I am a selftought illustrator based in Germany. I like to draw funny and cute figures and animals for childrens books or childrens related stuff. I would like to get a contract for a childrensbook or toys and games.
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ANETTE KRISCHER is author, editor and self-publisher of THE MOVIE BUFF'S ULTIMATE GUIDE TO EXPERIENCING PARIS, which is published in German, English and French. The book was written according to her idea and during the time she lived in Paris. She has done the following work herself: Idea, research, photography, selection and creation of the film clips, texts, layout, production, distribution and marketing. The book was presented as part of a special exhibition at the Filmmuseum Frankfurt in a specially built Parisian café setting. She is a media scientist and lives in Berlin.
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Seit 2007 prekarisiert das Wissenschaftszeitvertragsgesetz Arbeitsbedingungen und Berufsaussichten des akademischen Mittelbaus: Das Gros der Wissenschaftler:innen hangelt sich von einem befristeten Job zum nächsten, und wer nach zwölf Jahren keine feste Stelle hat, fällt endgültig aus dem System heraus. Als 2021 ein Video des Forschungsministeriums in den Fokus gerät, in dem am Beispiel der fiktiven Biologin »Hanna« die vermeintlichen Vorzüge des Gesetzes gepriesen werden, lancieren Amrei Bahr, Kristin Eichhorn und Sebastian Kubon den Hashtag #IchBinHanna. Binnen weniger Stunden machen zahllose Wissenschaftler:innen ihrem Ärger Luft. Sie schildern die Auswirkungen der Prekarität auf ihr Leben, berichten von Überlastung und Depressionen. Die Medien greifen das Thema auf, und »Hanna« schafft es wenig später sogar in den Bundestag. In ihrer Streitschrift legen die Initiator:innen dar, welche Folgen das »WissZeitVG« für Forschende und Studierende, aber auch für den Wissenschaftsstandort Deutschland und unsere Gesellschaft insgesamt hat. Sie resümieren die Erfahrungsberichte unter #IchBinHanna und präsentieren ihre Forderungen für bessere Arbeitsbedingungen in Forschung und Lehre.
A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
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Colonial governments, institutions and companies recognised that in many ways the effective operation of the Empire depended upon sexual arrangements. For example, nuclear families serving agricultural colonization, and prostitutes working for single men who powered armies and plantations, mines and bureaucracies. For this reason they devised elaborate systems of sexual governance, such as attending to marriage and the family. However, they also devoted disproportionate energy to marking and policing the sexual margins. In Sex, Politics and Empire, Richard Phillips investigates controversies surrounding prostitution, homosexuality and the age of consent in the British Empire, and revolutionises our notions about the importance of sex as a nexus of imperial power relations.
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A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
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How and why did the Nazis seize power in Germany? Nearly seventy years on, the question remains heated and important discoveries continue to challenge long standing assumptions. Beginmning with an overview of the historical context within which Nazism grew, looking at the foreign relations, politics and society of Weimar and in particular at the role of the elites in the rise of Nazism. The book questions the anatomy of Nazism itself: What lent Nazi ideology its coherence and credibility? What distinguished the Nazi's programme from their competitors' and how did they project it so effectively? How was Hitler able to put together and fund an organisation so quickly and effectively that it could launch a sustained assault on Weimar? Who supported the Nazis and what were their motives? Where, precisely, does Nazism belong in the history of Europe?. Since the publication of the first edition, important new works have appeared and this new scholarship has been incorporated into the text. ;
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This book about the Thatcher government and the City of London tells the compelling human story of the people and processes that made Britain's 1980s financial revolution. Fusing insider testimony with new archival discoveries, it examines high stakes and networked solutions, and uncovers new objectives that drove reforms. In so doing it demystifies a major shift in capitalism. This has implications for our understandings of government and capitalism, from the way we think about the origins of subsequent financial crises to today's growing inequalities. Survival Capitalism offers new insights into the last major restructuring of the City, disrupts myths surrounding the logics of the market, and pays attention to people and processes at a time when the City of London again faces major change as Britain seeks to find its place outside the European Union in the wake of Brexit.
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This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History.
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Zu Beginn des dritten Jahrtausends ist die Situation der Demokratie paradox: Einerseits sind mehr Staaten denn jemals zuvor demokratisch verfaßt, andererseits nehmen die Krisensymptome in den Staaten, die einstmals so etwas wie eine demokratische Avantgarde bildeten, zu: Die Wahlbeteiligung sinkt, schillernde Persönlichkeiten wie Silvio Berlusconi oder Nicolas Sarkozy gewinnen an Bedeutung, Wahlkämpfe geraten zu schalen Marketingkampagnen. Colin Crouch hat all diese Trends in dem Band "Postdemokratie" präzise auf den Punkt gebracht. In diesem Band setzen sich nun acht herausragende politische Denkerinnen und Denker mit dem Zustand und den Perspektiven der am wenigsten schlechten aller Regierungsformen (Winston Churchill) auseinander, die tageszeitung sprach von einem 'Who's who der internationalen linken Theorie'. Der Diskussionsband enthält Beiträge von Giorgio Agamben, Alain Badiou, Daniel Bensaïd, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross und Slavoj iek.
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Surfaces are often held to be of lesser consequence than 'deeper' or more 'substantive' aspects of artworks and objects. Yet it is also possible to conceive of the surface in more positive terms: as a site where complex forces meet. Surfaces can be theorized as membranes, protective shells, sensitive skins, even thicknesses in their own right. The surface is not so much a barrier to content as an opportunity for encounter: in new objects, the surface is the site of qualities of finish, texture, the site of tactile interaction, the last point of contact between object and maker, and the first point of contact between object and user. Surface tensions includes sixteen essays that explore this theoretically uncharted terrain. The subjects range widely: domestic maintenance; avant-garde fashion; the faking of antiques; postmodern architecture and design; contemporary film costume. Of particular emphasis within the volume are textiles, which are among the most complex and culturally rich materialisations of surface. As a whole, the book provides insights into the whole lifecycle of objects, not just their condition when new. ;
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Zu Beginn des dritten Jahrtausends ist die Situation der Demokratie paradox: Einerseits sind mehr Staaten denn jemals zuvor demokratisch verfaßt, andererseits nehmen die Krisensymptome in den Staaten, die einstmals so etwas wie eine demokratische Avantgarde bildeten, zu: Die Wahlbeteiligung sinkt, schillernde Persönlichkeiten wie Silvio Berlusconi oder Nicolas Sarkozy gewinnen an Bedeutung, Wahlkämpfe geraten zu schalen Marketingkampagnen. Colin Crouch hat all diese Trends in dem Band "Postdemokratie" präzise auf den Punkt gebracht. In diesem Band setzen sich nun acht herausragende politische Denkerinnen und Denker mit dem Zustand und den Perspektiven der am wenigsten schlechten aller Regierungsformen (Winston Churchill) auseinander, die tageszeitung sprach von einem »Who's who der internationalen linken Theorie«. Der Diskussionsband enthält Beiträge von Giorgio Agamben, Alain Badiou, Daniel Bensaïd, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross und Slavoj Žižek.
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Puma - disentangled from the three-part structure of The End of the World News and published here for the first time in its intended format - is Anthony Burgess's lost science fiction novel. Set some way into the future, the story details the crushing of the planet Earth by a heavyweight intruder from a distant galaxy - the dreaded Puma. It is a visceral book about the end of history as man has known it. Despite its apocalyptic theme, its earthquakes and tidal waves, murder and madness, Puma is a gloriously-comic novel, steeped in the rich literary heritage of a world soon to be extinguished and celebrating humanity in all its squalid glory. In Burgess's hands this meditation on destruction, mitigated by the hope of salvation for a select few, becomes powerful exploration of friendship, violence, literature and science at the end of the world.
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This novel is one of Anthony Burgess's most accessible and entertaining works. By turns bawdy, raucous, tender and bittersweet, and full of music and songs, this is a warm and affectionate portrait of the working-class Lancashire of the 1920s and 1930s that he knew from his own early life. The Pianoplayers is a funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers. Part of the forthcoming Irwell Edition of the Works of Anthony Burgess, this book offers an opportunity to reappraise an unjustly neglected novel important to our understanding of Burgess's wider oeuvre. The 2017 Burgess centenary makes this a key moment for reflection on the life and work of a major figure in twentieth century letters.
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This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
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A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism. Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestoes of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance. Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In Walking in the dark, he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death. Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.
