The most recent project 2020 is our cat series- 52 cat books in all genres and all sizes (including miniature books with short stories). One book every week beginning with March 2020. The series bestseller: Loving Reaper (author and artist Jenny Jinya), a comic that sold more than 2000 during the first 4 weeks. Read the comic online for free!
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Agence éditoriale depuis 2009. Cette maison généraliste, ouverte sur le monde, se distingue par sa connaissance de la Russie et de ses talents contemporains. Son objectif est de proposer aux lecteurs des ouvrages variés, parfois surprenants qui, chacun à leur manière, invitent à découvrir des univers, une partie de soi-même, ou simplement à se divertir.
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This new edition of Journeyman, Ewan MacColl's vivid and entertaining autobiography, has been re-edited from the original manuscript, and includes a new introduction by Peggy Seeger, for whom he wrote the unforgettable 'The First Time Ever I Saw Your Face'. MacColl, a singer, songwriter, actor, playwright and broadcaster, begins this fascinating account with his working class Salford childhood, traces the founding and life of Theatre Workshop, one of Britain's most innovative theatre companies, then moves on to his work with folksingers, the Radio Ballads and his ascent into old age. Ewan MacColl and Peggy Seeger were among the main leaders of the UK folksong revival. Journeyman documents their struggle to secure the integrity of that revival as the popular media appropriated and re-created traditional music for commercial gain. An entertaining and thought-provoking slice of British history, it will appeal to those interested in the histories of folk music, theatre, radio, left-wing politics and the Manchester area. ;
This new edition of Journeyman, Ewan MacColl's vivid and entertaining autobiography, has been re-edited from the original manuscript, and includes a new introduction by Peggy Seeger, for whom he wrote the unforgettable 'The First Time Ever I Saw Your Face'. MacColl, a singer, songwriter, actor, playwright and broadcaster, begins this fascinating account with his working class Salford childhood, traces the founding and life of Theatre Workshop, one of Britain's most innovative theatre companies, then moves on to his work with folksingers, the Radio Ballads and his ascent into old age. Ewan MacColl and Peggy Seeger were among the main leaders of the UK folksong revival. Journeyman documents their struggle to secure the integrity of that revival as the popular media appropriated and re-created traditional music for commercial gain. An entertaining and thought-provoking slice of British history, it will appeal to those interested in the histories of folk music, theatre, radio, left-wing politics and the Manchester area. ;
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Ella will das große Glück. Da passiert es: Sie wird für eine Hauptrolle bei einem Kinofilm gecastet! Dabei bekommt sie Unterstützung von unerwarteter Seite: Familienhund Ewan spricht plötzlich mit ihr! Er hilft Ella mit trockenen Kommentaren durch den Alltag am Set und bewahrt sie vor peinlichen Szenen mit Hauptdarsteller Jeremy, in den sie sich verliebt hat. Doch was beim Dreh gelingt, führt noch lange nicht zum Happy End. Dazu muss Ella erst das Rätsel um den Tod ihres Vaters lösen und ihre Mutter dazu bringen, nicht mehr an ihrer Tochter vorbei zu sehen - damit Ella endlich auch in ihrem eigenen Leben die Hauptrolle spielt.
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Waiting for the revolution is a volume of essays examining the diverse currents of British left-wing politics from 1956 to the present day. The book is designed to complement the previous volume, Against the grain: The far left in Britain from 1956, bringing together young and established academics and writers to discuss the realignments and fissures that maintain leftist politics into the twenty-first century. The two books endeavour to historicise the British left, detailing but also seeking to understand the diverse currents that comprise 'the far left'. Their objective is less to intervene in ongoing issues relevant to the left and politics more generally, than to uncover and explore the traditions and issues that have preoccupied leftist groups, activists and struggles. To this end, the book will appeal to scholars and anyone interested in British politics.
She has never feared the walking dead. It's the power required to reanimate the dead that startles her, seduces her. The power that dwells inside her...and is growing. For Professor Ruby Montagne, being a necromancer has brought her nothing but heartache, and she walked away from that part of her life long ago. However, her quiet existence in San Francisco is shattered when she stumbles upon the body of a slain witch, and the supernatural community insists she transform him into a revenant to track the killer. But his murder was just the beginning, and Ruby soon realizes that the stakes are higher than anyone can imagine-and that revenants have nasty minds of their own. Now demonic creatures have escaped into the human world, and zombies once again walk the streets. For humanity's sake, Ruby forms an unlikely alliance with a witch, a zombie, and Ewan March, a demon warrior who sets her senses on fire. She's always distrusted demons and Ewan is no exception, but circumstances push them closer together, and Ruby not only finds it harder to resist him, she isn't sure she even wants to. But she suspects his job of patrolling the portal separating humans and demons conceals a dark and deadly past that may consume them both. With events spiraling out of control, Ruby unravels a plot that not only threatens the human and demon realms, but puts Ruby's very soul in jeopardy. Because when the dead walk, no one is safe. Especially Ruby.
Every action has a reaction. Every reaction has a consequence. Every consequence creates a memory. Having overcome the impossibility of time travel, Kenneth Ramsayer and his best friend exist to relive past rock ’n’ roll gigs. Everything is going well; they’ve become heroes, they’ve discovered love, they had the world by the tail, and then they ruined everything. Based on what is left of their ruined music collections, it appears that rock ’n’ roll died in 1984. Their unassailable knowledge of music, leads the boys to recall that in 1984 an unknown patron made a bootleg recording of a Replacements gig. This cassette was recovered and became the live album “The Shit Hits The Fans”. The history of rock ‘n’ roll was forever changed. Now in a viciously evil plot, a thief has absconded with the recording. But what if the death of rock ’n’ roll isn’t connected to the missing cassette? Seeking help from unlikely sources and following fading memories, the boys travel across America in a bid to save rock ’n’ roll. An intelligent satire, the second novel in the Death of Rock ’n’ Roll series, “And Then They Ruined Everything” cleverly uses the concept of time travel in a rock ’n’ roll setting as an examination of choices and the power of art in society.
Four years before his death in 1996, National Artist for Film Ishmael Bernal started writing a journal for what he envisioned is a unique biography that would tell all. The goal was an anti-biography that refused to be hagiography or tribute, and instead would be Bernal unexpurgated and uncensored. His biographer was his closest friend and constant collaborator, Jorge Arago, who worked on Pro Bernal Anti Bio until his death in 2011. He then passed the task of completing the book to his friend, Angela Stuart-Santiago. Working towards the goal of a tell-all, and with new research and additional interviews, the final product is a memoir unlike any other in the Philippines. Pro Bernal Anti Bio brings in a cast of actors, scholars, colleagues, and peers who speak from the margins of the book, while Bernal and Arago tell this personal-political history in their own words, sometimes gay, often irreverent, but always revealing an intellect and spirit that was ahead of its time.
This is the story of over 260 young lads from the Knutsford, Cheshire area who never returned from the Great War. The story of each man has been researched including the use of regimental war diaries telling the story of how they met their end.
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage. To learn more about this publisher, click here: http://bit.ly/1ZT7e56
Thames & Hudson Australia is the fastest growing publisher of illustrated books in Australia. Our list is small but perfectly formed. We publish 40 titles each year into subject areas including the arts, architecture, interiors, design, photography, environment, gardening, food and drink and children’s books. Our books push design boundaries, challenge current thinking and offer new interpretations; they help put words, thoughts and images to the world around us. Whether an illustrated book, children’s books or narrative nonfiction, each title reflects the first-class editorial, design and production qualities synonymous with the Thames & Hudson tradition.
In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime living and working in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing. An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car. In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to. Always urban, often New York–centric, in his work a recurring theme is chronic displacement, people standing still in a city that is always changing. These are McLoughlin’s ghosts, these casualties of progress, and he holds them dear and celebrates them.
The objective of this book is to provide state-of-the-art knowledge, and highlight the current developments taking place in biological sciences. The book encompasses topics on prokaryotic cyanobacteria to higher plants, distributed in fourteen chapters for the benefit of graduate and post-graduate students as well as young researchers and scientists. Subjects covered include molecular and biochemical diversity of microbes, stress biology, cyanotoxins, antimicrobial activity of drugs originated from plants, natural bioactive compounds of microbial origin, detection approaches for genetically modified crops, genomics and proteomics. The book provides an insight for future perspectives in particular field with extensive bibliographies at the end of each . With all these, this book becomes highly useful and must-read for students, researchers and professionals in botany, biotechnology, bioinformatics, environmental sciences, agriculture, molecular biology and other streams of biological sciences.
