Editorial Leonard Levy
Venezuelan gastronomic literature.
View Rights PortalJacoby & Stuart is a publishing house of richly illustrated and well-written children’s books, picture books, fiction and non-fiction. For adults we publish graphic novels, lovingly designed gift books, richly illustrated and informative non-fiction as well as inventive and exquisite cookbooks.
View Rights PortalThe Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
Jack Tar to Union Jack examines the intersection between empire, navy, and manhood in British society from 1870 to 1918. Through analysis of sources that include courts-martial cases, sailors' own writings, and the HMS Pinafore, Conley charts new depictions of naval manhood during the Age of Empire, a period which witnessed the radical transformation of the navy, the intensification of imperial competition, the democratisation of British society, and the advent of mass culture. Jack Tar to Union Jack argues that popular representations of naval men increasingly reflected and informed imperial masculine ideals in Victorian and Edwardian Britain. Conley shows how the British Bluejacket as both patriotic defender and dutiful husband and father stood in sharp contrast to the stereotypic image of the brave but bawdy tar of the Georgian navy. This book will be essential reading for students of British imperial history, naval and military history, and gender studies. ;
Jack Tar to Union Jack examines the intersection between empire, navy, and manhood in British society from 1870 to 1918. Through analysis of sources that include courts-martial cases, sailors' own writings, and the HMS Pinafore, Conley charts new depictions of naval manhood during the Age of Empire, a period which witnessed the radical transformation of the navy, the intensification of imperial competition, the democratisation of British society, and the advent of mass culture. Jack Tar to Union Jack argues that popular representations of naval men increasingly reflected and informed imperial masculine ideals in Victorian and Edwardian Britain. Conley shows how the British Bluejacket as both patriotic defender and dutiful husband and father stood in sharp contrast to the stereotypic image of the brave but bawdy tar of the Georgian navy. This book will be essential reading for students of British imperial history, naval and military history, and gender studies.
In 'Digging up stories', James Thompson explores the problems of theatre practice in communities affected by war and exclusion. Each chapter or 'story' is written in a lively and accessible style and draws on a range of contemporary performance theories. The chapters discuss: - participatory theatre in refugee camps - theatre workshop and stories of a massacre - traditional dance-dramas in an insurgent controlled village - 'Forum' theatre with the Mahabharata - ethical issues - the struggle to teach the author to dance 'Digging up stories' documents a range of theatre practice and includes project reports, ethnographic accounts, performance analysis and diary-style reflection. Taken from Thompson's research and practice in Sri Lanka, these diverse examples question the link between applied theatre, traditional performance and performances in everyday life. The book blurs lines between research and travel writing to create rich and provocative accounts of applying theatre in a troubled setting. ;
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
What a Wonderful World This Can Be is a ground-breaking picture book about how small acts can have big consequences. Author Mary-An tackles large topics like sustainability, bullying, and poverty, as well as incredibly heart-melting themes of kindness, bravery, and persistence. In this book, a little girl wonders at the wonderful world that is all around her. Although, she is slightly put out when she sees someone begging for food, or oil in the ocean, or even a bully at school—what can she do? One thing at a time! "One piece of trash picked out of the sea, one word of kindness to someone in need, one word to a bully, one hug to a friend, a thing one by one, though the things never end."
In one of the first monographs of its kind to focus on the aesthetic and emotional impact of lighting in cinema, Lara Thompson looks at the way light informs the cinematic experience, from constructing star identities, sculpting natural light and creating imaginary worlds, to the seductive power of darkness, fading representations of the past and arresting twilight encounters. This groundbreaking and accessible introductory study offers a unique insight into the way illumination has transcended its diffuse functional boundaries and been elevated to a position of narrative and emotional importance, transforming it from an unobtrusive element of film style to an expressive and essential component. It includes analyses of over fifty renowned international films, discussed in inventive and illuminating combinations, from cinema's earliest moments to its most recent digital manifestations, and is essential reading for all those who want to understand what film light means and how it makes us feel. ;
Zweifellos ist es ein verlegerisches Wagnis, DʼArcy Thompsons legendäres Buch im Zeitalter des Quasi-Ausschließlichkeitsanspruchs von Biochemie und Molekularbiologie in einer Neuauflage und dazu in deutscher Sprache herauszubringen. Wer von den jungen Biologen verbindet heute noch mit Thompsons Namen einen Begriff? Wer war dieser Mann? Was macht sein Werk noch heute druckenswert? Man könnte vielleicht aphoristisch sagen: DʼArcy Thompson war einer jener Polyhistores, von denen man meinte, sie seien mit dem Verklingen des Barock ausgestorben und in späterer Zeit nicht einmal mehr denkbar. Mithin ein verspäteter Barock-Gelehrter? Keineswegs, sondern einer der Pioniere der modernsten Biologie! Er vereinigte in sich das Denkvermögen des Mathematikers und Physikers mit dem des Linguisten und des Biologen, und er verfügt über das Handwerkliche aller drei dieser – ach doch so verschiedenen – Wissensgebiete. Dieses Buch hat eine widersprüchliche Geschichte: 1917 erschien die erste Auflage – damals vollendete Ketzerei – mit 793 Seiten Umfang, 1942 eine Erweiterung auf 1116 Seiten. Die posthume Neuauflage von Bonner – sie liegt der Übersetzung zugrunde – knüpft an die erste Auflage an, läßt vieles aus (weil es nicht mehr aktuell ist) und bringt zahlreiche Kommentare des Herausgebers. Es handelt sich also bei der vorliegenden Ausgabe um eine »Klassikeredition in Auswahl und mit Kommentar versehen«. Dies ist bei einem Buch mit einer erst 55jährigen Geschichte bemerkenswert. Um es vorwegzunehmen: von Thompsons Konzeption ist nichts Wesentliches verlorengegangen, und die Kommentare machen die Orientierung für denjenigen, der die Literatur nicht selbst kennt, leichter. (So. J.H. Scharf, Halle, 1974 in seiner Besprechung der deutschen Erstausgabe.)
The French empire at war draws on original research in France and Britain to investigate the history of the divided French empire - the Vichy and the Free French empires - during the Second World War. What emerges is a fascinating story. While it is clear that both the Vichy and Free French colonial authorities were only rarely masters of their own destiny during the war, preservation of limited imperial control served them both in different ways. The Vichy government exploited the empire in an effort to withstand German-Italian pressure for concessions in metropolitan France and it was key to its claim to be more than the mouthpiece of a defeated nation. For Free France too, the empire acquired a political and symbolic importance which far outweighed its material significance to the Gaullist war effort. As the war progressed, the Vichy empire lost ground to that of the Free French, something which has often been attributed to the attraction of the Gaullist mystique and the spirit of resistance in the colonies. In this radical new interpretation, Thomas argues that it was neither of these. The course of the war itself, and the initiatives of the major combatant powers, played the greatest part in the rise of the Gaullist empire and the demise of Vichy colonial control. ;
This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.
This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation. ;
John et Yoni - Deux frères jumeaux - deux religions - deux nations - une seule âme !Mike Carmel A la suite d'une relation illicite passionnée entre une jeune étudiante en psychologie et son professeur marié, en 1979, deux frères jumeaux, John et Yoni, sont involontairement séparés lors du premier mois de leur vie et sont élevés dans deux différentes familles adoptives. John grandit en Angleterre à Liverpool, dans la foi romaine catholique. Yoni est élevé à Raanana, en Israël, dans la confession juive.A l'âge de 21 ans, ils se rencontrent pour la première fois. Ils sont tous deux très croyants, chacun dans ses propres convictions religieuses, et il s'ensuit un processus intéressant de découverte mutuelle, alors que leurs voies culturelles différentes se rencontrent. Ce qui suit est une histoire captivante, stimulante, amusante, qui soulève des questions et occasionnellement des conflits, et souvent débouche sur le bizarre. Alors, l'un d'eux perd tragiquement la vie, victime d'un attentat suicidaire à la bombe, et son frère jumeau reste, pour endurer le difficile processus de remise en question de sa propre identité, se retrouvant de nouveau seul au monde. Mike Carmel est né en 1956 à Liverpool et étudia l'économie à la Liverpool University et à la Brunel University, à Londres. Bien que l'auteur fût élevé dans la foi anglicane, il décida, en 1980, de se convertir au judaïsme. Il conserva désormais un profond respect pour les deux religions.Travaillant dans le secteur de la Hi Tech, Mike vit en Israël depuis 25 ans. Il a servi dans l'armée israélienne comme infirmier et il a aussi rempli diverses fonctions dans l'éducation dans les deux pays. Mike s'est marié avec une israélienne en 1981 et ils ont trois enfants. Sa fille, à laquelle le livre est dédié, a été gravement blessée pendant son service militaire par un terroriste suicidaire en 2003.
Nach seinen sprachphilosophischen Arbeiten ('Sprechakte', stw 458; 'Ausdruck und Bedeutung', stw 349) hat John R. Searle mit 'Intentionalität' eine Untersuchung zu einem Kernstück der Philosophie des Geistes vorgelegt, die in einem engen thematischen Zusammenhang mit den früheren Arbeiten steht. Intentionalität ist nach Searles Auffassung die Basis sprachlicher Bedeutung. In seiner Theorie der Intentionalität geht es um die begrifflichen Eigenschaften intentionaler Zustände (auf die Frage nach ihrem ontologischen Status geht er ausführlicher ein in 'Geist, Hirn und Wissenschaft', stw 591). Zwei Aspekte stehen dabei im Vordergrund der Untersuchung: die Logik der Repräsentation und der Kausalität intentionaler Zustände. Doch Searle entwickelt in dieser Arbeit nicht nur eine Theorie der Intentionalität und des Zusammenhangs zwischen sprachlichem und geistigem Inhalt. In einem vornehmlich kritischen Teil setzt er sich ausführlich mit konkurrierenden Auffassungen aus dem Bereich der analytischen Philosophie auseinander, insbesondere mit derzeit sehr einflußreichen 'nicht-deskriptivistischen' Theorien des Bezugs, wie sie von S. Kripke, H. Putnam, K. Donnellan, T. Burge und D. Kaplan vertreten und angeregt wurden.
Colonial frontiers explores the formation, structure and maintenance of boundaries and frontiers in settler colonies. Drawing on the work of anthropologists, historians, archaeologists and post-colonial theorists, the authors in this fascinating collection explore the importance of cross-cultural interactions in the settler colonies of Australia, New Zealand, South Africa and America. Taking key historical moments to illuminate the formation of new boundaries and the interaction between the settler societies and the indigenous groups, this book raises many important questions about how the empire worked 'on the ground'. Importantly, the collection attempts to theorise the indigenous experience. As we move towards globalisation, borders and boundaries have begun to fall away. This book reminds us that not long ago the frontiers and boundaries were the key sites for cross-cultural interaction. This collection, which includes chapters by John K. Noyes, Nigel Penn, Kay Schaffer and Ian McNiven, is broad in scope and presents an exciting new approach to the issues surrounding group interaction in colonial settings. Students and academics, from backgrounds such as imperial history, anthropology and post-colonial studies, will find this collection extremely valuable.