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      • Kalachuvadu Publications (Pvt.) Ltd.

        Kalachuvadu Publications, established in 1995, publishes literary fiction, non-fiction, and poetry in Tamil. We publish international writings in translation. With a catalogue of over 1,000 titles, Kalachuvadu is a vibrant presence in the landscape of Tamil and Indian publishing. KP’s chronological variorum editions of acclaimed Tamil modernists has set the benchmark for other publishers. Its bestselling series of academic titles have also been well regarded for their relevance and readability. It was awarded the Best Publisher Award by Publishing Next (2018) as well as the Romain Rolland award for the best translation from French to an Indian language (2018). It also won the Federation of India Publishers’ Best Book Production Award (2019).

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      • Trusted Partner

        Kalamar Publishing House

        Kalamar publishes high-quality children's literature for children's development. Our missing – to make readers happy through self-awareness and taking care about the world.

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      • Modern & contemporary fiction (post c 1945)

        Poonachi or The Story of A Black Goat

        by Perumal Murugan

        An old man is watching the sunset over his village one quiet evening when a mysterious stranger turns up with the gift of a day-old goat kid. Thus begins the story of Poonachi, the little black goat whose fragility and fecundity become cause for wonderment to all those around her.From the eagle that swoops down on her to the wildcat that attempts to snatch her away within days of her arrival, the old man and his wife struggle to keep their tiny miracle alive. Before they know it, Poonachi has become the centre of their meagre world and the old woman and she are inseparable.Life is not easy for any of them - farmers, goatherds or goats. The rains play truant, the gods claim their sacrifices, and the forest waits to lure unwary creatures into its embrace. Wrought by the imagination of a skilful storyteller, this delicate yet complex story of the animal world is about life and death and all that breathes in between. It is also a commentary on our times, on the unequal hierarchies of class and colour, and the increasing vulnerability of individuals who choose to speak up rather than submit to the vagaries of an ambitious if incompetent state.

      • Modern & contemporary fiction (post c 1945)

        Tomorrow is One More Day

        by G. Nagarajan

        This novella by this maverick writer is centred around one eventful day in the life of a small-scale operator, fix-it man, pimp and procurer, Kandan. It offers a reading of the seamy and temporality, human desire and the possibility of love in the harsh and often violent underworld of a small town in Tamil Nadu.

      • Modern & contemporary fiction (post c 1945)

        Estuary

        by Perumal Murugan

        From the author of the bestselling Poonachi, or the Story of Black Goat, shortlisted for the JCB Prize for Literature and the Hindu Prize in 2018. On answering the phone, Meghas would say, 'Solluppa'- tell me, Appa-his only word through the entire call. On some days, he said it gently; on still others, he barked it out; and there were days when he seemed to speak it with hate and resentment. A single word could be a storehouse of emotions, each utterance stirring a different one. It could unleash a torrent, a flash flood, a stream, a wave. Kumarasurar would instantly guess Meghas's mood from his intonation and fortify himself to counter it.

      • Short stories

        Fish in a Dwindling Lake

        by Ambai

        Journeys form the leitmotif of these astonishing new stories by Ambai. Some culminate in an unconventional love affair, some are extraordinary tales of loyalty and integrity; others touch upon the almost fantastic, absurd aspect of Mumbai. Yet others explore the notion of a wholesome self and its tragic absence at times. These stories are illuminated by vivid and unusual characters: from an eccentric, penurious singer-couple who adopt an ape as their son to a male prostitute who is battered by bimbos for not giving ‘full’ satisfaction. Crucially, some of the stories, like the title story, engage uninhibitedly with a woman’s relationship to her body. For Ambai, feminist par excellence, the sensual body, experienced as a natural landscape changing with age, is, at the same time, the only vehicle of life and tool for mapping the external world.

      • A Kitchen in the Corner of the House

        by Ambai

        “A Kitchen in the Corner of the House collects Ambai’s most daring, original stories. Her narrators embark on journeys small and large: taking offerings across town to the goddess Mariamman or packing up four deities in a plastic box and flying them to America. These women knead mountains of chapati dough, step deep into rivers threaded with fish, and stay up late talking about books and music. Ambai’s words are sharpened knives.

      • Modern & contemporary fiction (post c 1945)

        The Tiger Claw Tree

        by P.A. Krishnan

        The Tigerclaw Tree, originally publishedby Penguin Books India in 1998, is a cult classic. It follows the shifting fortunes of four generations of a TenkalaiIyengar (a Brahmin sub-sect of high orthodoxy) family as each member confronts his or her own role in their familylegacy of idealism, political involvement, and, ultimately, betrayal and loss. ‘Reminds one of Gabriel Garcia Marquez’s One Hundred Years of Solitude’The Statesman

      • Modern & contemporary fiction (post c 1945)

        On a River's Bank

        by A. Madhavan

      • Short stories

        A Night with a Black Spider

        by Ambai

        Seeting the stage the Asura Mahishan’s love for the beautiful Devi, Ambai deftly combines myth and tradition with contemporary situations. In the title story, the woman who is mother, daughter, solver of all problems for her family, finds that it is only a black spider on a wall in a deserted guesthouse with whom she can share her own pain and suffering; in Burdensome Days, Bhramara enters a world of politics that turns her music into a commodity, while in A Moon to Devow, it is through her lover’s mother that Sagu learns that marriage is not a necessity for motherhood. Like the strains of the veena that play again in this masterful concert of stories, journeys too weave in and out. By train or bus or autorickshaws, each journey takes one into a different facet of human nature: the power of caste over the most basic of bodily needs like thirst; the simple generosity of a mentally afflicted child who loves the colour blue; the loneliness of dying amongst strangers, and the final journey of a veena whose owner herself had gone before it into another world. As in most of her writing, women are central to Ambai’s stories, but so too is her deep understanding of, as she puts it, ‘the pulls and tensions’ between the many different things that make up life and ultimately, create a story.

      • Modern & contemporary fiction (post c 1945)

        Arena

        by Si. Su. Chellappa

        Vaadivaasal, a masterful account of powerrelations, describes the traditional rituals of bull-taming and captures the life-and-death struggle between animal and man.A celebrated work of short fiction by Chellappa, Vaadivaasal is perhaps the firstfictional account in Tamil on Jallikattu, the indigenous bull-fighting sport of TamilNadu with a history of two thousand years. Jallikattu is both a heroic drama and a sport. The taming of a bull trained to gore its human adversary in the ring is the crux of this still popular sport. Chellappa, who grew up in a region of southern Tamil Nadu where bull-fighting is a hallowed tradition, depicts the dangerous and absorbing struggle between man and animal. Rich in ethnographic detail, this is a work marked by brevity and conciseness.Vaadivaasal is the narrow gate through which bulls are released during Jallikkattu, a rural sport held annually in certain parts of Tamil Nadu. Young men pounce upon the bulls and try to overpowerthem. Besides the bravado attached to it, the material attraction is the prize money and gold tied to the horns of the animals. The translation has been done by the internationally renowned translator.

      • Modern & contemporary fiction (post c 1945)
        March 1996

        Tamarind History

        by Sundara Ramaswamy

        With a narrative breadth never before seen in Tamil fiction, Sundara Ramaswamy's Tamarind History inaugurated a new era in Tamil letters. Its meditations on the loss of beloved places; the shared experience of the past; and the meaning of togetherness amid struggle, ambition and enmity, all flow from the life of an aged tamarind tree that stands at the centre of a bustling town. This town's wild places - their mythic pasts still treasured by an old wanderer and the youth who listen to his tales-are stripped away as politicians commit to modernization in the name of progress. Yet the town remains filled with life and beauty, even as it is irrevocably damaged. Tamarind History first published in 1966 has sold more than a 125,000 copies in Tamil in this millennium and is probably the highest selling literary fiction even today. Critic K.M.George cited this novel while listing Indian language writers deserving the Nobel Prize.

      • Modern & contemporary fiction (post c 1945)

        Water

        by Ashokamitran

      • Modern & contemporary fiction (post c 1945)

        The Muddy River

        by P.A. Krishnan

        The Muddy River tells and re-tells the story of Ramesh Chandran, a bureaucrat caught up in the machinations of Assamese politics and public sector corruption in his quest to rescue a hapless engineer kidnapped by militants. As Chandran bumbles along, he encounters the engineer’s wife, who is a pocket-sized battle-axe; a cynical police officer; a venerable Gandhian; and Anupama, another engineer torn between professional integrity and her love for the north-eastern Indian state of Assam. While the rescue drama reaches its climax, Chandran also exposes a massive financial scandal in his company and pays the price for ignoring warnings that he might push too far for an unashamedly corrupt society’s comfort. An aspiring writer, Chandran weaves the events of this time into a novel, while attempting to come to terms with his own marriage in the aftermath of the death of their only child. But how much does Chandran understand other people’s truths and motivations? And how much does his wife, Sukanya, know about the events of the novel? Multi-layered and complex, The Muddy River blurs the boundaries between the story and storyteller, victims and victimizers, keeping the reader guessing till the very end.

      • Modern & contemporary fiction (post c 1945)

        Women, Dreaming

        by Salma

      • Trial By Silence

        by Perumal Murugan

        At the end of Perumal Murugan’s trailblazing novel One Part Woman, readers are left on a cliffhanger as Kali and Ponna’s intense love for each other is torn to shreds. What is going to happen next to this beloved couple?In Trial by Silence-one of two inventive sequels that picks up the story right where One Part Woman ends-Kali is determined to punish Ponna for what he believes in an absolute betrayal. But Ponna is equally upset at being forced to atone for something that was not her fault. In the wake of the temple festival, both must now confront harsh new uncertainties in their once idyllic life together.In Murugan’s magical hands, this story reaches a surprising and dramatic conclusion.‘The most accomplished of his generation of Tamil writers’ - Caravan.‘[An] extraordinary writer’ The Hindu

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