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Promoted ContentThe ArtsJanuary 2022
The Family of Love
By Lording Barry
by Helen Ostovich, Sophie Tomlinson
The Family of Love charts a successful love intrigue between the cash-strapped Gerardine, and Maria, the sequestered niece of the mercenary Doctor Glister. Their romance unfolds against the dissection of two citizen marriages, the Glisters' and the Purges'. Mistress Purge attends Familist meetings independently, arousing her husband's suspicions about her marital fidelity. Two libertines, Lipsalve and Gudgeon, go in search of sex and solubility (freedom from constipation), receiving more than they bargain for in respect of the latter. This scholarly edition of Family of Love marks the first occasion on which the comedy is attributed to Lording Barry in print. It brings together literary and historical discussion with a thorough analysis of the play's disputed authorship. Tomlinson highlights Barry's rich vein of burlesque humour in a comedy that combines magic, a trunk, and a mock-court session with vigorous colloquial language.
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Promoted ContentThe ArtsMay 2024
The Family of Love
By Lording Barry
by Sophie Tomlinson
The Family of Love charts a successful love intrigue between the cash-strapped Gerardine, and Maria, the sequestered niece of the mercenary Doctor Glister. Their romance unfolds against the dissection of two citizen marriages, the Glisters' and the Purges'. Mistress Purge attends Familist meetings independently, arousing her husband's suspicions about her marital fidelity. Two libertines, Lipsalve and Gudgeon, go in search of sex and solubility (freedom from constipation), receiving more than they bargain for in respect of the latter. This scholarly edition of Family of Love marks the first occasion on which the comedy is attributed to Lording Barry in print. It brings together literary and historical discussion with a thorough analysis of the play's disputed authorship. Tomlinson highlights Barry's rich vein of burlesque humour in a comedy that combines magic, a trunk, and a mock-court session with vigorous colloquial language.
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Trusted PartnerSeptember 1979
Reflexionen über die Universalgrammatik
by Helen Leuninger
Noam Chomskys Buch »Reflexionen über die Sprache« (= stw 185) stellt eine Zusammenfassung der sprachphilosophischen Kontroverse zwischen Empirismus und Rationalismus und zwischen Semantik und Pragmatik dar. Es präsentiert aber auch einen neuen Entwicklungsstand in der Kontroverse darum, ob die Syntax unabhängig von der Semantik operieren kann. Chomsky führt in diesem Buch die bereits 1973 in den »Conditions of Transformation« entwickelte Spurentheorie ein und motiviert diese sowohl aus empirischen Gründen der Sprachbeschreibung als auch mit kognitiven Argumenten sowie mit Beobachtungen aus dem Prozeß des Spracherwerbs. Diese Theorie stellt eine starke Revision der bekannten Annahmen Chomskys dar. In den »Reflexionen über die Sprache« liefert Chomsky sozusagen »nur« den konzeptuellen Rahmen der neuen Spurentheorie. Helen Leuningers Arbeit diskutiert nun die methodologischen und empirischen Fragen, die sich aus dieser neuen Theorie ergeben, und stellt sie in den forschungs- und wissenschaftsgeschichtlichen Zusammenhang, aus dem sie entstanden sind.
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Trusted PartnerLiterature & Literary StudiesSeptember 2008
Every Man Out of His Humour
Ben Jonson
by David Bevington, Helen Ostovich, Richard Dutton, Alison Findlay, Helen Ostovich
Despite its popularity when it first appeared in print in 1600, Every Man out of His Humour has never appeared as a single modern critical edition until now. The volume's introduction and annotations convey early modern obsessions with wealth and self-display by providing historical contexts and pointing out the continuity of those obsessions into modern life. The play is of interest because of its influence on the course of city comedy and its wealth of information about social relationships and colloquial language at the end of Elizabeth's reign. Jonson's experiments in generating theatrical meaning continued throughout his career, but Every Man out of His Humour - with its youthful vigour and extraordinary visualizations of the urban capacity for self-deceit - is a text that enriches the understanding of all the plays that come after it. ;
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Trusted PartnerThe ArtsMay 2022
Hyde Park
by James Shirley
by Helen Ostovich, Eugene Giddens
Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue and sport - including foot and horse races - across three love plots. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the Revels Plays edition unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley from the same publishers.
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Trusted PartnerMarch 2019
Der Ritter, der nicht kämpfen wollte
by Helen Docherty, Thomas Docherty, Dorothee Haentjes-Holländer
In "Der Ritter, der nicht kämpfen wollte" von Helen Docherty begleiten junge Zuhörer*innen ab 4 Jahren den mutigen kleinen Mäuseritter Leo auf eine abenteuerliche Reise voller überraschender Wendungen. Leo, der ein großes Herz für Bücher hat und Gewalt ablehnt, steht vor der Aufgabe, einen Drachen zu zähmen. Mit Geschichten als seine mächtigsten Waffen stellt er sich dieser Herausforderung und zeigt, dass Wissen und Verständnis die stärksten Werkzeuge sind, um Freunde zu gewinnen und Konflikte zu lösen. Dieses Bilderbuch bietet eine inspirierende Botschaft über die Kraft der Güte und des Lesens, verpackt in zauberhafte Verse und begleitet von fesselnden Illustrationen, die die Fantasie anregen und zum Träumen einladen. Fördert friedliche Konfliktlösungen: Das Buch vermittelt wichtige Werte wie Empathie und die Lösung von Problemen durch Kreativität statt Gewalt. Stärkt die Lesemotivation: Durch die Darstellung des Lesens als Heldentat regt die Geschichte Kinder dazu an, selbst zum Buch zu greifen. Qualitativ hochwertige Illustrationen und Reime: Die Kombination aus visuellen und sprachlichen Elementen macht das Vorlesen und Anschauen zu einem Vergnügen für Kinder und Erwachsene. Bietet eine alternative Heldenfigur: Leo, der Ritter, der nicht kämpfen wollte, bricht mit traditionellen Heldenbildern und erweitert das Verständnis von Mut. Garantiert langanhaltendes Interesse: Dank seiner zeitlosen Botschaft und ansprechenden Gestaltung wird dieses Buch über Jahre hinweg Freude bereiten. Erntet begeisterte Rückmeldungen: Positive Bewertungen von Familien bestätigen den Mehrwert und die Beliebtheit des Buches. Ideal für gemeinsame Leseerlebnisse: Perfekt geeignet für das Vorlesen im Familienkreis oder in Bildungseinrichtungen, unterstützt es die Entwicklung von Sprachgefühl und sozialen Kompetenzen.
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Trusted PartnerNovember 2019
Das Adressbuch
by Sophie Calle, Sabine Erbrich
Sophie Calle findet ein Adressbuch und kopiert die Seiten daraus, bevor sie es anonym an den Besitzer, einen gewissen Pierre D., zurückgibt. Dann beginnt sie, zu denen, die in dem Buch verzeichnet sind, Kontakt aufzunehmen, sie trifft sich mit D.s Familie, Freunden, Bekannten, Affären.Mit jeder Begegnung wird Pierre D. plastischer und zugleich undurchdringlicher, Calles Recherche verkompliziert sich zusehends, während sie versucht, die schiere Vielzahl von Details – scheinbar Triviales wie potentiell Aufschlussreiches – zu dem bündigen Porträt eines Unbekannten zu fügen. Und im Lauf ihrer Nachforschungen hat Sophie Calle auch die eigenen Motive, Obsessionen und Ängste zu hinterfragen. Sophie Calle hat diese Begegnungen mit den Menschen aus D.s Adressbuch in Text und Bild dokumentiert, 1983 erschienen diese Dokumentationen einen Monat lang als Serie in der französischen Tageszeitung Libération. Und lösten einen handfesten Skandal aus, der bis heute nachhallt. Was interessiert uns an anderen? Und was verbirgt sich hinter unserem Interesse? Charakterstudie, Bekenntnis, Essay, Konzeptkunst – Sophie Calle unternimmt eine voyeuristische Abenteuerreise durch das Adressbuch eines Fremden und erfindet eine Form, in der Leben und Kunst, Rolle und Identität, Vertrautes und Unbekanntes ineinander zu oszillieren beginnen.
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Trusted PartnerJuly 2021
Wahre Geschichten
by Sophie Calle, Sabine Erbrich
Sophie Calle entblößt sich, bis zur Unkenntlichkeit. In 65 dramatischen, frivolen, zärtlichen und verspielten Episoden erzählt die französische Künstlerin ein ganzes Leben in Fragmenten. Sie erzählt von den Kränkungen der frühen Jahre, von unverständlich wachsenden Brüsten, von kruden Liebesaffären, von ihrer Zeit als Stripperin und Aktmodell, von letzten und allerletzten Dingen. Und jede dieser Episoden beglaubigt sie mit einem ‘authentischenʼ Erinnerungsstück, mit Fotografien von Brautkleidern, von Liebesbriefchen, von angekokelten Betten, von ausgestopften Katzen. Sophie Calle hat so eine Wunderkammer der Versehrtheiten, Begierden, Erfahrungen, Fantasien geschaffen. Und wie beiläufig die Demarkationslinien zwischen Fiktion und Wirklichkeit verwischt. Kindheit, Liebe, Sex, Tod: Vermittels lakonischer Texte und doppelbödiger Fotografien, in einer hochgradig eigensinnigen Mischung aus Melancholie, Voyeurismus und trockenem Humor erzählt Sophie Calle den Bildungsroman ihres Lebens.
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Trusted PartnerLiterature & Literary StudiesDecember 1999
Volpone, or The Fox
Ben Johnson
by David Bevington, Brian Parker, Richard Dutton, Alison Findlay, Helen Ostovich
This is the most thoroughly investigated edition of Volpone to date, based on a wider collation of the 1607 quarto and 1616 folio versions than was previously possible. It calls into question several accepted textual conclusions. The introduction sets Volpone in the context of Jonson's career at the time of writing and introduces new material on its relation to the Reynard beast epic and the commedia dell' arte. Ambiguities in the play are discussed with reference to two Renaissance perversions of the myth of the Golden Age. Particular attention is paid to the rhythmic effects of the play in performance, especially interweavings of the main plot and subplot. Fresh suggestions are made about the play's opening and its controversial conclusion in the light of experiments that have been made in performance since Volpone 's stage revival in 1921. The modernized text is accompanied by full commentary, notes and illustrations. The appendices include a discussion by John Cutts of the original music, passages translated from the original sources and analogues, and a full record of the play's modern stage history, its many adaptations, and its transformations into opera, musical comedy, film and television. ;
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Trusted PartnerLiterature & Literary StudiesJune 1999
Antonio's Revenge
by John Marston
by David Bevington, W Gair, Richard Dutton, Alison Findlay, Helen Ostovich
Part of the major re-launch of MUP's most prestigious series.. The text is supported by variant readings, detailed notes, and a statistical breakdown of word use.. A number of these plays are being performed at the Globe Theatre and in rep as well as being set on a number of drama courses.. The acclaimed and most authoritative version of these plays thought of as the 'companion' to the Arden Shakespeare.. The only commercially available edition of the play currently in print. ;
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Trusted PartnerLiterature & Literary StudiesJuly 2010
An Humorous Day's Mirth
by George Chapman
by David Bevington, Charles Edelman, Richard Dutton, Alison Findlay, Helen Ostovich
George Chapman is known today as a translator of Homer and as the author of dark tragedies such as Bussy D'Ambois. An Humorous Day's Mirth, written in 1597, was one of the most popular plays of the Elizabethan era. Not only was Chapman's play the Rose Theatre's greatest box-office success of that year, but it also presented an entirely new type of comedy, one that has profoundly influenced comic writing up to the present day. This play is the English theatre's first 'comedy of humours', in which the attitudes, behaviour, and social pretensions of contemporary men and women are satirised. Charles Edelman's is the first fully annotated, modern spelling edition of this long-neglected play. In his extensive introduction and commentary, Edelman discusses the intellectual, philosophical and theatrical background to Chapman's comedy, and shows that An Humorous Day's Mirth would delight the readers and audiences of today as much as it did those in 1597. ;
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Trusted PartnerLiterature & Literary StudiesMarch 2005
Antonio and Mellida
John Marston
by David Bevington, W Gair, Richard Dutton, Alison Findlay, Helen Ostovich
Antonio and Mellida was the first play by John Marston performed by the newly revived Paul's Company in 1599. Marston sought to display a variety of talents, comic, tragic, satiric and historical, advertising his own dramatic skills and the prowess of the choristers of Paul's. The play is based on incidents in the reigns of Sforza, Francesco, Galeazzo and Lodovico, who were Dukes of Milan in the late fifteenth and early sixteenth centuries. Marston displays a detailed knowledge of the dramatic works of Shakespeare, Seneca, Kyd and Nashe as well as the prose of Sidney, Erasmus, Montaigne, Florio and others. This edition relates the play to a wide variety of literary contexts. It also includes a comprehensive introduction, an analysis of staging, and full commentary. The text is based on a collation of all known copies of the 1602 Quarto and is presented in a thoroughly modernised format. ;
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Trusted PartnerLiterature & Literary StudiesJuly 2013
A Trick to Catch the Old One
By Thomas Middleton
by David Bevington, Paul Mulholland, Richard Dutton, Alison Findlay, Helen Ostovich
This is the first single volume edition of A Trick to Catch the Old One for many decades. This edition presents a thoroughly reconsidered text based on collation of all known copies of the 1608 quarto (including material unnoticed by earlier editors). Textual analysis draws on detailed internal investigation and the printer's wider practice to propose that relatively improvisational procedures and a paper quota governed A Trick's printing operations. Discovery of an overlooked record revises the date of court performance to 1 January 1607, with implications for the play's early history. Critical discussion freshly examines the play's multi-layered ironic texture in relation to such issues as the status of women, marriage's relation to prostitution and vice versa, and the contemporary marriage market. And the Courtesan receives special attention in the context of this overarching ironic scheme. An extensive stage history explores original staging and documents revivals to 2011. The commentary is the most wide-ranging and comprehensive of all modern editions. ;
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Trusted PartnerLiterature & Literary StudiesNovember 2000
Bartholomew Fair
By Ben Jonson
by David Bevington, Suzanne Gossett, Richard Dutton, Alison Findlay, Helen Ostovich
Of all of Jonson's plays, Bartholomew Fair with its focus on the conflict between a carnivalesque enjoyment of the flesh and society's desire for order and control, speaks most directly to the modern audience. This edition is the first to use the findings of feminist scholarship in examining the play's concern with forced marriage, pregnancy, sexual commerce and widowhood. Glosses and notes are provided for students and theatre-goers clarifying the language and dialects Jonson uses to individualise the characters in his prose masterpiece and helpfully explicating layers of meaning and topical references. ;
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Trusted PartnerLiterature & Literary StudiesDecember 2003
Philaster: or Love Lies a-Bleeding
Or, Love Lies A-Bleeding by Beaumont and Fletcher
by David Bevington, Andrew Gurr, Richard Dutton, Alison Findlay, Helen Ostovich
Now back in print after a lengthy absence, one of the most enduring plays of its time. Edited by the renowned scholar, and recent advisor to the Globe Theatre, Andrew Gurr. No real competition for this singular play. Joins the now very impressive roster of The Revels Plays, almost thirty of which are now in print. ;