Flanker Press
Livres Canada Books
View Rights PortalFlanders Literature opens a window on the dynamic and diverse literary landscape in the northern part of Belgium. It puts translators from Dutch in the spotlight and highlights the works of Flemish authors and illustrators abroad. Flanders Literature supports the publication of translations and literary tours abroad by means of grants, that can be applied for by foreign publishers and festival organisers.
View Rights PortalVOLVER A MASADA por Amnon Ben-Tor Este libro resume los ocho volúmenes de la serie de Informes finales de Masada que se han publicado hasta la fecha. Las excavaciones en el sitio bajo la dirección de Yigael Yadin en la década de 1960 revelaron el palacio-fortaleza herodiano, que fue el último bastión de los rebeldes judíos en su revuelta contra las poderosas legiones romanas entre los años 66 a 73 de la era cristiana. Según el testimonio del historiador contemporáneo Flavio Josefo, los defensores optaron por suicidarse antes que rendirse. Cientos de voluntarios de todo el mundo participaron en dichas excavaciones. Los capítulos cubren los restos arquitectónicos y pequeños hallazgos de la época de Herodes, de los celotes y del período romano, las obras romanas durante el sitio y restos del período bizantino. En las excavaciones se encontraron miles de objetos, incluidos manuscritos. Masada no es solo un sitio arqueológico, sino también un símbolo, principalmente, pero no exclusivamente para los modernos israelíes. Esto se refleja en los cientos de miles de visitantes que acuden cada año de todos los rincones del mundo. En 2001, Masada fue declarado por la UNESCO como Patrimonio de la Humanidad. El capítulo final del libro examina el así llamado "mito de Masada" a la luz de la evidencia arqueológica y evalúa las recientes críticas de la metodología y de las conclusiones históricas de los excavadores de Masada en vista de sus resultados reales. Amnon Ben-Tor, profesor emérito de la Cátedra Yigael Yadin de Arqueología de la Tierra de Israel en el Instituto de Arqueología de la Universidad Hebrea de Jerusalén, fue miembro del equipo de Yadin en las excavaciones de Masada. Estudió arqueología e historia judía en la Universidad Hebrea, donde se doctoró en 1968 y enseñó hasta 2004. Paralelamente, participó en excavaciones en diversos sitios en Israel, incluido un estudio regional del área occidental del Valle de Jezreel, en los sitios de Tel Kiri, Tel Kashish y Yokneam. Desde 1990 dirige las excavaciones en Hatzor de la Fundación Selz en memoria de Yigael Yadin. 25×19 cm, 320 páginas, edición en tapas duras, muchas fotos e ilustraciones.
The first coloring book for adults only! 34 drawings of orgies in fun and naughty variations: marine, idyllic, somber, poetic and much more. Drawn by 35 different artists especially for this publication. The kit contains 2 sets with 17 different orgies each + crayons + sticker of the orgy drawn by the great cartoonist Laerte, wrapped in a special (and discreet) package.
In the fifteenth century, Venice was the first Italian centre to produce and disseminate books printed using mobile printing presses throughout Europe, thanks to the resourcefulness of many printer-publishers - such as Giovanni da Spira and Aldo Manuzio - and the prudence of the Veneto Senate, which immediately realised the importance (also commercial) of this new means of disseminating ideas. The Serenissima also played an important role in forming a different way of understanding gastronomy through the publication of cookbooks - some of which were famous, such as those by Cristoforo Messisbugo, Bartolomeo Scappi, Platina and Panunto - which introduced chefs and lovers of good food to the elaborate dishes that were served at the sumptuous court banquets of the major Italian princes: unusual recipes, faithful to the taste of the time, such as salt cod with black butter, capon in French fracassea, dried merlucce and eel cake from Lent... but also practical advice on how to order the dishes with grace and perfection or how to chop the meat by playing acrobatic games to leave the diners amazed.
A masterful novel about a girl and her murderer – based on a true story from Switzerland just before the First World War. In May 1914, a young woman was found murdered in a wood near Krumbach, in Switzerland. The murderer, a homeless man living in the woods, was the last person executed by the guillotine in the canton of Lucerne. Inspired by this true case, Flavio Steimann tells the story of Agatha and Zenz: Her mother died while giving birth to Agatha. Her father, grief-stricken, sets his broken-down farm on fire some years later and hangs himself, but only after bringing the deaf child to a safe place in the woods. Agatha‘s world is a silent one, making her an even more careful observer. She grows up in an institution “for the poor and the lunatic”, surrounded by mean nuns, where she learns embroidery and sewing and later finds work in a cloth factory. Her first blooming is put to an end abruptly as Agatha is diagnosed with tuberculosis and sent to the countryside for a cure. Every day she goes into the forest with her embroidery frame – until one day, she doesn‘t come back. Zenz also comes from the poorest of backgrounds. Beaten and neglected, he makes a living by lying and stealing from early age. A better life seems within reach as he is taken to artistic circles Paris by a painter friend. But finally he has to turn back to Switzerland, where he lives in the woods, homeless. One day, he sees Agatha there … In his artfully composed novel, Flavio Steimann intertwines the fate of two people who could not escape their destiny.
“It is late afternoon. You get in the car without saying anything and ask: shall we? You say yes with a gesture and show me the way. After half an hour I ask if you brought your clothes and your toothbrush. The brush does answer me. ” So, without a pre-existing history, a lonely forty-something architect and a mysterious young woman with big green eyes who never spoke about the past meet for the first time for a journey with no destination. Chance, which unites and separates two lives, leads the characters in the debut novel by journalist Flavio Gomes on a journey that passes through the interior of Minas, small German cities, São Paulo, Paris, Berlin, Amsterdam, Itacaré, Budapest, Prague and Strasbourg , without one ever knowing enough of the other to imagine a possible end.
A design tutorial by Manuela Brambatti, Versace's chief design illustrator, the book is an idea of couturier Flavio Marconi who, impressed by her drawing style, her unique taste designing fashion collections and the precision with which she captures the flow of fabric over the body, convinced her to put it into print. Here Brambatti reveals her fresh and innovative style, not better than others, as she writes, but orginal and distinctive for Versace’s workshop, halfway between fashion sketching and illustration.
Alvaro Giacometti has always lived a quiet, secure life in the mountain village of his childhood. One day he hears about the death of his father, whom he has not seen in decades: apparently, the man who left him to sail the seas had returned some time before, and came to live not far away from Alvaro’s village. The son decides to go and visit his late father’s house, only to find the huge model of a cargo ship – twelve meters of iron and shipyard material.What is the meaning of that?Alvaro has no choice: he needs to put together the pieces of his father’s past, one step after the other. He finds a clue that leads him to Gdansk – the first of the many harbours that he will wander through in his adventurous travel.
A series dedicated to the wonders of the world, to be discovered through precious and peculiar books, filled with sensational illustrations. Not only for the contents, these books are “wonderful” also in their binding, with surprising elements on the cover andfor their evocative illustrations.A journey in discovery of the 15 most amazing places of the world created by humankind, which will enchant children and grown-ups: Taj Mahal, Machu Picchu, Cheope’s Pyramid and many others. For each place, there will bea suggested itinerary for a guided tour, a legend, the story of the construction and many more curiosities.
Formula One On This Day revisits many of the sport’s most magical and memorable moments which might otherwise have slipped under the radar. Here are hundreds of unusual highlights, all mixed in with a maelstrom of quirky anecdotes and legendary characters to produce an irresistibly dippable F1 diary – with an entry for every day of the year. Revisit the day Alberto Ascari took an unplanned dip in Monaco harbour along with his Lancia during the 1955 race; the race which saw Taki Inoue tangling with the course marshal’s car, and Nigel Mansell’s unlikely first win for Ferrari! Recalling events that will make you laugh, cry, or shake your head in disbelief, Formula One On This Day benefits from brilliant research, gathering together many original stories and tit-bits to create a snapshot of the diverse and often bizarre world of top-class motor-racing.
O livro de Ney Piacentini sobre o ator, diretor e professor Eugênio Kusnet preenche uma imperdoável lacuna sobre a influencia e o significado do trabalho de um dos mais influentes personagens da historia do moderno teatro brasileiro. Kusnet participou da formação dos dois mais importantes grupos que já tivemos, o Arena e o Oficina, ensinando e treinando nossos atores a trabalhar seus papéis, baseado numa peculiar e meticulosa abordagem do método do diretor, ator e teórico russo, Constantin Stanislasvski. Piacentini é ator de um dos mais valiosos grupos teatrais da atualidade a Cia do Latão, e foi presidente da Cooperativa Paulista de Teatro, agremiação fruto do trabalho de gerações, pioneira e fundamental no desenvolvimento do teatro paulista. Ney narra a trajetória do mestre Kusnet por meio de documentos, reportagens e, principalmente, depoimentos de prestigiosos profissionais como Fernanda Montenegro, Renato Borghi, Walmor Chagas, José Renato, Flávio Migliaccio, Miriam Mehler, Maria Della Costa e José Celso Martinez Correa. Um livro escrito com a inspirada devoção de quem entende o teatro como estímulo transformador. Essencial para quem se interessa pela nossa arte. — Paulo Betti
This book is about William Pinar: one of the best-known authors in the field of curriculum studies. The main contribution of William Pinar is not to determine the curriculum. He is involved in a continuous struggle to help students and teachers reflect about their personal experiences, educational and curricular options.The book has been organized in five chapters. The first chapter –discursive construct – includes the identification of William Pinar from his own roots (as a student and as a teacher), and the schools of thought that influenced his work. The second chapter is concerned with Curriculum Studies as an academic field, answering the questions: What is Curriculum Theory? What does the reconceptualization movement mean? What is post- Reconceptualization? The following chapter is about Pinar’s curriculum theorizing, including a particular “mode de penser”, schooling, school and teacher education, as well as curriculum as comparative language and currere as method. The fourth chapter is about his life experiences, particularly the sense of South, and includes Pinar’s transdiscursivity, searching for the author-function features through the foundational Journal and the Internationalization of Curriculum Studies. The last chapter includes some contributions of the studies of William Pinar and Ivor Goodson concerning research in the field of curriculum by António Flávio Moreira, a well-known scholar in Brazil and Portugal.
In my many years of life, I learned that fleas like sheets, hem of trousers, folds, nooks and crannies… but some really like to poke the part behind people's ears. Poking, tickling… and making us uneasy, with that itch: what is it? What's it? What is going to be? As? Because? For what? When? - And go out there.
The book consists of 19 s on different subjects and in different dimensions, with particular emphasis on the post-harvest handling and processing of fruits and vegetables, including mushrooms. Scope for the technology on fruits and vegetables, non-destructive methods to evaluate fresh quality, radiation preservation, chemistry of pectin and pigments and their applications, nutraceutical compounds, membrane processing of liquid fruits, dehydrated and intermediate moisture products,importance of bamboo and mushrooms as food, influence of process conditions on product quality, food additives in product preparation, packaging aspects, microbiological safety concerns, relevant analytical methods, mushroom nutraceuticals and bio-technological interventions for improvement of banana with a final note on conclusions in the last .