Sarah McKenzie Literary Management provides advice, advocacy and representation to Australian authors. As well as representing best-selling authors with a proven track record, we love to identify and champion talented new and emerging writers of children's fiction, commercial fiction, literary and narrative nonfiction.
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In the shifting scene of today's publishing industry, JVNLA is a locus of guidance, support, and partnership. Our collaborative team redefines commitment and passion and our ideas seek out publishing's cutting edge with a bold business philosophy that has proved its worth.
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Vuvuzela Verses is Liza Seele's sequel to the nose snortingly hilarious Potjie Pot Poems, with belly laugh inducing illustrations from Stephen Wallace. Once again from the South African melting pot, Liza Seele brings children together under one banner: No more boring poems allowed at school! Dive into these childhood-friendly poems and join the boring textbook protest.
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The second volume of this highly collectable series, covering the pivotal years of 1969-70. The Island Book of Records Volume II documents the years 1969-70, during which Island sought to build on its success with the Spencer Davis Group by seeking out new British rock talent. By the end of the period, Island was emerging as a major British label, one that could boast releases from Jethro Tull, Nick Drake, King Crimson, John and Beverley Martyn, Fairport Convention and Cat Stevens. Featuring material from recent interviews and from media interviews of the time, and including a comprehensive discography of 45s, The Island Book of Records Volume II is lavishly illustrated with gig adverts (very many at venues that no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera collector's dream.
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Engendering an avant-garde is the first book to comprehensively examine the origins of Vancouver photo-conceptualism in its regional context between 1968 and 1990. Employing discourse analysis of texts written by and about artists, feminist critique and settler-colonial theory, the book discusses the historical transition from artists' creation of 'defeatured landscapes' between 1968-71 to their cinematographic photographs of the late 1970s and the backlash against such work by other artists in the late 1980s. It is the first study to provide a structural account for why the group remains all-male. It accomplishes this by demonstrating that the importation of a European discourse of avant-garde activity, which assumed masculine social privilege and public activity, effectively excluded women artists from membership.
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This volume of eight new essays by leading scholars provides a stimulating dialogue between a range of critical perspectives. Encompassing the fields of cultural history, history of science, literature, and politics, the collection explores The New Atlantis' complex location within Bacon's oeuvre and its negotiations with cultural debates of the past and present. Often regarded as the apotheosis of Bacon's ideas through its depiction of an advanced “scientific” society, it is also read as a seminal work of science fiction.
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This volume marks a new approach to a seminal work of the modern scientific imagination: Charles Darwin's The Origin of Species (1859). Darwin's central theory of natural selection neither originated nor could be contained, with the parameters of the natural sciences, but continues to shape and challenge our most basic assumptions about human social and political life. Several new readings, crossing the fields of history, literature, sociology, anthropology and history of science, demonstrate the complex position of the text within cultural debates past and present. Contributors examine the reception and rhetoric of the Origin and its influence on systems of classification, the nineteenth-century women's movement, literary culture (criticism and practice) and Hinduism in India. At the same time, a re-reading of Darwin and Malthus offers a constructive critique of our attempts to map the hybrid origins and influences of the text. This volume will be the ideal companion to Darwin's work for all students of literature, social and cultural history and history of science. ;
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