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View Rights PortalHryhorii Skovoroda's fables are philosophical miniatures, reflections on congenial work, fulfilling one's vocation, happiness, and gratitude. While these elements should fill the life of a wise person and are worthy of reflection, these Fables are, first and foremost, good and funny stories about animals enjoyable for readers of all ages. Skovoroda's fables will teach young readers important lessons, including: Not limiting oneself to the exteriority of things but also focusing on their inner essence. Pursuing activities that fulfill one's vocation. Avoiding deception of others. Recognizing the value of time. The fables were arranged and adapted for children by one of the foremost experts on Skovoroda's works, Leonid Ushkalov. From 6 to 9 years, 5850 words Rightsholders: n.miroshnyk@vivat.factor.ua
The hardworking and studious Reed is a well-known "wild child" in the fishing village. Influenced by the legend, he and his sister, He Ju, had the whimsical idea of learning the outstanding swimming skills from the porpoise, and thus became interested in the endangered species of porpoise. The porpoise, which had been repeatedly disturbed, always avoided them... By chance, the siblings, with their excellent swimming skills, rescued a baby porpoise that had been trapped by garbage. This cute porpoise has since become an exotic friend who plays the game with them ...
The "World Buddhist Art Illustrated Grand Ceremony" takes Sakyamuni Buddha as the main axis and collects Buddhist art surviving works, including eight major categories of Buddhist art works, including architecture, paintings, figures, calligraphy, cultural relics, sculptures, gold and stone, and collections in various museums. Presented in the form of entries, the collection area covers more than 30 countries and regions. The authors and data collectors of entries come from China, Japan, South Korea, the United States, Europe, Oceania, Southeast Asia and other countries and regions, and are worldwide The first big gathering of Buddhist art is of great significance.
Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth", but also "as a means of escaping that life by women who knew its gender constraints only too well".[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the "All-American girl" and that her multiple aspects are embodied in the differing March sisters.
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
A vivid illustration of contemporary Chinese society. The frst realist novel from renowned Chinese writer Liu Xinwu. A novel of reality. A novel of allegory. Pang Qi swears he’ll kill someone if he gets back onto the streets, but no one knows his target or his motive. Filled with suspense, Bay Window begins with this dramatic announcement, before slipping back into the seemingly mundane lives of a cast of characters drawn from all ranks of Chinese society: the mysterious and cunning Maye, whose wealth and power are kept secret; the robust and loyal bodyguard Pang Qi, whose transformation drives the development of the narrative; the retired engineer Xue Quji, a representative of contemporary China's intelligentsia. Through the intimate portrayal of more than thirty characters,their struggles and the choices, they face on a daily basisthe author exposes a darkness hidden by economic development and social transformation, constructing a panoramic picture of contemporary China. Peeking through the Bay Window, we as readers are both spectators and participants of this picture.
Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
This title collects illustrations, posters, and design works of Aubrey Beardsley, the characteristic illustrator in the 19th century. It is the most complete collection of his works in China, edited by Mr. Wei Junlin, painter and researcher of Beardsley.
From the head to toe. Play with me explores the games with the body draw from the verses created and recreated by Pilar Posada. These verses are inspired in the Latin American oral tradition and only an author and expert of the oral tradition such as Pilar Posada can write these verses with the tone of those that have passed by word of mouth for several generations. She manages to integrate verses from her own oral tradition (creates from what has already been created) and offer the reader something totally new. The illustrations by Juliana Salcedo, great Colombian illustrator, based in Spain, accompany the texts with delicacy and wisdom also favoring the play among and between children, and between children and adults.
Dieser Abschlussband von Lems Essays enthält nur Arbeiten, die in der Insel-Ausgabe der Essays (1981) nicht enthalten waren. Stärker als die früheren Bände ist dieser persönlich bestimmt. Einmal handelt es sich um Essays, die autobiografisch sind oder sich auf das eigene Werk beziehen. Zum anderen gibt es Vorworte zu Rezensionen von Büchern und Autoren, die Lem menschlich besonders nahestehen: Szymon Kobyliński, Władysław Bartoszewski und Jan Józef Szczepański. Neben Rezensionen, die Lem deutsche RIAS Berlin schrieb, vornehmlich über populärwissenschaftliche und pseudowissenschaftliche Bücher, aus denen Lems rationalistische Denkhaltung offenbar wird, und spekulativen Aufsätzen enthält dieser Band auch einige von Lems scharfsinnigsten Kritiken zu Autoren, denen er sich geistesverwandt fühlt oder die ihm widerstreben: Dick, Borges, die Strugatzkis und eine scharfe Abrechnung mit der Gattung, der der Großteil von Lems eigenem Werk zugezählt wird: der Science-Fiction. Eine beachtliche Anzahl der Essays schrieb Lem gleich in deutscher Sprache. Weitere Essays von Stanisław Lem liegen in den Bänden Sade und die Spieltheorie und Über außersinnliche Wahrnehmungen vor.
Help the animals to find their letters ... easy as ABC!• By best-selling author Ursula Poznanski• Get a first feeling for letters and words!• Humorously illustrated, with funny details!After a big storm in the jungle, the little monkey collects many funny-looking things. “That are letters,” knows the smart parrot. “Somebody must have lost them”. And indeed, monkey and parrot come across strange animals that seem like something is missing. A "iger", a "nake", a "at" … An exciting letter story for reading aloud and early reading, guessing and poetizing by yourself!
An innovative & different princess story! • The three princesses love to quarrel • Original and incredibly witty • Written by Ursula Poznanski and stunning illustrations by Sabine Büchner • Translation Grant! Bianca, Violetta and Rosalind are three adorable princesses. But they share a tiny quirk: they love to argue! One day a visitor asks for entrance into the castle. Prince Waldomir doesn’t enjoy hunting dragons anymore and rather prefers to get married know. Of course each princess is convinced to be the best choice and the prince’s one and only. So a rat race is launched before they have even met the puny prince for the first time…
This story is full of a cheeky sense of humor that little readers will adore. In this book they can find funny poems and beautiful watercolor illustrations to give them the feeling of diving in the ocean. This unique and amazing book was created by the famous Ukrainian writer Yuriy Nikitinskiy and by the fabulous illustrator Marichka Ruban. From 3 to 8 years, 422 words Rightsholders: kovalenko@artbooks-publishing.com
This book goes back to the historical scene of the late Qing Dynasty with meticulous writing to tell the history of Zuo Zongtang's youthful growth and restore the struggle of Zuo Zongtang to serve the country with his body in spite of the hardships and dangers. The book consists of twenty chapters, which are about the following contents: Zuo Zongtang came from a humble background and was in a troubled times, but he was a scholar and a soldier and he made many wonderful achievements; he founded such industries as Fuzhou Shipbuilding and Gansu Manufacturing Bureau, and contributed to the modernization of China; he defeated Agubert, who had occupied in Xinjiang for thirteen years, and carried the coffin to the expedition to recover Ili, so that all the territory of 1.66 million square kilometers was returned to China; he resisted the French and protected Taiwan, and contributed to the establishment of a province; he served as the Minister of Military Affairs and the Minister of the two rivers, and he was a member of the National People's Congress. He served as the Minister of Military Affairs and the Governor of the two rivers, and he was a clean and honest man who promoted water conservancy and rebuilt the book bureau to promote the country through culture.