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      • Editorial Universidad Nacional de Quilmes - EUNQ

        The National University of Quilmes is an Argentinian public university that was founded in 1988. The editorial policy is considered one of the key axes for the university projection and integration with the educational environment. Therefore, it is a vital tool for increasing social visibility and for disseminating works that provide a true contribution to the knowledge and cultural heritage of Argentina and the world. The Institutional Editorial Program consists of the Publishing House, the publishing units of the Social Sciences, Administration and Economics Departments and of the Virtual University of Quilmes. The catalogue has a mainly academic profile with living collections and periodicals that contribute to social and scientific debates. Thus, it facilitates the dissemination of knowledge and of the outcomes of the university scientific research and of other national and foreign spheres. It also includes translations of works that provide new views for the curricular and extracurricular debate. The catalogue is enriched with special editions that gather artists and role models of the national and regional culture and that enhance the dialogue and interaction between the university and the community.

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      • Ediciones Universidad de Navarra, EUNSA

        Ediciones Universidad de Navarra (EUNSA) was established in 1967. With than 1800 titles in our catalog, we offer almost 100 new releases each year, in many topics: philosophy, psychology, education, history, law, communication, theology, design

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      • Fiction

        Prism​

        by Won-Pyung Sohn

        A heart-warming contemplation on acceptance and healing, in nimble, observant, and poetic prose not unlike Celeste Ng A story about men and women in their twenties and thirties making peace with the worldandthemselves,​Prism delves into the complexity of human relationship and how the sheer fact of coexistence, as much as it complicates, can also heal sometimes. It is a series of coincidences that bring together four young people, Yejin, Jane, Hogye, and Dowon. Hogye, who works at Jane’s bakery “East Flour,” comes into contact with Yejin while hanging out with insomniacs’ club members. Yejin has a crush on Dowon who works in the movie industry and who, as it turns out, has a complicated history with Jane. As these four people are brought, and at times forced, together, they evolve in different ways. Jane realizes that she’s no longer the twenty something who wanted to be a professional musician, and that she has come to truly love what she only thought was a way of making a living: baking. Yejin, who was in the habit of getting herself into one-sided love affairs, finds her way to a happier, more realistic relationship. Hogye acknowledges his anger issues, learns to forgive and embrace his dysfunctional family, and finds the artist in himself. Dowon finally comes face to face with his unhappiness and the emotional tolls his first wife’s death took on his romantic life. At the end of ​Prism ,​ each of them still harbors the pain that comes with human connections. But not one of them takes a step back. All of them move decidedly on, either towards or away from one another. Partial Available.

      • Jini, Jinny

        by You-Jeong Jeong

        YOU-JEONG JEONG’S LATEST, ​JINI, JINNY,​ IS A POWERFUL NOVEL that touches on environmentalism, human arrogance vis a vis the animal kingdom, and what it means to search for and fulfill a life’s purpose. The first non-thriller by the renowned crime novelist, this book is an exciting adventure with dashes of magical realism.The book opens with Jini, a 34-year-old woman who is working on her PhD in primatology. She is in the Congo for research. She stumbles across a bonobo in illegal captivity, and though she knows what she should do, she ends up not doing anything; not reporting it, not telling anyone about it. ​This weighs on her heavily in the following half year or so and she decides toleave her field. On her last day at work, the primate research center she works at gets a report that a bonobo is on the loose; she and her mentor go to help capture it, but get into a car accident on their way back.When she comes to, she realizes she's in the body of the bonobo, who she and her mentor have decided to call Ginny. The book alternates between her voice and the perspective of Minju, a thirty-year-old man who doesn't have a job or money or a purpose in life. He discovers the accident and calls 911. Jini, in the body of Ginny, manages to convince Minju that she is Jini and the rest of the book follows their attempts to get to the hospital where Jini's body is in surgery so that she can return to her body. But the bonobo's consciousness takes over the animal’s body and Jini learns about the bonobo's past life. At the very end she realizes that the bonobo whose body she is occupying is the bonobo she failed to help in the Congo months ago. She wrestles with the fact that humans have been dominating and privileging themselves over animals and, knowing that her soul will die along with her severely damaged human body, returns to her original body, allowing the bonobo to return to its home in the Congo.During this time, Minju finds purpose and risks everything to help Jini, making that human connection that he hasn't ever experienced; this incident forces him to grow up and find meaning again. The characters are particularly well realized, with a strong, conflicted, and ultimately sacrificial womanThe story in brief: The book opens with Jini, a 34 year old woman who is working on her PhD in primatology, in the Congo for research. She stumbles across a bonobo in illegal captivity, and though she knows what she should do, she ends up not doing anything; not reporting it, not telling anyone about it. This weighs on her heavily in the following half year or so, and she decides to leave her field and quit. On her last day, the primatology center she works at gets a report that a bonobo is on the loose; she and her mentor go to help capture it, but get into a car accident. When she comes to, she realizes she's in the body of the bonobo, who she and her mentor refer to as Jinny. The book alternates between her voice and the voice of Minju, a thirty year old man who doesn't have a job or money or a purpose in life, who is the one who discovers the accident and calls 911. Jini, in the body of Jinny, manages to convince Minju that she is Jini and the rest of the book follows their attempts to get to the hospital where Jini's body is in surgery so that she can return to her body. But more and more the bonobo's consciousness takes over the bonobo's body and Jini learns about the bonobo's past life, and at the very end she realizes that the bonobo whose body she is occupying is the bonobo she failed to help in the Congo months ago. (This part felt a little too pat.) She wrestles with the fact that humans have been dominating and privileging themselves over animals and, knowing that her soul will die along with her severely damaged human body, returns to her original body, allowing the bonobo to return to its home in the Congo. During all this Minju finds purpose and risks everything to help Jini, making that human connection that he hasn't had in a long time; this incident forces him to grow up and find meaning again.Jeong’s characteristic powerful writing; it’s all about loss and disappointment and sacrificing yourself to do the right thing and critiquing human arrogance vis a vis the animal world, with a dash of genuine humor and rollicking adventure/action.

      • Fiction

        28

        by You-jeong Jeong

        28 SYNOPSIS THIS ADRENALINE-FILLED NOVEL is written from the six characters’ intersecting points of view, a stark reminder that no event is ever clear-cut.Brimming with characters that are larger than life and embroidered with evocative meditations on humanity, ​28 is a riveting ride of fear, despair, and the power of empathy. This blockbuster of a novel is reminiscent of the very best of Stephen King and is sure to be a worldwide sensation. A thrilling, multilayered tale of undying loyalty and unlikely kinship during uncertain times, ​28 is the explosive new bestseller by You-jeong Jeong, the celebrated Korean master of suspense. Injecting her trademark precision and complex, irresistible characters into this story of a city overtaken by a mysterious disease, Jeong has crafted an intricate study of the true form human nature takes during disaster and the resulting anarchy. In a small, quiet city near Seoul, a dog breeder is discovered near death in his apartment, his skin sallow and his eyes bloodshot. The place is overrun with caged dogs; they too are dead or dying. Only one manages to escape—Ringo, a hulking wolf-dog. Although emergency technicians rush the breeder to the hospital, he hemorrhages to death. A few days later, the same emergency technicians are brought to the hospital exhibiting identical symptoms, all except Gi-jun, who entered the apartment first. Afraid that he might be infected as well, he stays away from his wife and young daughter and dives into work.Soon, the hospital staff begins succumbing to the disease, and Su-jin, a junior emergency room nurse, is pulled in to cover for her colleagues. Entire neighborhoods are stricken and the hospital is overrun with the dead and dying. Soon the military enforces a quarantine of the city and declares martial law. Su-jin periodically stops by the apartment she shares with her father but she is consumed with anxiety—her father is nowhere to be found. Around the same time, the city’s elusive veterinarian, Jae-hyeong, once an up-and-coming musher in Alaska, begins to see more canine patients in his dog shelter. He is also trying to get rid of a brash, insistent reporter, Yun-ju, who wrote a damning article accusing him of killing his sled dogs many years ago in Alaska and doing the same to the animals in his shelter. Acting on an anonymous tip, Yun-ju was trying to get more information about Jae-hyeong when the quarantine strands her in the city. Although Jae-hyeong is initially standoffish, he asks for Yun-ju’s help when he unexpectedly finds himself a guardian of a young blind girl. As Jae-hyeong and Yun-ju begin to understand each other’s strengths and passions, they gradually develop a mutual affection.Yun-ju’s anonymous source is Dong-hae, who has an axe to grind with Jae-hyeong. Years ago, he was beating his father’s beloved dog, Cookie, when Jae-hyeong intervened and rescued the animal. Jae-hyeong’s involvement brought Dong-hae’s violence to the attentionof his father, who then sent him to the military. Now that Dong-hae is back in town, he is obsessed with revenge. He stalks Jae-hyeong, waiting for a chance to snatch Cookie so he can finish the dog off. He also stalks his parents, resentful of having always been the black sheep. With sociopathic conviction, Dong-hae roams the stricken city, focused only on his own mission. But when Dong-hae accidentally kidnaps Star, another one of Jae-hyeong’s dogs, instead of Cookie, he launches a tangled web of events that end with his death. Ringo, who has been hiding in the woods since his escape, rescues Star. Ringo is madly in love with Star, and the two dogs stay together, away from the chaos. Soon, people realize the disease originated in dogs, and the government sends armed military personnel to round up dogs and kill them. Eventually, the government cuts off all access to the outside, including internet and cell phone service, and the military stands by as the city descends into violent riots, looting, and other crime. As people try to flee the city on covert midnight journeys through the woods, rumors abound that the military is shooting anyone who attempts to break the quarantine. With nobody to trust and a large number of townspeople succumbing to this mysterious disease, Gi-jun, Su-jin, Jae-hyeong, Yun-ju, and Dong-hae try to survive in their own ways, feeling increasingly abandoned and isolated. Some of them begin to descend into madness, as others dig deep to do the right thing. In the end, as the military slaughters protesting civilians, Gi-jun, Jae-hyeong, and Ringo face off, fueled by sorrow, revenge, and despair.

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