance

        Herrscherinnen, Künstlerinnen, Lebedamen

        by Thomas Blisniewski

        Die Renaissance ist eine bemerkenswerte Zeit, in der sich auch Frauen die Chance bot, die öffentliche Bühne zu betreten – als Herrscherinnen, Denkerinnen und Mäzeninnen, als Künst lerinnen, Dichterinnen und Komponistinnen. Frauen begegnen Männern auf Augenhöhe, und gerade in der Malerei findet dies einen einzigartigen Ausdruck: Nicht nur richten Frauen den künstlerischen Blick auf sich selbst, auch die großen Maler begin nen, Frauen um ihrer selbst willen zu porträtieren. Thomas Blisniewski führt uns durch eine kunst- und kulturgeschichtlich heraus ragende Epoche im 15. und 16. Jahrhundert, in der – zumindest für kurze Zeit – die Frauen in das Licht des Geschehens rücken. »Eine Hommage an weibliche Kraft und Kreativität.« Freundin

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