Como grupo editorial, estamos orgullosos de decir que somos creadores de best-sellers, que pasan de ser éxitos locales a éxitos nacionales. Apostamos tanto por autores reconocidos como por autores noveles y nos interesamos en ampliar y renovar nuestro catálogo de manera constante. Como actores activos de la cultura, nuestro horizonte es ofrecer libros que participen de la construcción colectiva de contenidos de calidad.
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This book explores Roman Catholic female missions in colonial and postcolonial India. It begins with their placement in a strongly Protestant British Empire, exploring the evolution of their outreach to Indians. It examines how these missions developed their independent tropes of education and social outreach that built their bona fides with nationalist India as the tide went out on empire.
Golden Mummies of Egypt presents new insights and a rich perspective on beliefs about the afterlife during an era when Egypt was part of the Greek and Roman worlds (c. 300 BCE-200 CE). This beautifully illustrated book, featuring photography by Julia Thorne, accompanies Manchester Museum's first-ever international touring exhibition. Golden Mummies of Egypt is a visually spectacular exhibition that offers visitors unparalleled access to the museum's outstanding collection of Egyptian and Sudanese objects - one of the largest in the UK.
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Exhibiting the empire considers how a whole range of cultural products - from paintings, prints, photographs, panoramas and 'popular' texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture - were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.
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Country houses and the British empire, 1700-1930 assesses the economic and cultural links between country houses and the Empire between the eighteenth and twentieth centuries. Using sources from over fifty British and Irish archives, it enables readers to better understand the impact of the empire upon the British metropolis by showing both the geographical variations and its different cultural manifestations. Barczewski offers a rare scholarly analysis of the history of country houses that goes beyond an architectural or biographical study, and recognises their importance as the physical embodiments of imperial wealth and reflectors of imperial cultural influences. In so doing, she restores them to their true place of centrality in British culture over the last three centuries, and provides fresh insights into the role of the Empire in the British metropolis.
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The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.
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This edited collection investigates New Zealand's history as an imperial power, and its evolving place within the British Empire. It revises and expands the history of empire within, to and from New Zealand by looking at the country's spheres of internal imperialism, its relationship with Australia, its Pacific empire and its outreach to Antarctica. The book critically revises our understanding of the range of ways that New Zealand has played a role as an imperial power, including the cultural histories of New Zealand inside the British Empire, engagements with imperial practices and notions of imperialism, the special significance of New Zealand in the Pacific region, and the circulation of ideas of empire both through and inside New Zealand over time. The essays in this volume span social, cultural, political and economic history, and in testing the concept of New Zealand's empire, the contributors take new directions in both historiographical and empirical research.
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Uwe Johnson wurde am 20. Juli 1934 in Kammin (Pommern), dem heutigen Kamien Pomorski, geboren und starb am 22. oder 23. Februar 1984 in Sheerness-on-Sea. 1945 floh er mit seiner Mutter und seiner Schwester zunächst nach Recknitz, dann nach Güstrow in Mecklenburg. Sein Vater wurde von der Roten Armee interniert und 1948 für tot erklärt. 1953 schrieb er sich an der Universität Leipzig als Germanistikstudent ein und legte sein Diplom über Ernst Barlachs Der gestohlene Mond ab. Bereits während des Studiums begann er mit der Niederschrift des Romans Ingrid Babendererde . Reifeprüfung 1953. Er bot ihn 1956 verschiedenen Verlagen der DDR an, die eine Publikation ablehnten. 1957 lehnte auch Peter Suhrkamp die Veröffentlichung ab. Der Roman wurde erst nach dem Tode von Uwe Johnson veröffentlicht. Der erste veröffentlichte Roman von Uwe Johnson ist Mutmassungen über Jakob. Von 1966 – 1968 lebte Uwe Johnson in New York. Das erste Jahr dort arbeitete er als Schulbuch-Lektor, das zweite wurde durch ein Stipendium finanziert. Am 29. Januar 1968 schrieb er in New York die ersten Zeilen der Jahrestage. Aus dem Leben von Gesine Cresspahl nieder. Deren erste ›Lieferung‹ erschien 1970. Die Teile zwei und drei schlossen sich 1971 und 1973 an. 1974 zog Uwe Johnson nach Sheerness-on Sea in der englischen Grafschaft Kent an der Themsemündung. Dort begann er unter einer Schreibblockade zu leiden, weshalb der letzte Teil der Jahrestage erst 1983 erscheinen konnte. 1979 war Uwe Johnson Gastdozent für Poetik an der Johann Wolfgang Goethe-Universität in Frankfurt. Ein Jahr später erschienen seine Vorlesungen unter dem Titel Begleitumstände. Sein Nachlass befindet sich im Uwe Johnson-Archiv an der Universität Rostock. Rolf Michaelis, geboren 1933, hat 1958 über Die Struktur von Hölderlins Oden promoviert. Er war Feuilletonredakteur bei verschiedenen Zeitungen, u. a. langjähriger Leiter des Literaturteils der Zeit. Buchveröffentlichungen u. a. über Gerhart Hauptmann, Heinrich von Kleist, Federico García Lorca und Uwe Johnson.
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Die Suhrkamp-Quarto-Ausgabe versammelt sämtliche Romane von Marguerite Duras, von den Anfängen in den 50er Jahren mit Heiße Küste und Der Matrose von Gibraltar bis zu Der Liebhaber, ihrer Auseinandersetzung mit dem Trauma ihrer Kindheit, und Der Schmerz, dem Protokoll ihres Wartens auf ihren in Buchenwald internierten Mann. Dieser Band bietet im Vergleich zu den Einzelbänden eine Preisersparnis von 69%.
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Anthony Burgess draws upon an autobiographical episode to create Beard's Roman Women, the story of a man haunted by his first wife, presumed dead. But is she? A marvellously economical book, full-flavoured, funny, and heartfelt, showing its author at the height of his powers. This new edition is the first to be published with David Robinson's photographs for over 40 years. The text of the novel has been restored using the original typescripts, and Graham Foster's new introduction provides valuable insight into the fictional and biographical contexts of the novel. The text is fully annotated with a detailed set of notes and this edition includes the previously unpublished script for Burgess's television film By the Waters of Leman: Byron and Shelley at Geneva, and a rare piece of Burgess's writing about Rome.
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Dundee had an interesting role to play in the jute trade, but the main player in the story of jute was Calcutta. This book follows the relationship of jute to empire, and discusses the rivalry between the Scottish and Indian cities from the 1840s to the 1950s and reveals the architecture of jute's place in the British Empire. The book adopts significant fresh approaches to imperial history, and explores the economic and cultural landscapes of the British Empire. Jute had been grown, spun and woven in Bengal for centuries before it made its appearance as a factory-manufactured product in world markets in the late 1830s. The book discusses the profits made in Calcutta during the rise of jute between the 1880s and 1920s; the profits reached extraordinary levels during and after World War I. The Calcutta jute industry entered a crisis period even before it was pummelled by the depression of the 1930s. The looming crisis stemmed from the potential of the Calcutta mills to outproduce world demand many times over. The St Andrew's Day rituals in Calcutta, begun three years before the founding of the Indian Jute Mills Association. The ceremonial occasion helps the reader to understand what the jute wallahs meant when they said they were in Calcutta for 'the greater glory of Scotland'. The book sheds some light on the contentious issues surrounding the problematic, if ever-intriguing, phenomenon of British Empire. The jute wallahs were inextricably bound up in the cultural self-images generated by British imperial ideology.
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Air empire is a fresh study of civil aviation as a tool of late British imperialism. The first pioneering flights across the British empire in 1919-20 were flag-waving adventures that recreated an era of plucky British maritime exploration and conquest. Britain's development of international air routes and services was approved, organised and celebrated largely in London; there was some resistance in and beyond the subordinate colonies and dominions. Negotiating the financing and geopolitics of regular commercial air service delayed its inception until the 1930s. Technological, managerial and logistical problems also meant that Britain was slow into the air and slow in the air. Propaganda concealed underperformance and criticism. The study uses archival sources, biographies, industry magazines and newspapers to chronicle the disputed progress toward air empire. The rhetoric behind imperial air service offers a glimpse of late imperial hopes, fears, attitudes and style. Empire air service had emotional appeal and symbolic value, but disappointed in practice.
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Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire.
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Roman Yos' preisgekrönte Untersuchung über die Ursprünge eines der einflussreichsten Werke der jüngeren Geistesgeschichte zeigt auf originelle Weise, wie Jürgen Habermas seine bereits in jungen Jahren ausgeprägten philosophisch-politischen Denkmotive allmählich in die Bahnen eines tragfähigen Systems überführte. Diese Entwicklung lässt sich als ein Lernprozess begreifen, in dessen Verlauf konträre intellektuelle Einflüsse aufeinandertrafen und der aufwändigen Vermittlung bedurften. Yos rekonstruiert die spannungsreiche Entstehung von Habermas‘ Denken aus dem Zusammenhang frühester Schriften und gibt zugleich einen Einblick in deren zeit- und ideengeschichtliche Hintergründe.
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Der Algerier Kateb Yacine, geboren 1929, veröffentlichte 1956 seinen ersten Roman Nedschma in Paris. Zum Erscheinen der deutschen übersetzung schrieb Dieter E. Zimmer in der Zeit: »Zugänglich? Es ist ein Roman voller Rätsel und selbst für einen an Faulkner geschulten Leser nicht leicht zu bewältigen. Lohn aber für die Mühen ist nicht nur, Algerien gleichsam von innen kennenzulernen. Das geschieht beiläufig. Doch weniger aus politischem oder einfach exotischem Interesse liest man einen Roman weiter, der es seinem Leser gewiß nicht leicht macht, sondern weil man bald spürt, daß man es mit einem Werk von nicht alltäglichem Rang zu tun hat.«
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The history of Ukraine is turbulent and rich, and the nature is truly unique, so it is not surprising that there are many attractive and interesting tourist sites. But which ones are worth seeing first? According to a number of definitive criteria, UNESCO has identified 7 main natural and cultural sites of Ukraine and included them in the World Heritage List. Moreover, there is also a list of sites considered for nomination in the World Heritage Sites List,which is called the UNESCO Tentative List; in Ukraine there are 17 more such sites. The guidebook by Roman Malenkov, a traveller and founder of the local history website "Ukraine Incognita", will tell about them all.
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This work details traces the origins, development and impact of the proselytizing organization, the Society for Irish Church Missions to the Roman Catholics, from its Protestant foundation during the famine of 1845-47 to the early decades of Irish Free State. It argues that the foundation of this ostensibly religious society was also underpinned by social, political, and economic factors and demonstrates that by the mid 1850s the mission operated on a very substantial scale. Moffitt examines the mission's role in the shifting political realities of the late nineteenth and early twentieth centuries. The impact of this inter-faith power struggle and its legacy to the present day are explored by examining contemporary sources, folklore evidence, and the depiction of proselytizing missions in both Catholic and Protestant denomination literature and fictional writings. ;
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Ein geradezu tollkühner, fast grausam wacher Roman über die Abgründe der Liebe und die Mechanismen des Betrugs, der nicht nur Einblick in die japanischen Geschlechterverhältnisse gibt, sondern auch ein Stück japanischer Emanzipationsgeschichte schreibt.
