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      • Elain Publishing House

        Dr. Fatima Al-Boudi in brief Nationality: Egyptian. - She holds a Bachelor of Science, Department of Biochemistry, Alexandria University, in 1977. - Master of Biochemistry, Ain Shams University, 1985. - PhD in Biochemistry, Ain Shams University, 1990. - Holder of a diploma in criticism and art appreciation from the Academy of Arts in Cairo 1996. - Consultant medical analysis at the Faculty of Medicine, Ain Shams University. - Owner and director of “Dar Al-Ain Publishing” since 2000, and she founded one of the bookshops of the house in 2011 in Alexandria. - Director of the "Al Ain Cultural" salon. - She holds the 65th position out of 200 influential businesswomen in the Arab world. Al Ain Publishing House participated in many international book fairs. Al Ain Publishing House won many awards, including the Sheikh Zayed Prize, and reached the short list for the Booker Prize five times. - Dr. Fatima Al-Boudi in many cultural seminars at Arab International Exhibitions. - Member of the Egyptian Publishers Union. - Member of the Arab Publishers Union.

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      • Al-Alia Publishing House

        Al-Alia Publishing House produces stories for children. Not only the child enjoys the new experience of reading Alia presents, but so as everyone else.

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        Reclaiming The Gods

        Magic, Sex, Death and Football

        by Nicholas Mann

        In the same way as the Goddess has been reclaimed in recent years this book reclaims the archetypal God. Nicholas Mann, in this vibrant new work shows how the figure of the God has become monopolised, marginalised and corrupted to our great loss. In this important and original new work Nicholas Mann establishes himself as one of our most provocative commentators on contemporary spirituality.

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        The Arts
        September 2024

        Cases of citation

        On literature in art

        by Chloe Julius, Michael Green, Matthew Holman

        Cases of citation presents a history of artists who incorporated literary references into their work from the 1960s onwards. Through a series of object-focused chapters that each take up a singular 'case of citation', the collection considers how literary citation emerged as a viable and urgent strategy for artists during this period. It surveys eleven artworks by a diverse group of artists - including David Wojnarowicz, Lis Rhodes, Romare Bearden and Silvia Kolbowski - whose citations draw on works as varied as Karl Marx's Das Kapital and Mary Shelley's Frankenstein. The book also features an interview with pioneering feminist artist Elaine Reichek that discusses her career-long commitment to working with text. Together, the artworks and cited texts are approached from various critical angles, with each author questioning and complicating the ways in which we can 'read' textual citations in art.

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        Children's & YA

        Hohoho, Here Comes Father Christmas!

        by Katja Richert/Denitza Gruber

        Soon it’ll be Christmas! It’s time to load the sleigh with presents, thinks the reindeer. But Father Christmas wants to decorate his house first, and build a snowman, and have a nice cup of tea. Then suddenly it’s almost too late! All his friends must help, so that children can get their presents on time.

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        March 2003

        Der goldene Skarabäus

        Roman

        by Nicholas Drayson, Sonja Schuhmacher, Rita Seuß

        Nicholas Drayson wurde 1954 in England geboren. Er studierte Geschichte sowie Wissenschaftsphilosophie in London und absolvierte eine Ausbildung als Journalist. Seit 1982 lebt der Autor in Australien. Er schrieb Kolumnen und Artikel für verschiedene Zeitschriften und Magazine, daneben beschäftigte er sich mit dem Studium der Zoologie und Naturgeschichte, das er 1997 abschloß. Anschließend verbrachte er zwei Jahre in Kenia. In dieser Zeit entstand sein erster Roman Der goldene Skarabäus, nachdem bereits 1988 das Sachbuch Wildlife: Australia's flora and fauna gently erschienen war. Heute lebt Nicholas Drayson wieder in Canberra, wo er zunächst einige Zeit als Kurator am National Museum of Australia arbeitete. Inzwischen ist er freier Schriftsteller.

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        Humanities & Social Sciences
        November 2001

        Aspects of English Protestantism C.1530–1700

        by Nicholas Tyacke, Peter Lake, Anthony Milton, Jason Peacey, Alexandra Gajda

        During the sixteenth century, England underwent a religious revolution. This book examines the reverberations of this Protestant Reformation, which continued to be felt until at least the end of the seventeenth century. Brings together twelve essays by Nicholas Tyacke about English Protestantism, which range from the Reformation itself, and the new market-place of ideas opened up, to the establishment of freedom of worship for Protestant nonconformists in 1689. For this collection the author has written a substantial introduction, and updated the essays by incorporating new research. ;

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        May 1998

        Santa Evita

        Roman

        by Tomás Eloy Martínez, Peter Schwaar

        Eva Perón starb 1952 im Alter von nur 33 Jahren; eine bombastische Zeremonie des langsamen Abschieds nahm ihren Lauf. Evita war eine aus der Provinz auf- und von der Leinwand herabgestiegene Göttin, eine lebende Heilige. Was jedoch nach ihrem Tode geschah, scheint jedes Maß der Verehrung zu sprengen: Ihr Leib wurde einbalsamiert, versteckt, gejagt, ging auf eine makabre Wanderschaft und wurde zum Objekt unglaublicher Intrigen und Obsessionen – mehr noch als Evita selbst. »›Santa Evita‹ hat mich von der ersten Seite an überwältigt – ich war gerührt, litt, genoß, eignete mir schändliche Laster an und verriet meine heiligsten Prinzipien. Wenn ein Roman es fertigbringt, einen Sterblichen mit festen Grundsätzen und strengen Gewohnheiten zu derartigem Unfug zu verleiten, dann kann es keinen Zweifel geben: Er gehört entweder verboten, oder er muß unverzüglich gelesen werden.« »Mario Vargas Llosa« »Hier ist endlich der Roman, den ich immer lesen wollte.« »Gabriel García Márquez«

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        Literature: history & criticism
        January 2013

        James Kelman

        by Simon Kovesi (Actually Kövesi)

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        Teaching, Language & Reference
        November 2023

        David Bowie, Enid Blyton and the sun machine

        by Nicholas Royle

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        Children's & young adult fiction & true stories
        2020

        A flamboyant father christmas

        by Fabienne Jonca, Iloë

        In January, the most elegant Father Christmas decides to explore the world, in search of an outfit for the next holiday season. On board his sleigh, he flies to Scotland, Japan, the Ivory Coast, and many more countries. During this round-the-world-trip, he tries on clothes, from the plainest to the most dazzling. What will he decide to wear this year? A Scottish kilt or an African boubou?

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        Suitcases and Backpacks

        by Chava Kohavi Pines

        Suitcases and Backpacksis a testimony of intricate detail that describes a young girl’s survival in ghettos and concentration camps between 1942 and 1945. Readers follow her journey from Vienna to the Theresienstadt Ghetto, then to Auschwitz and to a labor camp near Breslau, followed by the alienation she feels upon returning to Vienna, her subsequent journey to Prague, and, finally, the realization of her dream to immigrate to Palestine. The original edition published in Hebrew has proved interesting to readers of all ages.    Chava Kohavi Pines was born Eva Hirsch in 1927 in Vienna, Austria, to a middle-class Jewish family. Since immigrating to Palestine in 1946, the author has resided in Kibbutz Dorot in the northern Negev where she worked as a teacher and counselor for years. Only with forty years’ distance from the trauma of her youth has she been able to write an account of some of her experiences during the Holocaust.    An English-language eBook edition was published in late 2014  by Samuel Wachtman's Sons Inc., CA. An Italian edition was published in early 2017 by Edizioni Terra Santa, Milano. 80 pages, 14 x 21.5 cm

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        September 2010

        Der Weihnachtsmann oder Das abenteuerliche Leben des Santa Claus

        by Lyman Frank Baum, Hans-Christian Oeser

        L. Frank Baum, der Schöpfer des Kinderbuchklassikers Der Zauberer von Oz, hat mit der Geschichte über das abenteuerliche Leben des Santa Claus ein weiteres, bezauberndes Märchen geschrieben. Und er findet wunderbare Antworten auf all das, was wir schon immer wissen wollten: Wo wohnt der Weihnachtsmann? Wie kam Santa Claus zu seinem Namen? War der Weihnachtsmann auch einmal ein kleiner Junge? Warum wird Santa Claus von Rentieren durch die Lüfte gezogen und wieso können Rentiere überhaupt fliegen?

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        Politics & government
        November 2006

        The European Union and the regulation of media markets

        None

        by Alison Harcourt

        National broadcasting and press regulation is undergoing a process of convergence in Europe. This book, newly available in paperback, explains how this process has been shaped by the actions of the European Union (EU) institutions. Alison Harcourt observes that whilst communications is one of the EU's most successful policy areas, European decision-making is eroding the national capacity to regulate for the public interest. European-level efforts to protect public interest goals have been constrained by the European Treaties. The author argues that increased European coordination in public interest regulation could be more conducive to growth and competitiveness than the dismantling of existing national laws. This, however, would require changes to the political composition of the European Union. This book assesses the potential EU media regulation provides for market growth and the protection of media pluralism, the citizen and ultimately democracy itself. These opportunities are presented in the coming decade with the developing European Constitution, EU enlargement, and the implementation and revision of European regulation.

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        Literature & Literary Studies
        May 2009

        Illegitimate Power

        Bastards in Renaissance Drama

        by Alison Findlay

        In Renaissance Drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide rage of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crises in early modern England, reading them in relation to witch craft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstanding heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority. ;

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        Humanities & Social Sciences
        January 2006

        Gentry culture in late-medieval England

        by Raluca Radulescu, Steve Rigby, Alison Truelove

        Essays in this fascinating and important collection examine the lifestyles and attitudes of the gentry in late medieval England. They consider the emergence of the gentry as a group distinct from the nobility, and explore the various available routes to gentility. Through surveys of the gentry's military background, administrative and political roles, social behaviour, and education, the reader is provided with an overview of how the group's culture evolved, and how it was disseminated. Studies of the gentry's literacy, creation and use of literature, cultural networks, religious activities and their experiences of music and the visual arts more directly address the practice and expression of this culture, exploring the extent to which the gentry's activities were different from those of the wider population. Joining the editors in contributing essays to this collection is an impressive array of eminent scholars, all specialists in their respective fields: Christine Carpenter, Peter Fleming, Maurice Keen, Philippa Maddern, Nicholas Orme, Tim Shaw, Thomas Tolley and Deborah Youngs. As a whole, the book offers a broad view of gentry culture that explores, reassesses, and sometimes even challenges the idea that members of the gentry cultivated their own distinctive cultural identity. It will appeal to students looking for a comprehensive introduction to late medieval gentry culture, as well as to researchers interested in gentry studies more generally. ;

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        Literature & Literary Studies
        October 2009

        Dante and the Victorians

        by Alison Milbank

        In this ground-breaking book, Alison Milbank explains why a comprehension of the Victorian reception of Dante is essential for a full understanding of Victorianism as a whole. Her focus on this much-neglected topic allows her to reconfigure the British nineteenth-century understanding of history, nationalism, aesthetics and gender, and their often strange intersections. The account also builds towards a demonstration that the modernist perpetuation of the Dante obsession reveals an equal continuity with many aspects of Victorianism. The book provides not only an authoritative introduction to these important cultural themes, but also a re-reading of the genealogy of literature in the modern period. Instead of the Victorian realism challenged by Modernist symbolism's attempts to transcend linear time, Milbank offers us a contrary, continuous 'Danteism'. For both the Victorians and the Modernists Dante is the first writer to historicise, fictionalise and humanise the eternal role, and he becomes paradoxically the means by which history, secularised fiction and a positivist humanism could be reconnected to a lost transcendent. Dante and the Victorians provides the first comprehensive account of why the reading of Dante was central to nineteenth-century British language and culture. ;

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        The Arts
        March 2005

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema. ;

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        The Arts
        January 2019

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.

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