Jacoby & Stuart is a publishing house of richly illustrated and well-written children’s books, picture books, fiction and non-fiction. For adults we publish graphic novels, lovingly designed gift books, richly illustrated and informative non-fiction as well as inventive and exquisite cookbooks.
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This volume commences with the the books and manuscripts given at the foundation of King's College in 1495, continues with the collections which accrued to Marischal College from its foundation in 1593, and comes together with the fusion of the two colleges in 1860 in the modern University of Aberdeen. From the beginning, the scope and focus of the University was international, and its developing collections represent a microcosm of the world of knowledge as it changed over the centuries. The University Colleges of Aberdeen have a distinct intellectual tradition: pragmatically tolerant in times of persecution; dissident from the religious and political policies of the Lowlands; looking outwards to the world of northern Europe and to the territories of the Jacobite diaspora. The book introduces one of the oldest continually-evolving academic library collections of the Anglophone world, surveys its history and includes a series of studies of items or collections of particular interest. ;
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This book examines the political works of Andrew Michael Ramsay (1683-1743) within the context of early eighteenth-century British and French political thought. In the first monograph on Ramsay in English for over sixty years, the author uses Ramsay to engage in a broader evaluation of the political theory in the two countries and the exchange between them. At the beginning of the eighteenth century, Britain and France were on divergent political paths. Yet in the first three decades of that century, the growing impetus of mixed government in Britain influenced the political theory of its long-standing enemy. Shaped by experiences and ideologies of the seventeenth century, thinkers in both states exhibited a desire to produce great change by integrating past wisdom with modern knowledge.
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Monstrous births, rains of blood, apparitions of battles in the sky - people in early modern England found all of these events to carry important religious and political meanings. In An age of wonders, available in paperback for the first time, William E. Burns explores the process by which these events became religiously and politically insignificant in the Restoration period. The story involves the establishment of early modern science, the shift from 'enthusiastic' to reasonable religion, and the fierce political combat between the Whigs and the Tories. This historical study is based on close readings of a variety of primary sources, both print and manuscript. Burns claims that prodigies lost their religious meaning and became subjects of scientific enquiry as a result of political struggles, first by the supporters of the restored monarchy and the Church of England against Protestant dissenters, and then by the Whig defenders of the Revolution of 1688 against the Tories and the Jacobites. By integrating religious and political history with the history of science, An age of wonders will be of great use to those working in the field of early modern history. ;
Lady Winifred had a troubled childhood. Her mother, father and brother were all imprisoned for treason due to their support for the Catholic king. When she falls in love with a handsome young Scottish nobleman, the marriage brings happiness. However, she is forced to rebel when her husband takes up the Jacobite cause and vows to restore the Catholic king to the throne. While Winifred wants to be loyal to her husband, she also wants to protect him from imprisonment – and worse, the scaffold! Just how far will she go to save him?
Inspired by the real-life case of Hermann Mohll: swordmaker, smuggler and traitor… When a German smuggler is imprisoned in Morpeth Gaol in the winter of 1703, why does Queen Anne's powerful right-hand man, The Earl of Nottingham, take such a keen interest? At the end of the turbulent 17th century, the ties that bind men are fraying, turning neighbour against neighbour, friend against friend and brother against brother. Beneath a seething layer of religious intolerance, community suspicion and political intrigue, The Running Wolf takes us deep into the heart of rebel country in the run-up to the 1715 Jacobite uprising. Hermann Mohll is a master sword maker from Solingen in Germany who risks his life by breaking his guild oaths and settling in England. While trying to save his family and neighbours from poverty, he is caught smuggling swords and finds himself in Morpeth Gaol facing charges of High Treason. Determined to hold his tongue and his nerve, Mohll finds himself at the mercy of the corrupt keeper, Robert Tipstaff. The keeper fancies he can persuade the truth out of Mohll and make him face the ultimate justice: hanging, drawing and quartering. But in this tangled web of secrets and lies, just who is telling the truth?
Rob Roy MacGregor’s name and reputation strides through late-17th- and early 18th-century Scottish history and he is probably the nation’s best-known historical figure next to Robert the Bruce, William Wallace and Bonnie Prince Charlie. Along with those three, Rob Roy’s portrayal in book and film has created a figure that does not really tally with the man that Nigel Tranter believes was much more than a mere Trossachs-based cattle thief, blackmailer, outlaw and protection racketeer. That he stole cattle, forced lairds to pay money to ensure their cattle were safe and lived on the wrong side of the law is not in dispute, but there are two sides to every story, and Rob’s is one of the most fascinating in Scottish history. In this comprehensible portrait of Rob Roy, master storyteller Nigel Tranter reveals a strange man who always had to stay one step ahead of everyone around him, be it in the business of cattle, his financial and political dealings with the dukes of Montrose and Argyll, his endeavours in support of the Jacobite cause, or his continual struggle with Montrose’s factor, Graham of Killearn. When he failed to manage this complex set of activities, the repercussions were dire, not only for himself and his clan, but most importantly for his relationship with his remarkable wife, Mary. That he managed to survive in the political cauldron that was Jacobite Scotland, reconcile himself with his wife, maintain his nephew’s clan lands and somehow survive into relative old age to die in peace in his bed is wholly remarkable. This is Rob Roy’s story, warts and all.
This book provides a picture of the Great Glen, stretching from Fort William to Inverness, from AD550 to 1850. It begins with a description of the glen as it is today and an account of its geological development. This is followed by eleven chapters describing major characters or events in the glen. These are: St. Columba, King Brude, Macbeth, Alasdair Carrach (an early chief of the Keppoch MacDonalds), the Battle of the Shirts, the 1st Marquis of Montrose, Sir Ewen Cameron of Lochiel, Viscount (Bonnie) Dundee, the building of the Military Roads, the 1745 Jacobite Rising and its aftermath and the building of the Caledonian Canal.There is a short final chapter which makes some reference to the poets and musicians of the glen. Brief passages throughout on political and social developments serve to link the chapters together. The book is academic to some degree but perfectly comprehensible to the general reader with any interest in history. It will be particularly welcome to the hundreds of people who walk the Great Glen Way each year.
About this book: This adaptation of Robert Louis Stevenson’s Kidnapped, a dramatic and epic adventure story about a 17 year-old desperate to secure his inheritance, culminating in a chase from the islands in the west of Scotland to Edinburgh, brings together two creative giants from the world of the Graphic Novel, as the absolute ‘dream team’ – artist Cam Kennedy, and scriptwriter Alan Grant. Cam Kennedy is known internationally for his portrayals of Judge Dredd and Rogue Trooper, Daredevil and Punisher, Spectre, Lobo, Batman, Star Wars: Dark Empire and Star Wars: Dark Empire 2 – the two series that relaunched the Star Wars franchise in comics. Alan Grant’s work includes Judge Dredd, Strontium Dog, Robo-Hunter and Ace Trucking Co., Doomlord, Joe Soap Private Eye, Computer Warrior, The Outsiders, plus Nightbreed and The Last American, Detective Comics, Shadow of the Bat, Lobo, L.E.G.I.O.N ’89, Legends of the Dark Knight, and The Demon. Kidnapped is set in 1751, during the time of the Jacobite rebellion – a tumultuous and tragic period in Scottish history. When David Balfour sets out to find his uncle, he never dreamed his path would lead to such exploits – that he would discover that a fortune was rightfully his – that he would narrowly escape being murdered – that he would be kidnapped, but saved from a life of slavery – and thrown from one escapade to another in the company of the fugitive masterful swordsman Alan Breck Stewart. They meet on the brig Covenant just before they are shipwrecked off the coast of Scotland. After witnessing the murder of Colin Campbell (the notorious ‘Red Fox’) David makes a dramatic and extraordinary flight for his life across Scotland before he can claim his rightful inheritance.
Our 100 series presents important cultural monuments, notable natural wonders, highlights from the world of music and film, and more, all accompanied by quality photography and authoritative text. We’re pleased to introduce redesigned and updated editions of our best-selling 100 series, containing the same great mix of historical text, travel tips, and high-impact photos in a luxurious package.
Can the heat of passion burn too bright? The Georgian Rebel Series, Book 2 In the six months since the Jacobites met defeat at Culloden, the English have ruthlessly routed the remaining rebels. Now Sir Edwin Roxburgh rides to claim Cameron House, his reward for his loyalty to the king. His welcome comes at the point of a sword. It's only after a fierce fight that Edwin discovers that underneath the banned tartan, the "œboy" he's just wounded is none other than the lady of the house. If the crown thinks Lady Iona Cameron will allow an English soldier to turn her out of her own home, the crown is sadly mistaken. She never thought her desperate attempt to defy authority would send her to a traitor's death—unless she agrees to marry Roxburgh. Edwin quickly realizes he has his hands full trying to control the fiery, rebellious widow—and trying to control his own desire to fill his arms with her beautiful body. But he has a dark past that makes love not only impossible, but dangerous—especially if Iona manages to slip past his guard.
