August 2001
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September 2009Tristano
by Nanni Balestrini, Peter O. Chotjewitz, Peter O. Chotjewitz, Umberto Eco
»Tape Mark I« (1961) von Nanni Balestrini gilt als erstes Gedicht, das je auf einem Computer geschrieben wurde. Der Autor verfolgte jedoch einen radikaleren Plan: Er wollte am Rechner einen Liebesroman verfassen, in seine Bestandteile zerlegen und diese willkürlich kombinieren. 1966 erschien sein Tristano bei Feltrinelli – als »normales« Buch mit 10 Kapiteln zu jeweils 30 Abschnitten in einer festgelegten Reihenfolge. Vier Jahrzehnte später erlauben es die Fortschritte der digitalen Drucktechnik, das Buch so zu veröffentlichen, wie der Autor es ursprünglich geplante hatte: Per Computer werden aus den 30 Abschnitten der 10 Kapitel jeweils 20 ausgewählt und in eine neue, zufällige Reihenfolge gebracht. Somit ist jedes der 2.000 Exemplare dieser deutschen Originalausgabe ein Unikat. Alle Bände sind auf dem Umschlag fortlaufend nummeriert. Die ersten 5.999 Tristano-Romane sind in italienischer Sprache bei Derive Approdi (Rom) erschienen. Die deutsche Ausgabe beginnt mit der Nummer 6.000 und endet mit der Nummer 7.999. Im Anschluß sind englische und französische Ausgaben geplant. Mit einem Vorwort von Umberto Eco und einem Nachwort von Peter O. Chotjewitz.
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Children's & YAOctober 2022Daniel Ghost and the Wandering Souls
by Nicola Lucchi
Daniel is an introverted boy who struggles to find friends in the village where he went to live after the disappearance of his parents. Finally one day, a new classmate seems to notice him. The problem, however, is that apparently he is the only one who can see her, thus making him look like a weirdo - more than usual.The girl is a ghost called Diana and she is quite grumpy. In fact, it looks like it annoys her a lot that Daniel can see her. She has a job to do, and he can only get in the way. In those same days, an even stranger event -if possible- happens in the school. In the new-year-of-school photo of a class in their own corridor, 13 children appear, but they were only 12 in front of the photographer! They are all shocked, and Professor Trevis most of them all. There is another ghost in the school, but not like Diana. He is different. He is a wandering soul, a dangerous spirit. Diana was sent to investigate, to find out why he reappeared, to help him get back to where he came from. Unfortunately, Daniel will have to help her… First book in Daniel Ghost Series.
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Children's & YAA war against profs!
Leonardo Damiani and Sister Bernardina’s Miracle
by Maggi Andrea
GUERRA AI PROF! Leonardo Damiani e il miracolo di suor Bernardina (A war against profs! Leonardo Damiani and Sister Bernardina’s Miracle) 3 reprints, 3000 copies sold Genre: fiction middle-grade/YA Age: 11+ Pages: 156 Leonardo goes to secondary school, and enjoys inventing pranks, such as throwing a dog at the postman and adding laxative to the teachers’ coffee. He doesn’t like studying, and he is always playing videogames. But one day Leonardo becomes himself the target of a prank, and in trying to fix the damage he meets the almost centenary nun Bernardina, a distant relative. The old lady will prove extremely funny and, against all odds, the two will became close friends. Bernardina will eventually help Leonardo to solve his problems once and for all.
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Children's & YAStella Nosella (Children's Books)
by Author
Stella Nosella is a Venetian author of children’s fiction, a reading testimonial for her region for Piccoli Lettori. She has made a name for herself in the panorama of Italian children’s writers. She is testimonial of #ilvenetolegge and #ioleggoperché, institutional programs to encourage reading. As author she has been selected for #primaeffe Feltrinelli for the school and her first two novels, "Sebastian’s Chronicles -The books that do not exist", selected for the Premio Strega 2019, and "Sebastian’s Chronicles - The Legend of the Underground Lake" have been quite successful, more titles of the same series are in the works.
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Humanities & Social SciencesDella gentilezza e del coraggio (Of Kindness and Courage)
Breviario di politica e altre cose (A Compendium of Politics and Other Things)
by Gianrico Carofiglio
“The practice of kindness does not mean escaping conflict. On the contrary, it means accepting it, giving it rules, making it a tool of possible progress and not an event of destruction.” Legend has it that a Japanese physician once observed that, unlike the other trees in his garden, the branches of the weeping willow did not snap under the weight of the snow. Instead of remaining rigid, they simply yielded to their burden, letting the snow slide off their branches. Their strength lay not in opposing the force of the snow but in embracing it and consequently defusing it. He applied this principle to martial arts and ju-jitsu was born. It is this same philosophy of yielding, effortlessness and grace that writer Gianrico Carofiglio brings together in the word kindness, presenting it as an alternative response to counter-attack in the field of modern politics. As a way of disempowering your opponent and thereby defusing an aggressive situation. Kindness becomes a powerful weapon that creates instead of destroying. A powerful ally of kindness is courage: the courage to ask questions that engender more questions, the courage to accept a state of uncertainty which keeps your mind open and flexible, rather than cast-iron certainty which shuts off any hope of progress and possibilities. The courage to demand transparency and accountability in politics. In other words, the courage to be a mindful, responsible citizen and not a subject. Last, but not least, the courage of humour and self-deprecation. Della gentilezza e del coraggio is a compendium of principles and methods for the practice of politics and civic responsibility, to encourage a society of mutual respect and peaceful coexistence. Written with Gianrico Carofiglio’s trademark incisiveness and lexical precision, it is a book that subverts assumptions and challenges limitations. A book that never claims to provide the answers but, instead, champions the art of questioning. A must-have mini-manual for the thinking citizen – and politician.
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Ragazzo italiano (Italian Boy)
by Gian Arturo Ferrari
Ninni is a child of postwar Italy. His life traverses hardships recalling the industrial revolution in provincial Lombardy, the decline of rural civilization in Emilia, and the explosion of life of in a Milan undergoing reconstruction. Through it all, Ninni learns about the pitfalls of emotions, suffering, and the pain hidden even in the closest bonds. As a boy, thanks to his grandmother, he discovers he can leverage the immense continent of experiences and emotions that books open wide before his eyes. Having become aware of himself and his wearying autonomy, the boy carves out, in the name of curiosity and the will to know, what promises to be his place in the world. The story of Ragazzo italiano (Italian Boy) reflects the history of the whole country – the harshness, poverty, anxiety about the future – the story of a generation born of the war but determined to carry out projects and dreams beyond that tragedy. An Italy where school is the springboard for social advancement, and the future is crowded with expectations and promises. An Italy still alive in the deep memory of the country, in the familiar vicissitudes of many Italians. Ferrari gives it body and breath, without any self-indulgence, with a crystalline and austere style, often raw, and a timbre of courageous sincerity. Able to express the freshness of the protagonist and a multitude of flashing characters of the future. “Once the ties with the nest were cut – eliminating, in practice, obligations and duties – Ninni, to his intimate amazement, discovered that other things were left and they existed. Indeed, he existed.”
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Liberi dal male (Free from Evil)
by Ezio Mauro
A journey beyond fear, to understand how this epidemic is changing our freedom, our rights, our democracy. “While power attacks the virus, the virus has already affected the power. It is not the one that changes, as we feared in our worst nightmares: in fact it is changing us and the relationship between citizens and State.” Modernity has accustomed us to look at death as a senseless, incongruous event. Instead an unknown pathogen forced us calculate every day who lives and who dies. But every diagram, every count that seems to reveal the secret of this misfortune, has actually a double meaning, it tells something about the virus and about us, and the balance is the amount of our daily fear. To escape evil, we hid ourselves, taking shelter, abandoning social relations to imprison ourselves within the walls of our homes. Meanwhile a second, invisible infection was spreading silently, and nobody knows yet how many victims it will do: it is an infection that transfers the fear from the health situation to the social organization. The virus seems to make inadequate what we used to consider a conquest, it goes straight to the heart of the system and attacks the democratic mechanism, it proposes a new and different power, based on anomaly as a necessity. So the infection is transforming not only social relationships, but also our freedom, our work and our rights: in a word, it’s transforming politics. For this reason, even if we were all the same in the beginning of the pandemic, we risk coming out it very different. Ezio Mauro tells the path of the virus since it was born in China until today, studying its tactics, strategy and character. In the meantime, he reflects on us, on how we are changing. “We are victims of a universal attack that for the first time threatens the whole human race, and at the same time we are protagonists of an unprecedented social experiment: we will come out different, I have tried to understand how and how much.”
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Lo scrittore senza nome
by Ezio Mauro
Andrei Sinjavskij was only half of a story. The other half was named Yulij Daniel’. Together, the two Russian writers challenged the Soviet regime with the most powerful and feared weapon – the word – publishing their books in the West under the pseudonyms of Abram Terz and Nikolai Arjak. Andrei Sinjavskij and Yulij Daniel’ were arrested only four days apart by the KGB, and in 1966 tried in a trial that became a worldwide scandal, the first after the fall of Chruscëv and the reformist illusions. Their sentences were almost identical: five and seven years in prison and forced labor in the gulag. On both of them, on the last day of the trial, the investigating judge’s words resounded with his impenetrable certainty: “You may be right in twenty years, but for the moment it is I who am right”. Then the Soviet power thought of breaking the thread of that intellectual friendship, so deep that it turned into politics, and so strong that it turned into opposition: it opened to Sinjavskij the way to exile, while Daniel’ remained confined in his homeland. Sinjavskij lived in Paris, taught at the Sorbonne and his books had to stop at the immense border of the USSR. Thus the writer was forbidden in his own country until he was forgotten. The chess game between power and Yulij Daniel’ was more difficult. He lived in his homeland, after the camp he returned to Moscow in a house near the Sokol subway station. He did not carry out any suspicious activities. But his life, his name, his identity confirmed him as an intellectual forever and a dissident forever. A shadow fell over his name. But he kept repeating to himself: ‘Julij Markovic Daniel’, writer and translator, already convicted of anti-Soviet activities, released from the gulag, living in Kaluga, living in Moscow, on Novaja Pishanaja Street, entrance 3, second floor, apartment number 52. All this, because of two books.
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Unico grande amore
A trip through Italy thanks to football
by Toni Padilla
This trip through Italy is not intended to arrive as soon as possible. The guide is Toni Padilla, who, accompanied by a ball, and based on themes such as death, music, cheese or stickers, is impregnated with the country's double soul. Here are the majestic Italy and the Italy massacred by prejudices, lying on this journey from north to south and from east to west. The raw material of the stories, which are only on the author's radar, are the walks through the homeland of Benito Mussolini, Rafaella Carrà or Francesco Totti. Its pages are a map where memories are celebrated and goals are savored. Written with detailed prose and a leisurely gaze, they seem from another era, now that we don't have time for everything. But calcium is in no rush to get off this train.
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June 2015Violencia de género y las respuestas de los sistemas penales
by Encarna Bodelón (comp.)
The problem of impunity and the devaluation of the rights of women who suffer sexist violence in intimate relationships is still present in European penal systems. The basic question is what differentiates sexist violence in the sphere of the couple from other types of violence. This type of violence in the sphere of the couple has nothing to do with what is known as injuries in the criminal sphere, but rather "gender violence, sexist violence, violence against women". The "problem" is not the women who report or do not report, but to what extent criminal treatment pursues the reported behaviors and protects women who suffer violence. In diverse contexts we will see common problems and remote solutions, but which coincide in not being yet ensuring the freedom of women. Our purpose is to advance in the construction of women's rights and denounce that the insufficient guarantee of the right to a life free of violence is an attack against all women, against all citizens and a burden of the patriarchal State.
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January 2020Dio, sorpresa per la storia
Per una teologia post-secolare
by Carmelo, Dotolo
To meet God means entering into a new relationship that urges us to reconsider the models that have fuelled our believing experience. God is a constant surprise, a surprise that generates a new theological syntax for thinking, praying and narrating the adventure of existence.
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Saint Michael The Archangel
by Immacolata Aulisa, Claudio Azzara, Gioia Bertelli, Pierre Bouet, Ada Campione, Franco Cardini, Manuel Castiñeiras, Gerardo Cioffari, Alessandro di Muro, Klaus Herbers, Renzo Infante, Gábor Klaniczay, Giorgio Otranto, Francesco Panarelli, Giuseppe Sergi, André Vauchez, Catherine Vincent
From the Hebrew name meaning “Who Is Like God?”, Michael is one of the angels–together with Raphael (“God Heals”) and Gabriel (“God Is My Strength”)–whose names are mentioned in the Holy Scripture. Since the first centuries of Christianity, there has been a wide diffusion of his worship in Europe and in the East through a multitude of sanctuaries and chapels, mostly nestled in high places, related to caves and water. An astonishing feature of this spread is a mysterious straight line crossing the European continent from North-West to South-East from Ireland to Asia Minor, and it is perfectly aligned with the sunset on the day of Summer Solstice. Along this line are seven sanctuaries dedicated to Michael, three of which have been significantly important over the centuries: Mont Saint-Michel in Normandy, the Sacra di San Michele in val di Susa and the Sanctuary of Monte Sant’Angelo on Mount Gargano, in Puglia. Three extraordinary high places that are all the same distance one from the other and which have always been a constant pilgrimage destination. Another aspect is the connection Saint Michael had with the Longobards, who migrated across Europe between the second and the sixth century until they reached Italy where they settled. This made Michael the first truly “European” Saint, attracting believers from all over the continent. With the contribution of some of the most important historians and medievalists from different European countries, this book depicts the presence of Saint Michael in Europe, starting with the diffusion of his devotion, especially during the Middle Ages, and extending to an analysis of the iconography of the Saint through the many architectural and artistic testimonies to be found throughout Europe. Thanks to its influential contributions and to the variety of both historical and iconographic topics, combined with the spectacular nature of the numerous images of places and artistic testimonies, this book is a unique journey through Europe between art and faith.
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January 2019La città post-secolare
Il nuovo dibattito sulla secolarizzazione
by Paolo Costa
The secularization debate went through a big change during the last fifty years. Could this change be described as a paradigm shift? The volume, after an introduction that deeply analyses the “secularization” concept, picks up and discusses in eight chapters several exemplary figures in the recent debate (H. Blumenberg, D. Martin, C. Taylor, H. Joas, T. Asad, M. Gauchet, J. Habermas, G. Vattimo).Thus, the Author gives for the very first time, a systematic reconstruction of the changes and developments in this debate, ending in a real paradigm shift. The conclusion is however hesitant. It is unclear, Costa claims, whether this concept is still helpful to understand what is going on around us now and is in store for us in the near future. Winner of the Book Prize of the European Society for Catholic Theology (category: senior scholar)
